Winter of Our Dreams Page #3

Synopsis: When a womanizing bookshop owner hears about the suicide of his former girlfriend, he tries to find out more and meets her friend, a prostitute. They hook up, but when she finds her friends...
Genre: Drama, Romance
Director(s): John Duigan
  3 wins & 7 nominations.
 
IMDB:
6.5
Year:
1981
89 min
37 Views


ladies you're married.

- Not if I can help it, no.

- Well, she's the hooker.

- Among other things.

- Well, I'm sure she's more interesting

than most of our friends.

Hey, she can come tomorrow night.

- Why, what's happening tomorrow?

- Oh, Tim's going on his

Tasmanian trip on Saturday,

wants me to have dinner.

- Oh, I see.

So, you've been waiting for a

favorable opportunity to mention this.

- Not at all.

- How's it going?

- It's okay.

He's a nice guy.

I could never get serious, though.

We don't have much to talk

about in the mornings.

Also, I can remember when I was 21.

33 would have seemed ancient.

[laughs]

- Wish I'd had understanding tutors.

- Almost failed his last essay.

- That make you feel good?

- Oh yeah, it was most indignant.

- Well, I don't blame him.

[mother] Anyway, the

garden's looking nice.

Where's Rob?

[Gretel] Hurry up, Rob!

[mother] Did you stop being busy?

[Gretel] A bit quiet at the moment.

[mother] I suppose after Christmas,

everyone's spent their money.

[father] When you're gonna

leave this afternoon, do you know?

[Gretel] I should be

back by three, I suspect.

[father] Hopefully we'll miss

the worst of the traffic.

[chatter continues]

[mother] It's got that horrible smell

in the upholstery new cars always have.

- Hello.

Gretel's folks.

They bore me shitless.

- Why don't you hide in here then?

- Alright.

I'll be able to leave for work

in a couple minutes.

- Maybe I should get dressed.

- No, no, you have breakfast.

You don't have to leave

just because we do.

Nice day.

- Did you mind me comin' round here.

- Of course not.

[Gretel's mother laughs]

[Rob mimics Gretel's mother's laugh]

- Suppose I better make an appearance.

- You can come out and meet him too.

Then he'll be really alarmed.

- What do you mean?

- Well, another woman staying here.

Very protective of their

daughter, suspicious of me.

- Wouldn't wanna meet me.

- Maybe you could come out like that.

[laughs]

You want her to be red?

- Why wouldn't she then?

[mother] Bye Rob!

[father] Bye!

- Good Christ, I missed 'em.

Bye.

Anyway, there's, um, food in

the fridge and everything.

And, uh,

I'll see you later.

- Bye.

- Tata.

[Gretel] You could have at

least come in and said hello.

[Rob] I was in the shower.

[Gretel] Oh, bullshit.

You can't be bothered to make

the slightest effort.

[Rob] I'm sure they're heartbroken.

[engine revs]

[cat meows]

[man on tape] Lisa Blaine

demo tape take one.

[guitar music]

There I go, one more time

Tryin' to balance on the line

I've landed on my feet again

This time you're not around

I thought the door was open wide

I only meant to stand outside

The door closed shut behind me

And I'm caught on solid ground

And it's time for burning bridges

I wish there was some other way

A way to take the words back

That I never meant to say

'Cause it hurts to see your tears

I didn't need to make you pay

The cost of burning bridges,

turning night to day

I toss and turn

And watch these burning bridges

turning night to day

Here I go, once again

I guess I had forgotten then

Someone reached out a hand to me

Like this with no demands

Can't you see my crazy pride

Was tearing me apart inside

I didn't want to hurt you

Please try and understand

And it's time for burning bridges

- Rob?

It's me.

- Oh.

[horn honks]

Is there a white Peugeot outside?

- Yeah.

Some guy in it.

[Gretel] Right.

Well, I'm off.

Uh, Rob'll be back in a minute.

So, just, um, give him my love.

- Alright.

- See ya.

- Bye.

