Wonderwoman Page #28

Synopsis: When a pilot crashes and tells of conflict in the outside world, Diana, an Amazonian warrior in training, leaves home to fight a war, discovering her full powers and true destiny.
Year:
2017
105 Views


STEVE:

(flirting)

I'm sure he provides a great deal

of support for you and your work,

but having someone like me behind

you -- I could provide a lot more.

She's not falling for the man, but there's something

about him... a faint recognition --

(CONTINUED)

100.

89 CONTINUED:
(2) 89

MARU:

And who are you?

STEVE:

A man who would show you the

appreciation a genius like

yourself deserves.

Maru stares into the fire, captivated.

STEVE:

I love fire, don't you? It's like

a living act of entropy. The

ultimate weapon of destruction,

reminding us that, in the end,

everything returns to the ash it

once came from. There's something

reassuring about it.

(stares into Maru's

eyes)

I see all of that in your eyes.

Maru can't help but stare back deeply into Steve's eyes,

surprised to find her heart racing. For a brief moment,

she's unsure of what she's feeling.

STEVE:

Perhaps you could show me what

you're working on. I hear it's

extraordinary.

Steve's about to get the answers he needs when -- DIANA,

in Fausta's gown, MAKES HER ENTRANCE, at the top of the

stairs -- her uniform underneath, the GODKILLER peeking

out from the back of her dress, the hilt looking like a

piece of JEWELRY. Heads turn at the stunning Amazon.

Steve's completely torn, does he stay and gets his

answers from Maru -- or stop Diana from getting to

Ludendorff? Maru makes the decision for him --

MARU:

I appreciate your interest in my

work, but I am loyal to General

Ludendorff. Besides, I see now

your attention is elsewhere.

DIANA AND LUDENDORFF'S EYES MEET. It is an INTENSE

moment. She examines him, trying to confirm with her own

eyes that he is Ares.

Steve desperately wants to get to Diana, the tension

thick:
What is she going to do?

(CONTINUED)

101.

89 CONTINUED:
(3) 89

Seeing the most beautiful woman in the room, Ludendorff

can't help but give Diana a courtly bow, kisses her hand.

LUDENDORFF:

Enjoying the party?

DIANA:

(eyes narrow)

I confess, I'm not sure what we're

celebrating.

LUDENDORFF:

A German victory, of course.

He offers her hand to dance. She takes it, sizing him

up.

DIANA:

Victory? When I hear peace is so

close?

LUDENDORFF:

`Peace is only an armistice in an

endless war.'

Diana understands, tenses.

DIANA:

Thucydides.

LUDENDORFF:

(happily surprised)

You know your Ancient Greeks.

They understood that war is a god.

One that requires human sacrifice.

Her heart pounds.

LUDENDORFF:

And in exchange, war gives man

purpose. A chance to rise above

his petty, mortal little life and

be better than he is.

ON DIANA:

There's no question now: This is Ares.

DIANA:

Only one of the many gods believed

in that... and he was wrong.

She desperately wants to reach for her sword, but he's

still holding her.

(CONTINUED)

102.

89 CONTINUED:
(4) 89

LUDENDORFF:

You know nothing about the gods --

SOLDIER #1 (O.S.)

General?

Ludendorff looks over at a soldier. He checks his watch,

relaxes his hold on her.

LUDENDORFF:

My apologies. You'll excuse me.

(beat)

Enjoy the fireworks.

Just as he turns his back on Diana, she reaches for her

SWORD. She's about to draw it when -- Steve gets between

them, facing her! He pulls Diana away from Ludendorff,

taking her hand -- dancing with her as cover.

DIANA:

What are you doing?

The dancing is anything but what it was in last time.

STEVE:

You agreed to wait.

DIANA:

You agree to do things all the

time then don't do them. Let me

go --

STEVE:

You can't kill Ludendorff inside

German High Command. The

Armistice won't be signed.

DIANA:

It won't matter --

STEVE:

What if you're wrong, Diana? What

if there is no Ares?

DIANA:

(realizes)

You don't believe me.

STEVE:

I can't let you do this.

DIANA:

What I do isn't up to you.

(CONTINUED)

103.

89 CONTINUED:
(5) 89

Reminding Steve of her strength, Diana uses only her

fingers to PUSH Steve away -- as if he were nothing --

and he almost loses his footing.

Diana looks for Ludendorff -- he's left! She runs out.

Steve follows.

90 EXT. CH�TEAU - MOMENTS LATER 90

Diana exits, looks around, spotting Ludendorff, Maru, and

the soldiers entering one of the ch�teau's TOWER HOUSES,

which is quickly secured behind him.

STEVE:

Diana!

Diana starts running towards it when -- the sound of a

MISSILE launching from the guardhouse. Then another.

And another.

Rate this script:5.0 / 1 vote

Allan Heinberg

Allan Heinberg (born June 29, 1967) is an American film screenwriter, television writer and producer and comic book writer. Heinberg is the screenwriter of the film Wonder Woman, directed by Patty Jenkins. His television writing and producing credits include The Naked Truth, Party Of Five, Sex And The City, Gilmore Girls, The O.C., Grey's Anatomy, Looking, and Scandal. Most recently, Heinberg developed, wrote, and ran ABC’s The Catch, starring Mireille Enos and Peter Krause. For Marvel Comics, Heinberg created and wrote Young Avengers and its sequel, Avengers: The Children’s Crusade with co-creator/artist Jim Cheung. For DC Comics, Heinberg co-wrote JLA: Crisis Of Conscience with Geoff Johns (art by Chris Batista), and re-launched Wonder Woman with artists Terry and Rachel Dodson. more…

All Allan Heinberg scripts | Allan Heinberg Scripts

1 fan

Submitted by Soulwriter on July 07, 2021

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Wonderwoman" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/wonderwoman_25786>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Wonderwoman

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In what year was "The Shawshank Redemption" released?
    A 1993
    B 1995
    C 1994
    D 1996