Wonderwoman Page #18

Synopsis: When a pilot crashes and tells of conflict in the outside world, Diana, an Amazonian warrior in training, leaves home to fight a war, discovering her full powers and true destiny.
Year:
2017
105 Views


STEVE:

That's Charlie.

The two GRUNT at one another in Scottish slang, but the

Bruiser sees Charlie's got friends -- and quickly leaves.

The surprisingly cheerful CHARLIE (30s) gets to his feet.

65 INT. BRITISH PUB - MOMENTS LATER 65

Diana, Steve, and Sameer sit with bruised Charlie,

Scottish and deeply drunk. A WHISKEY GLASS in each fist.

STEVE:

All right, Charlie?

CHARLIE:

Steven. May God put a flower on

your head.

Charlie downs the whiskey in a fluid sip. Gone.

DIANA:

What were you fighting about?

CHARLIE:

I mistook his drink for mine.

Diana looks at Steve, clearly concerned by his choice of

reinforcements.

(CONTINUED)

63.

65 CONTINUED:
65

DIANA:

This man is no fighter.

STEVE:

Charlie here's an expert marksman.

(off her look)

He shoots people.

SAMEER:

From very far away.

Charlie grabs a drink from a patron who isn't looking.

CHARLIE:

(cheers)

They never know what hit `em.

There's a darkness behind Charlie's polite smile.

DIANA:

How do you know who you kill if

you can't see their face?

CHARLIE:

I don't. Better that way.

DIANA:

My aunt warned me about men like

you.

CHARLIE:

Ain't the first time I heard that,

lassie.

DIANA:

You fight without honor.

Deep down, Charlie already knows that.

CHARLIE:

Don't get paid for honor.

SAMEER:

What's the job, Trevor?

STEVE:

Two days tops. We need supplies

and passage to Belgium --

CHARLIE:

What's the going rate?

SAMEER:

Better be good pay.

(MORE)

(CONTINUED)

64.

65 CONTINUED:
(2) 65

SAMEER (CONT'D)

(to Diana; in French)

[And perhaps a picture of your

lovely face. Something to keep me

alive.]

Diana hides her disdain as best she can.

DIANA:

[You won't need a picture. I'm

coming with you.]

Sammy's smile fades.

SAMEER:

What is this?

STEVE:

We're dropping her off at the

front.

SAMEER:

Dropping her off?

CHARLIE:

(to Diana)

No offense, cherie, but I don't

wanna get killed helping a girl

out of a ditch, ya know what I

mean?

The Bruiser that Charlie was fighting returns, this time

with several ROUGH-LOOKING FRIENDS!

BRUISER:

You got your friends.

(lifts up a gun)

These are mine.

Charlie's knocked to the ground! He doesn't see Diana

move fearlessly, grabbing the BRUISER -- as if he weighed

nothing -- and tosses him across the room!

The Bruiser smashes into the wall, crumpling to the

floor. His friends make a quick exit. Sameer is

smitten, helping Charlie up.

SAMEER:

I am both frightened and aroused.

CHARLIE:

(to Sameer;

unimpressed)

When aren't you?

(CONTINUED)

65.

65 CONTINUED:
(3) 65

ETTA (O.S.)

There they are.

Etta arrives, flustered, a forced smile on her face.

ETTA:

Hello, all! Sorry, I'm late. I

got waylaid by --

DIANA:

Sir Patrick!

ETTA:

That's what I was going to

mention.

Steve, Sameer, and Charlie STAND out of respect. Steve

glares at Etta. She shrugs apologetically, raises a

hand:
Just listen, you'll see.

SIR PATRICK:

Sit, gentlemen. Please, sit.

Sir Patrick pulls up a chair.

SIR PATRICK:

I assume you're here planning

something that's either going to

get you court-martialed or killed.

STEVE:

I assume you're here to stop us.

SIR PATRICK:

No. Not that I like any of this.

(beat)

As one of your American authors,

Thomas Paine, so eloquently put

it, `I prefer peace. But if

trouble must come let it come in

my time, so that my children can

live in peace.'

Diana nods, liking the sentiment.

SIR PATRICK:

Now nothing can jeopardize the

armistice talks, but... I also

believe in insurance. I'm here to

help you. Unofficially, of

course. What's your plan?

(CONTINUED)

66.

65 CONTINUED:
(4) 65

STEVE:

If there is another weapons

facility, find it and destroy it.

Along with Ludendorff and Maru.

A dark understanding passes between them. Sir Patrick

nods.

SIR PATRICK:

Etta will run the mission out of

my office, to allay suspicion.

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Allan Heinberg

Allan Heinberg (born June 29, 1967) is an American film screenwriter, television writer and producer and comic book writer. Heinberg is the screenwriter of the film Wonder Woman, directed by Patty Jenkins. His television writing and producing credits include The Naked Truth, Party Of Five, Sex And The City, Gilmore Girls, The O.C., Grey's Anatomy, Looking, and Scandal. Most recently, Heinberg developed, wrote, and ran ABC’s The Catch, starring Mireille Enos and Peter Krause. For Marvel Comics, Heinberg created and wrote Young Avengers and its sequel, Avengers: The Children’s Crusade with co-creator/artist Jim Cheung. For DC Comics, Heinberg co-wrote JLA: Crisis Of Conscience with Geoff Johns (art by Chris Batista), and re-launched Wonder Woman with artists Terry and Rachel Dodson. more…

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