Wonderwoman Page #13

Synopsis: When a pilot crashes and tells of conflict in the outside world, Diana, an Amazonian warrior in training, leaves home to fight a war, discovering her full powers and true destiny.
Year:
2017
105 Views


STEVE:

(sneaks a third

glance)

We need to get you some clothes.

DIANA:

Why?

STEVE:

Because you aren't wearing any.

Diana, confused, looks down at her armor, then looks

around at the mostly overdressed women on the street.

DIANA:

What do these women wear into

battle?

STEVE:

(how to say it?)

Well, women don't exactly --

Diana's eyes snap to a YOUNG MOTHER holding a BABY.

DIANA:

A baby.

The mother looks at Diana quite oddly. Steve takes Diana

gently by the arm, nods to the mother, and keeps moving.

STEVE:

And that one wasn't made out of

clay.

They move on, both unaware that they're being following

by a MAN IN A SUIT.

VOICE (V.O.)

(pre-lap)

It's true! You're alive!

51 EXT. SELFRIDGE & CO. - DAY 51

ETTA CANDY, Steve's loyal, cheeky, secretary spies Steve

and Diana walking towards her.

(CONTINUED)

45.

51 CONTINUED:
51

ETTA:

Well, thank God for that! I

thought you were dead this time, I

really did, then I got your call --

(to Diana)

He was gone for weeks! Not a

word. Very unlike him.

Etta extends a hand to Diana. Diana just looks at it.

ETTA:

Hello. I'm Etta Candy. Captain

Trevor's secretary.

DIANA:

What is a secretary?

ETTA:

Well, it means I do everything. I

go wherever he goes. Do whatever

he tells me to do.

DIANA:

(glaring at Steve)

Where I'm from, that's called

slavery.

ETTA:

(to Steve; re:

Diana)

Ooh, I like this one.

(to Diana)

It does rather feel like that

sometimes. But the pay's good and

he's almost never here.

Eyes Diana's clothing.

ETTA:

We've got our work cut out for us.

We FOLLOW Diana in --

52 INT. SELFRIDGE & CO. - CONTINUOUS ACTION 52

Diana examines a CORSET tight on a MANNEQUIN, Etta and

Steve with her.

DIANA:

Is this what passes for armor in

your country?

(CONTINUED)

46.

52 CONTINUED:
52

ETTA:

Of a sort. It's fashion. Keeps

our tummies in.

DIANA:

Why must you keep them in?

ETTA:

Only a woman with no tummy would

ask that question.

Etta holds up an OUTFIT for Diana.

ETTA:

Conservative, but not entirely...

un-fun.

Diana looks at Steve as if to say, "Do I have to?"

STEVE:

At least try it on.

Diana, sighs, then starts to take off her cloak. Etta's

eyes go wide. She rushes to stop Diana from removing it.

ETTA:

Oh, my! Aren't you terribly cold

out here where everyone can see...

everything? Let's get you into a

nice, warm, private dressing room,

shall we?

Etta leads Diana off, looking to Steve as if to say,

"Where did you find this woman?"

53 INT. SELFRIDGE & CO. - WOMAN'S WEAR - MOMENTS LATER 53

Diana, in OUTFIT #1 -- frilly and silly -- stands in

front of the mirror, miserable. It's ridiculous. Diana

pulls the dress up, wondering aloud --

DIANA:

How can a woman possibly fight in

this?

ETTA:

We fight with our principles.

It's how we got the vote.

She winks at Diana, who relates to principled fighting.

(CONTINUED)

47.

53 CONTINUED:
53

ETTA:

Not that I'm opposed to engaging

in a bit of fisticuffs when the

situation calls for it, mind you!

53A INT. SELFRIDGE & CO. - WOMAN'S WEAR - MOMENTS LATER 53A

Diana in OUTFIT #2 -- a tight skirt and top. Etta

admires it.

ETTA:

There we are. Very nice.

Diana tries to kick, impossible in this dress. It rips.

She shakes her head at Etta. This dress won't do.

54 INT. SELFRIDGE & CO. - WOMAN'S WEAR - MOMENTS LATER 54

Diana, in OUTFIT #3 -- almost exactly what Etta wears -

yanks at its high collar impatiently.

DIANA:

So itchy. And it's choking me.

ETTA:

(exasperated)

I can't say that I blame it.

55 INT. SELFRIDGE & CO. - MOMENTS LATER 55

Steve walks up to Etta. He's now dressed in his SUIT.

STEVE:

Where is she?

ETTA:

Trying on outfit number two

hundred and twenty-six.

Diana emerges from the dressing room in FASHIONABLE

WOMAN'S DRESS that, on any other woman, would be

unremarkable. On Diana, it's spectacular.

DIANA:

Why is everyone staring? Is it

because I can barely breathe in

this?

Diana shifts uncomfortably, self-conscious, and disliking

the restrictions. Steve, catching himself staring, snaps

out of it.

(CONTINUED)

48.

55 CONTINUED:
55

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Allan Heinberg

Allan Heinberg (born June 29, 1967) is an American film screenwriter, television writer and producer and comic book writer. Heinberg is the screenwriter of the film Wonder Woman, directed by Patty Jenkins. His television writing and producing credits include The Naked Truth, Party Of Five, Sex And The City, Gilmore Girls, The O.C., Grey's Anatomy, Looking, and Scandal. Most recently, Heinberg developed, wrote, and ran ABC’s The Catch, starring Mireille Enos and Peter Krause. For Marvel Comics, Heinberg created and wrote Young Avengers and its sequel, Avengers: The Children’s Crusade with co-creator/artist Jim Cheung. For DC Comics, Heinberg co-wrote JLA: Crisis Of Conscience with Geoff Johns (art by Chris Batista), and re-launched Wonder Woman with artists Terry and Rachel Dodson. more…

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