[dog barks]

[engine revs]

[guitar strums]

And it's time for burning bridges

I wish there was some other way

[hums]

I didn't mean to make you pay

The cost of burning bridges,

turning night to day

- Hello.

- Hi.

- Still with us?

- Yeah, I didn't wake up until

after a couple of hours ago.

- That's alright.

- Where's Gretel.

Been and gone?

- Yeah.

- You want some coffee?

- Yeah, that'd be good.

So, what have you been doing?

- Oh, lookin' around.

Went down to the harbor.

[Rob] Swim?

- No.

[Rob] Any mail?

- Yeah.

[horn blares]

This for Gretel.

Who was the guy Gretel was goin' out

with?

- That's her young boyfriend.

Did you meet him?

- No, he didn't come in.

- Probably scared I'd be here.

Afraid of a punch-up.

Those things'll kill ya.

[laughs]

[jazzy music]

[Rob] So, why'd ya split with your

husband?

[Lou] Oh, he got bored, I guess.

Then I moved into a place

with this other guy.

He was pretty incredible.

He used to shoot straight

into a vein in his eye.

- Must've impressed his friends.

- What do you mean?

- Good party trick.

- Well, it wasn't an act.

The veins in his arms folded up.

- That his story, was it?

I don't find the dope scene very romantic.

- I don't think you

know anything about it.

- I see.

- You wouldn't have any idea

the kinds of things I've had to do.

This girl and I had to do this party once.

[Rob] I'm not really interested.

[sighs]

- I do wanna get out of it.

- Then why don't you?

- Thought you were sympathetic.

- I am.

- Well, it's not easy.

- You have to make the decision.

[sighs]

- I hadn't been on the

street all that long, anyway.

Only about four months.

Do you like folk music?

- Not much, no.

- Gretel's late.

- She won't be back tonight.

- Where's she staying?

- With her friend.

- Is that why you're upset.

- I'm not upset.

- Don't you care?

[Rob] No.

- Hi.

- Hi.

- Do you feel like talking?

- Okay.

- Tell me about you and Lisa.

- What?

- Well, you went out together

for a while, didn't you?

- Not really, no.

I merely knew her through

political groups at university.

- She used to talk about that time.

- Yeah?

Issues were much clearer cut then.

- What about the people

demonstrating on the dock?

Is that important?

- Sure.

- Gretel's rarely around, isn't she?

- Yup.

- I think I should stay with you tonight.

[Rob] I don't think that's probably

a good idea.

Lou.

- Look, I really wanna make you feel good.

Come on.

- Hey.

- Don't you find me attractive?

- Come on.

- Hmm?

- Wow.

- It's okay.

- I know.

Come on, get off.

Of course I find you attractive.

[Rob] There's no point, okay.

- Doesn't matter.

[melancholic music]

- Do you wanna sign my arm.

- No thanks.

[young men] Come on sign it.

Come on.

- Come on, sign my arm.

- Piss off, would ya.

[jeering]

[bluesy sax music]

[jeering]

[whistles]

- Do you wanna sign my arm?

- Get stuffed.

[cheering]

[shouting]

[shouting and whistling]

[dog barks]

[overlapping conversations]

[thunder roars]

[dog barks]

- Louie.

- Hi.

- G'day.

- Oh, it smells in here.

Cats and socks.

Don't you ever wash your socks?

- Of course I do.

Tony's really angry at you.

Where have you been?

- Well, I told him I was sick.

I need somewhere to stay.

- You can stay here if you want.

- Okay.

- Hey.

How's this?

Okay, ready for it?

Dun.

[Pete] Dun.

Dun!

Dun! [laughs]

What do you reckon?

- What's it for?

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John Duigan

John Duigan (born 19 June 1949) is an Australian film director. He is mostly known for his two autobiographical films The Year My Voice Broke and Flirting, and the 1994 film Sirens, which starred Hugh Grant. more…

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Submitted on August 05, 2018

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    "Winter of Our Dreams" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/winter_of_our_dreams_23536>.

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