Wildflower Page #3
- PG-13
- Year:
- 1991
- 120 min
- 1,273 Views
IF YOUR DADDY CATCHES US-
ALICE?
IF YOUR DADDY CATCHES US, YOU'LL
GET IN TROUBLE. DADDY NO HOME.
WELL.
YOU SMELL. SMELL.
THAT'S NICE. NOW, ALICE,
YOU HAVE TO UNDERSTAND.
ALICE, YOU HAVE TO UNDERSTAND
WHAT?
D- WHAT?
DANGER.
"DAN-JUH!"
YEAH.
OOH.
ALICE, NOW, COME ON.
HUH? OOH. WHAT THIS?
THAT'S A BOOK.
OOH! WHAT IS THIS?
THIS HERE'S A BOOK. HAVEN'T YOU
EVER SEEN A BOOK BEFORE? WHAT IT DO?
YOU JUST SHOW ME.
WELL, ALL RIGHT.
LET'S SEE HERE.
ALL RIGHT.
NEVER SEE...
"A TREE WHOSE HUNGRY MOUTH
IS PRESSED...
AGAINST THE EARTH'S
SWEET FLOWIN', UH, BREAST."
- BREAST? BREAST?
- MM-HMM. UH-HUH.
GO ON. ALL RIGHT! "A TREE THA - " YEAH, ALL RIGHT.
"A TREE THAT LOOKS AT GOD ALL DAY
- " COME ON. MORE.
"AND LIFTS HER LEAFY ARMS
TO PRAY."
"UPON WHOSE BOSOM SNOW HAS LAIN,
WHO INTIMATELY LIVES WITH RAIN.
POEMS ARE MADE BY FOOLS LIKE
ME. ONLY GOD CAN MAKE A TREE."
AGAIN, SAMMY. AGAIN! ALICE,
I READ IT FOUR TIMES THROUGH.
AGAIN! SEE, SHE DON' HAVE ANY SCHOOLIN' AT ALL.
OH!
ALICE! ALICE. NO.
YOU CAN'T DO THAT TO A BOOK.
ME, SAMMY. ME!
SHE WANTS TO KNOW ALL THE THINGS
SHE DON'T KNOW. IT'S AWFUL BIG-
ALICE, YOU GO AHEAD
AND KEEP THAT POEM.
HOP OVER.
COME ON.
WHAT IF WE TOLD GRANNY HOW SMAR SHE IS? MAYBE SHE'D TEACH HER PROPER.
YOU KNOW GRANNY DON'T BELIEVE NOTHIN'
UNLESS SHE SEES IT WITH HER OWN EYES, SAMMY.
WE'LL JUST HAVE TO SHOW HER. YOU
KNOW THAT POEM ALICE LOVES? YEAH.
THAT'S ONE OF GRANNY'S FAVORITES.
IF WE CAN GET HER TO MEMORIZE IT-
SHE COULD NEVER MEMORIZE THA WHOLE POEM, SAMMY. YOU'RE DREAMIN'.
JUST 'CAUSE SHE NEVER LEARNED
BEFORE DOESN'T MEAN SHE CAN'T.
SHE JUST NEVER HAD ANYONE TO HELP HER. I COULD GIVE HER A CHANCE AT A NORMAL LIFE.
HEY!
"A TREE THAT MAY
IN SUMMER WEAR."
YOU GO AHEAD:
AND SAY IT, ALICE.
WEAR A TREE. WEAR.
THAT'S CLOSE.
A TREE-
A TREE THAT LOOKS
AT GOD ALL DAY.
AND- AND-
AND-
AND LIFTS HER LEAFY ARMS
TO PRAY!
ALICE! ALL RIGHT, COME
HERE. GET BACK DOWN.
COME ON. BE CAREFUL. COME ON DOWN!
IT'S DANGEROUS.
YOU BE GOOD.
ALICE! ALICE, YOU DONE IT.
YOU LEARNED HALF THE POEM!
GRANNY WILL BE SO PROUD OF
YOU. THAT'S RIGHT. YOU DID GOOD.
