Witness Page #4

Synopsis: Witness is a 1985 American crime thriller film directed by Peter Weir and starring Harrison Ford and Kelly McGillis. The screenplay by William Kelley, Pamela Wallace, and Earl W. Wallace focuses on a detective protecting a young Amish boy who becomes a target after he witnesses a murder in Philadelphia.
Genre: Crime, Drama, Romance
Production: Paramount Pictures
  Won 2 Oscars. Another 11 wins & 25 nominations.
 
IMDB:
7.4
Metacritic:
76
Rotten Tomatoes:
92%
R
Year:
1985
112 min
1,060 Views


CUT TO:

BENCH:

Little Samuel watching Book, back to crowd of police,

as Book questions an old black CUSTODIAN.

BOOK:

You found the body?

CUSTODIAN:

Uh uh. Not me, daddy,

I just reported it. It was

the kid.

BOOK:

What kid?

30 CONTINUED:30

CUSTODIAN:

How'n hell do I know what kid?

The kid in the funny black

threads.

TIGHT SHOT - SAMUEL

Worry-eyed, still staring straight ahead. Then his

eyes move suddenly to his left.

BOOK'S LEGS - SAMUEL'S POV

coming in at full stride, then stopping.

SAMUEL:

He doesn't raise his eyes...just looks at the legs.

And, slowly, the legs begin to bend at the knees. We

see Book ' s belt buckle, then his big pistol in its

holster, then his face. He stares at Samuel for a

moment, then...

ANGLE - BOOK

as his face breaks into a big grin, and...

BOOK:

Hi, kid.

RACHEL:

immediately alarmed, intervening.

RACHEL:

What do you

want of my son?

THE SCENE:

as Book takes out his wallet, displays his shield.

BOOK:

I'm a police officer. I'm going

to have to talk to the boy.

What's his name?

RACHEL:

Samuel. Samuel Lapp.

30 CONTINUED 30

RACHEL:

then, quickly)

But what happened here is none of

his affair. My sister is expect-

ing me . . . our train is leaving

soon.

BOOK:

There'll be another train.

(turns to Samuel)

The man who was killed tonight was a policeman,

Sam. It's my job to find out who did it.

I want you to tell me everything you

saw when you went in there.

SAMUEL:

(stammers)

I saw him.

BOOK:

Who'd you see?

Sam looks at his mother.

BOOK (CONT'D)

Who'd you see, Sam? The man on

the floor?

SAMUEL:

No . . . I saw the man who killed

him.

Book stares at him in surprise, speaks over his shoulder

to Carter.

BOOK:

Anybody know about this?

CARTER:

I didn't even know about it.

BOOK:

(back to Sam)

Okay, Sam. Can you tell me what

he looked like?

SAMUEL:

(groping, touching his

clothes and pointing at Carter)

He was . . . like him.

BOOK:

(nods)

Black . . . I understand. What

else, Sam?

A beat, then Sam crosses quickly to Carter, Book's rather slightly built partner:

SAMUEL:

Not Zwartich, like him -

Book frowns, puzzled:

BOOK:

Try that one again, Sam -

Samuel gives his mother a helpless look; exasperated,

Rachel intervenes with Book. She glances at Carter:

RACHEL:

May I talk to you?

ANGLE:

As Rachel takes Book aside, and in a low voice:

RACHEL (CONT'D)

Zwartich . . It's the way we say

. . . dwarf.

(glances at Carter)

Not like him . . . very big.

Book nods, starts to turn back to Sam. Just then a

commotion o.s. catches his attention.

31 OMITTED 31

31A BOOK'S P0V - ONCOMING COPS31A

It's Capt. TERRY DONAHUE, Chief of Homicide, striding

past the crowd of journalists and TV crews . .. brushing

off reporters' questions and snapping orders to the

aides he's got in tow:

BACK To SCENE

As Donahue comes on Book:

DONAHUE:

(to aides)

Close it all down . . . I want a man

on every exit . . . I want the lab in here

now !

(to Book)

And I want to talk to you, Captain.

ANGLE:

As Book steps aside with Donahue . . . In the b.g.

Rachel moves protectively to Samuel's side.

BOOK:

All right, talk.

DONOHUE:

This is homicide - not Internal

Affairs! So why are you behaving like

you own this case?

BOOK:

We were running Zenovitch . . .

That's all I can tell you. But

I want it, Terry.

(then)

I've got a call into Schaeffer.

RACHEL/SAMUEL

They can't help but watch the confrontation between

Donahue and Book . . . although they're keeping the

volume down, it's obviously intense and angry:

Rate this script:4.0 / 1 vote

William Kelley

William Kelley was born on May 27, 1929 in Staten Island, New York, USA. He is known for his work on Witness (1985), The Winds of Kitty Hawk (1978) and The Blue Lightning (1986). He was married to Nina Kelley. He died on February 3, 2003 in Bishop, California, USA. more…

All William Kelley scripts | William Kelley Scripts

0 fans

Submitted by aviv on February 05, 2017

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Witness" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/witness_954>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Witness

    Browse Scripts.com

    Witness

    Soundtrack

    »

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "cold open" in screenwriting?
    A The opening credits of a film
    B An opening scene that jumps directly into the story
    C A scene set in a cold location
    D A montage sequence