Wild Things Page #11
- R
- Year:
- 1998
- 108 min
- 914 Views
There is a moment of silence in the room.
RAY:
But you do admit to touching her, to
putting your arm around her. Isn't that
against the rules?
SAM:
It is and I don't. Ordinarily...
(beat)
But, I mean... there's this kid standing
in front of you crying...
RAY:
With a thirty-five inch bustline in a
wet T-shirt with no bra...
He is cut short as Sam shoves his chair back from the table.
SAM:
F*** you. This is bullshit. I'm outta
here.
RAY:
Sit down, Lombardo.
Sam and Ray stare at one another. Ken puts a hand on his
client's arm.
KEN:
All right, all right... Enough.
Ken stands up. He walks to the two-way mirror set in one wall,
rapping on the glass with his knuckles.
KEN (CONT'D)
We came down here to make a statement.
We've made it.
(beat)
If you're going to charge my client, do
it now.
INT. OPPOSITE SIDE MIRROR ROOM - HUNTER
stares at Ken's face, about a foot away. Ken of course can't see
him. Hunter gives him the finger.
stares into the mirror, waiting.
KEN:
I didn't think so.
(to Sam)
Let's go.
Ken opens the door. Sam turns back to Ray and Gloria.
SAM:
I've spent the last ten years of my life
working with kids. I love what I do,
and I think I'm good at it.
(beat)
These kids trust me, and there is no
way. No way in hell I would ever betray
that trust.
As Ken and Sam leave, Ray and Gloria are joined by Bryce Hunter.
HUNTER:
Nice speech. Either of you buying?
Ray shrugs.
RAY:
Not that stuff about her running away,
him trying to find her. That's
bullshit.
HUNTER:
What about witnesses?
RAY:
We've got three. Guy mowing his yard,
couple of kids playing hoops.
HUNTER:
And what do they say?
GLORIA:
Same as him. They saw her come. They
saw her go. They saw him follow.
RAY:
Still doesn't explain why he couldn't
catch up with her. I mean how long does
it take to put on a shirt?
At which point, a COP APPEARS in the doorway.
COP:
Phone, Bryce. It's Sandra Van Ryan.
HUNTER:
Christ Almighty. That woman's calling
me six times a day.
He starts away, then stops.
HUNTER (CONT'D)
I think you're onto something, Ray.
Stay with it.
Hunter bangs out of the room. Gloria slumps in a chair, tired,
disgusted.
GLORIA:
We failed to mention the mower guy's a
drunk, that he was after more beer and
never really saw Kelly go into the
house, so he can't say how long she was
in there. Same with the kids. They saw
her running down the street, but that's
it.
(beat)
With no physical evidence, what do we
have? Her word against his.
RAY:
You're telling me you believe the guy?
GLORIA:
All I'm saying is, we let Sandra Van
Ryan push us too hard, we're going to
wind up looking stupid.
Ray is paged by his BEEPER. He pulls it off his belt, looks at
the number.
RAY:
I'd better return this.
Ray leaves. Gloria pulls a cigarette from her purse and lights
up, rests her head back in the chair, blowing smoke at the
ceiling.
Gloria is grinding out the butt as Ray walks back in. There is
something in the way he carries himself, some sense of urgency.
RAY:
(off Gloria's look)
Seen any good gator wrestling lately?
EXT./INT. DETECTIVES' CAR - MOVING - DAY
Ray and Gloria drive through the Everglades, past marshlands
punctuated by thick stands of melaluca trees.
GLORIA:
They say it was old man Van Ryan planted
the melalucas to dry up the swamp.
Ray nods.
GLORIA (CONT'D)
You can go up to one of those trees and
peel the bark. You know what you get?
More bark. And more bark. There's no
core. Tree's not good tar anything but
sucking up water. And now they can't
get rid of them. They've tried poisons.
Nothing works. They don't die.
RAY:
Yeah, well, Van Ryan got his. I don't
imagine he gives a sh*t now.
Gloria just looks at him. Ray stares into the dusty light of an
approaching sunset. At last he slows, turning off the highway
and onto a narrow dirt road.
A sign pokes out from the tall grass -- "SMILIN' JACK'S FISH
CAMP."
The Taurus bounces along the washboard road.
GLORIA:
You're sure we're not lost?
They are driving now at the edge of a canal.
RAY:
You remember that little girl walked out
of our talk at Blue Bay?
GLORIA:
The skinny brunette.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Wild Things" Scripts.com. STANDS4 LLC, 2025. Web. 1 Feb. 2025. <https://www.scripts.com/script/wild_things_309>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In