HI!
I... THINKIN'-
I READ-
I THINKIN'- I-
ALICE.
COME ON, ALICE. LET'S GO
IN. I SHALL NEVER, NEVER SEE-
I THINK:
- HEY, ALICE. THE WATER FEELS REAL GOOD.
AND TOMORROW WE'RE GONNA GO DOWN TO GRANNY'S,
AND YOU'RE GONNA RECITE THAT POEM FOR HER.
AND TONIGHT I WAS GONNA
BRING YOU ONE OF MAMA'S DRESSES,
AND IT'S GONNA LOOK REAL PRETTY
ON YOU, OKAY?
SO COME ON.
LET'S GO IN.
NO!
OH, SEE, THAT'S YOUR
REFLECTION. REFLECTION?
REFLECTION? YEAH. LOOK AT IT. SEE?
AAH! 'FLECTION GO!
I GO.
NO, NO, NO. IT'LL COME
BACK. DON'T WORRY ABOUT IT.
SEE, LOOK. DON'T THE WATER
- NO! NO.
ALICE. WHY DON'T YOU
WANNA BATHE?
OKAY, LOOK. I'M GONNA SHOW
YOU. YOU JUST WATCH ME.
REFLECTION.
I DONE-
THIS... ME. HEY, ALICE. ALICE.
ALICE. I'LL SHOW YOU, OKAY?
OKAY.
NO.
OKAY. NOW.
YOU SEE MY REFLECTION HERE?
SEE IT?
NO, NO, DON'T TOUCH IT.
OKAY? WATCH THIS.
[ Screams ]
ELLIE! ELLIE, COME BACK! NO!
SEE, I'M STILL HERE. MY REFLECTION
DIDN'T GO AWAY AND NEITHER DID I. OKAY?
SO NOW YOU WANNA COME IN?
[ Laughing, Squealing ]
COLD!
[ Laughing ]
OH!
[ Crooning ]
[ Ellie ] THAT DRESS SURE
DOES LOOK PRETTY ON YA, ALICE.
SAMMY, YOU LIKE?
YOU LIKE MY DRESS?
NOW COME ON OUT.
YOU NO LOOK AT ME.
COME ON OUT.
NO. NO, NO. [ Laughing ] COME ON!
I THINK SHE'S KIND OF SHY. ALICE,
COME ON. YOU'RE VERY PRETTY.
YOU'RE THE MOST BEAUTIFUL GIRL
IN DILMONT.
MOST BEAUTIFUL...
GIRL IN DILMONT?
YES. ALICE, IT'S TIME TO GO MEET GRANNY.
OH, NO, NO.
I NOT- NO.
DON'T BE AFRAID OF GRANNY.
COME ON.
IT'S REALLY TIME TO GO.
ELLIE, NOT SO FAST.
OH, GRANNY.
I'LL FALL, AND I'LL BREAK MY HIP. SOMEBODY
AS SPRY AS YOU, GRANNY? I DOUBT IT.
I DO NOT KNOW WHY I LET YOU
DO THIS TO ME.
THIS BETTER BE A GOOD
SURPRISE. DON'T WORRY, GRANNY.
I KNOW YOU'LL LOVE IT. OKAY?
NOW, HERE'S THE COUCH.
ELLIE, I'M NOT A BAG
OF GROCERIES. SAMMY?
HONEY, TAKE THIS THING OFF NOW.
OKAY. IT'S COMIN' OFF, GRANNY.
ALL RIGHT.
HERE YOU GO.
I THINK-
I- I THINKIN'-
A POEM...
A TREE WHOSE HUNGRY MOUTH
IS PRESSED...
AGAINST THE EARTH'S SWEE FLOWING BREAST.
ALL DAY, AND LIFTS HER LEAFY-
[ Vase Hits Floor ]
OH!
[ Ellie ] IT'S OKAY, ALICE. OH!
[ Crying ]
I'LL GET HER.
ALICE! ALICE!
WE TAUGHT HER.
