Wonderwoman Page #10
- Year:
- 2017
- 105 Views
Studying the building further, she focuses on the SINGLE
WINDOW in the HIGH TOWER.
Diana's face darkens with fixed focus. She looks down at
her feet, back at the space -- calculating it all. She
turns to the hillside behind her, spots a distant branch
twisting from a tree. It looks relatively equidistant to
the armory.
She takes a step towards it, then another -- and another --
and Diana leaps into the air, locked on the branch -- but
she lands far before reaching it!
As Diana jogs to a stop, her frown fades: I know that I
can do this.
Diana sets off in a dead sprint towards the cliffside --
she LEAPS over the abyss below. Her face calm as she
THE BUILDING BARRELS TOWARDS HER, her eyes widen.
Thinking fast she GRASPS a SPUR and --
She SLAMS into the side, holding on. She revels in the
moment briefly and then sobers: Now what?
The window is at least 30 feet above her -- below, the
abyss. The wind MOANS.
Diana's GRIP TIGHTENS on the spur.
Suddenly, the SPUR CRACKS! Diana falls --
She scrambles against the wall, her hands grasping at the
stone face. SHARDS FLYING around her, she realizes she's
strong enough to make her own handholds -- SLAM!
(CONTINUED)
34.
39 CONTINUED:
39Her hand catches and she YANKS to a stop!
Shocked, she hangs there for a second, then grins
fiercely. She begins to CLIMB her way straight up the
stone wall, her fingers slamming into the tower, making
her own ladder out of solid stone.
40 EXT. ARMORY - ROOFTOP - CONTINUOUS ACTION 40
Diana FLIPS herself up onto a tiny ledge outside of the
window. She moves in --
41 INT. ARMORY - CONTINUOUS ACTION 41
In the moonlit darkness of the deserted armory, Diana
moves towards the GODKILLER SWORD. She takes it from its
SCABBARD, awed by its weight, its sheer power in her
hands. She holds it tight. It feels right.
As she leaves, she passes a suit of ancient armor and
SNATCHES ITS SHIELD.
Then the LASSO OF HESTIA disappears from its hook.
Diana, now half-dressed in GREEK ARMOR, admires a glowing
GOLDEN BELT-LIKE GIRDLE, then looks ahead to something
BLURRY in our f.g., the silhouette of a woman's form
GLOWS GOLD, RED, AND BLUE from its display.
Diana's eyes widen with delight.
42 INT. INFIRMARY - STEVE'S ROOM - MINUTES LATER 42
STEVE:
Nice outfit.
DIANA:
(without irony)
Thank you. Now I will show you
the way off the island. And you
will take me to Ares.
STEVE:
(as she's a bit nuts)
Deal.
Steve grabs his watch and bag.
35.
43 EXT. HARBOR (THEMYSCIRA) - DOCK - CONTINUOUS ACTION 43
Diana and Steve on HORSEBACK emerge from the forest at
the edge of a harbor. Diana and Steve turn to the front
of a not-very-modern-looking (by 1918 standards) AMAZON
SAILING VESSEL.
STEVE:
(skeptical)
I'm leaving in that?
DIANA:
We are.
STEVE:
We're leaving in that?
DIANA:
Do you not know how to sail?
STEVE:
(a touch of bravado)
Of course, I know how to sail.
Why wouldn't I be able to sail?
(beat)
Just haven't since I was a kid --
She nods, motions to the boat with encouragement.
DIANA:
Then there's nothing to be afraid
of.
Steve hesitates.
DIANA:
What?
Steve nods at the valley behind them, where HIPPOLYTA and
the QUEEN'S GUARD thunder in on their horses.
Hippolyta raises her hand, ordering her GUARDS to halt.
She approaches Diana ALONE.
Diana takes a breath, reluctantly meeting her mother's
eyes, dreading this.
DIANA:
(defiant; strong)
I can't stand by while innocent
lives are lost. If no one else
will defend the world from Ares, I
must. I have to go --
(CONTINUED)
36.
43 CONTINUED:
43HIPPOLYTA:
I know.
Diana finds not fury on her mother's face, but sadness.
HIPPOLYTA:
Or at least I know that I cannot
stop you. There is so much... so
much you do not understand.
DIANA:
I understand enough. That I'm
willing to fight for those who
cannot fight for themselves. Like
you once did...
HIPPOLYTA:
You know that if you choose to
leave us, you may never return.
Once you leave this island, its
location will fade from your
memory...
Hippolyta relents, nodding. She climbs down from her
horse, taking something from the saddle. She presents
Diana with ANTIOPE'S HEADBAND.
HIPPOLYTA:
This belonged to the greatest
warrior in our history -- make
sure you are worthy of it.
DIANA:
I will.
She hands it to her daughter.
HIPPOLYTA:
Be careful in the world of men,
Diana, they do not deserve you.
Hippolyta tries to memorize her daughter's face,
believing it's the last time she'll ever see it.
HIPPOLYTA:
You have been my greatest love.
Today you are my greatest sorrow.
Diana WALKS AWAY from her mother, and the only home she's
ever known, towards Steve and the ship.
The weight of this good-bye doesn't go unnoticed by
Steve.
37.
44 EXT. THEMYSCIRAN SAILING VESSEL (AEGEAN SEA) - NIGHT 44
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Wonderwoman" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/wonderwoman_25786>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In