Words and Pictures Page #4
"clear but for these tiny
markings like the steps of birds.
"Come now.
"This is the trough of the wave,
"Thin slice of silence
as music ends,
"Lie down beside me.
"Make angels.
"Make devils.
"Make who you are."
So you see? This poem is an
invitation to the reader...
To lie down in the snow.
and that's what you'll do,
not with words, but with
a drawing or a painting
that shows us what you feel,
what you see as you
read this poem, okay?
Ooh! Sorry, Mr. Marc!
All right. Bring it.
Tackle him, guys.
Get him!
Dribble all the way!
Nice one!
He's holding!
Come on, Mr. Marc, get up!
Get up, old man!
He's really cute.
I mean, like, look at him.
We love you, Mr. Marc!
Ah!
Hey, Roy, you know where
"mayonnaise" comes from?
The word.
The French army, after
conquering the city of Mahn,
sauce in honor of the victory.
Mahn-aise.
By the way, you got
some on your lip.
And, Ellen, the word avocado
Mm.
It means testicle.
True story.
He's, uh, Iago.
He's after my job,
and she's his Lady Macbeth,
and I know I'm mixing up my
Shakespeare, but I'm tired.
I want to talk to you
about your magazine.
their reactions to your poem,
and some are already finished.
The work is very good.
And is the poem good?
Yes.
And did you draw one?
You did one, too, didn't you?
I want you to include the three
best works in your magazine.
No.
You'll have to put them
in the art magazine.
There is no art magazine.
Exactly.
Why not include artwork?
Because a poem doesn't
need a picture.
poem with a picture,
there'd be no need for the poem.
Need? Oh.
Need.
You're being awfully
precious about the poem.
Do we need your poetry?
All we need is food and
shelter and air and sex.
The rest is optional.
Words are optional.
Yes, but you're using
them now, aren't you?
Because you need to communicate.
Even the most basic cave
societies needed to communicate.
Yes, hence the cave paintings.
Paintings before the words.
And you know where you can put
your stuffy, drab,
pictureless magazine.
And the round goes to Delsanto!
- Delsanto?
- Ding, ding, ding.
What are you talking about?
She left the ring.
She quit.
It was hit and run.
Mm-hmm.
All right, all right,
I have a challenge for you.
Look, forget the poem.
You pick a subject, paint a
picture, we print it in the issue.
on the same subject.
We have an assembly.
Words versus pictures,
which is worth more?
Why should I bother?
This is your inane war.
Because then I will print the
best of your students' work.
You can choose them.
Come on.
It'll give them
something to shoot for.
This inane war is
energizing these kids.
No, I'm not painting.
I will choose the best
work of my students,
and you write your
thousand words off that.
No, it's not allowed.
I want you, Delsanto.
You're always sailing
off against the wind.
Shh.
I like that.
Come on.
Then, Shaftner, let me
know you're hungry.
Finetti, let Tammy know
you're attracted to her.
Tammy, let him know
you don't want him.
Okay, Stanhope, tell us you want to
gather the tribe together at noon.
You want to talk
about making arrows
and finding a better
place to dig for roots.
See, grunting is fine,
but it only goes so far,
and so are gestures
and cave paintings.
And so people out of
necessity invented
words,
one by one,
then codified them
by usage, by mutual agreement,
tribe by tribe, nation by nation.
We went from "root,"
"dig," "fire," "arrow,"
to "multitask,"
"irreverence,"
and what is supposedly the
most beautiful-sounding phrase
in the English language,
"cellar door."
You see, your language is
a living, growing thing
absorbs new ones every day.
And that's what I want
you to do, each of you,
invent a new word.
Tell us what it means,
where it comes from,
and why you think it might stay and
live in the language for a while.
The ten best new words
will appear in the
coming issue of the Lion
and just maybe spread from there
Then the country,
then who knows?
The entire world.
Is this for Marc's?
Oh, would you look at that?
I'm going to faint.
Give it up.
What? Give up Dim Sum?
He's so disgusting.
Why should I, man?
She's the one I want.
I really feel bad for you.
Lots of guys want her.
You know, I bet you want her, too.
- Yeah.
- Hey.
Hey, why ignore me, Princess,
when I could show you
a very good time?
Yeah? You showed Carol
Garson a good time,
and then you bragged it
all over the school.
Give me a break. She bragged, too.
Why won't you give me a
break, Your Highness?
Leave me alone!
Oh, my Princess, why?
Because you're slimy
and you're mean!
- Ohh!
- Rejected.
What are you laughing at?
BOY 2; on, hey!
Hey, get up!
What the hell are you doing?
Nothing, man! I just touched
the little sh*t's shoulder!
Yeah, like that?
Go, Cole!
Sabine?
Hello?
I can't undress.
Okay, Dina?
Dina, I'm going to
come over right now.
Take some ibuprofen, okay?
Yes, thank you.
Thanks for seeing me.
I just wanted to apologize face
to face for what happened.
I was having some personal
problems that night.
It won't happen again.
People want to feel safe and
relaxed in here, Mr. Marcus.
It's... it's a haven.
It is.
It is a haven, I know.
I swear an oath, Mr. Franks,
may God strike me not
necessarily dead,
but seriously injured if I fail.
No, no, I really am serious.
Very well.
Thank you.
Hey, you're early.
Good boy.
Hey, have you seen Delsanto's work?
Yeah, yeah, I looked her up, too.
It's incredible.
Yeah.
Why the hell doesn't she
just stay at home and paint?
You think that cane is
from a football injury?
She has rheumatoid arthritis.
You know, there was
a time when my Edie
couldn't even brush her teeth.
Good morning. Good poem, Jack.
Oh, so you saw it?
copies, and I saw one.
I'm eager for the
magazine to come out.
Yeah, but it's not
coming out for weeks,
and I've got my review coming up,
so you'll tell them?
Certainly, I will show
them the poem, but...
But what?
What are my chances?
Looking better.
Some of your colleagues
will be interviewed.
We will see.
You know I'm back in good
graces at The Huntsman.
Good.
And the work in my class,
you should see some of the essays.
Bring me the essays.
Hey, you all right?
I mean, you were out
for a while, so...
So you missed me?
And yet you greet me so
antienthusiastically.
That's a nine.
Nine.
Welcome back, Delsanto.
That's not your best.
- It is my best.
- It's not.
I can judge that better than you,
and I can show you what
to do and how to do it.
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"Words and Pictures" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/words_and_pictures_23661>.
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