SHE'S JUST KINDA NERVOUS,
THAT'S ALL.
SO GRANNY, WILL YOU TUTOR
HER, PLEASE? TUTOR HER!
CHILD, I DON'T THINK MY HOUSE
WOULD SURVIVE TUTORING HER.
WHO IS SHE? WHAT'S WRONG
WITH HER? LET ME ASK YOU THIS.
WHAT DO HER FOLKS SAY ABOUT ALL
THIS TEACHING YOU TWO BEEN DOIN'?
WELL, THEY THINK IT'S FINE. IT'S
JUST SHE COULD REALLY USE THE HELP...
FROM SOMEBODY WHO CAN TEACH
AS GOOD AS YOU, GRANNY.
WELL, I DON'T KNOW. WELL, ALL
RIGHT. MAYBE I CAN TUTOR HER-
SIT DOWN, MISSY.
IF YOU BRING ME WRITTEN PERMISSION
OH.
OKAY. BUT WILL YOU JUST NO MENTION THIS TO DADDY JUST YET?
ALICE! ALICE, STOP!
ALICE! ALICE!
OW. ALICE, WHAT? WHAT'S THE MATTER?
I NOT SMART!
I NOT KNOW POEM.
COURSE YOU ARE.
YOU'RE SMART AS ANYBODY ELSE.
NO.
YES. YES, YOU ARE.
EVERYBODY ELSE?
I WANNA BE.
WHAT? WHAT YOU WANNA BE?
I WANNA BE-
I WANNA BE REAL GIRL. YOU ARE A REAL
GIRL. YOU ARE A REAL GIRL, ALICE.
ALICE, WHAT'S WRONG?
ALICE, WHAT'S WRONG? ALICE!
ALICE. ALICE,
WHAT'S WRONG?
ALICE, WHAT'S WRONG?
ALICE?
SAMMY?
WHAT?
I DON'T KNOW WHAT HAPPENED,
ELLIE! WE WERE TALKING, ALL CALM!
GET DOC! GO AHEAD, GET HIM!
IT'S ALL RIGHT, ALICE. IT'S ALL
RIGHT. ALICE, IT'S ALL RIGHT.
WHAT'S WRONG?
YOU ALL RIGHT?
[ Moans ]
IT'S ALL RIGHT.
DOC, IT WAS SO SCARY. SHE WAS SHAKIN' ALL OVER,
AND I THOUGHT SHE WAS GONNA CHOKE TO DEATH.
YOU DON'T SUPPOSE ALL THAT SHAKIN' IS
CAUSED BY HER BEIN' HARD OF HEARIN', DO YA?
WELL, I DON'T KNOW ANYTHING
YET, ELLIE. COME ON.
CUSTOMER UP THERE IN THE PARLOR.
I DON'T SUPPOSE THIS IS
A PAYIN' CUSTOMER, NOW IS IT?
COME ON.
SAMMY, PUT HER HEAD UP HERE A LITTLE
BIT FOR ME. ALICE, GONNA SIT UP.
SHE'S ALL RIGHT.
ALL RIGHT.
JUST TAKE IT EASY.
YEAH.
OKAY. NOW-
SHE SEEMS OKAY, BUT-
[ Moans ]
THAT'S ALL RIGHT.
SHE'S A BIT TIRED THOUGH.
AS SOON AS SHE FEELS UP TO IT, YOU
TRY TO GET HER HOME AND GET INTO BED.
WHAT IS IT, DOC?
WHAT HAPPENED?
FROM WHAT YOU SAY,
IT SOUNDS LIKE A SEIZURE.
COULD BE EPILEPSY. EPILEPSY.
WHAT IS THAT? IS THAT BAD?
WELL, THERE'S NO CURE FOR IT, BUT THERE
IS SOME NEW MEDICINE I CAN GIVE HER...
SO SHE WON'T HAVE SO MANY OF 'EM
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Wildflower" Scripts.com. STANDS4 LLC, 2025. Web. 22 Jan. 2025. <https://www.scripts.com/script/wildflower_23490>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In