Wrong Is Right Page #10

Synopsis: A satire of American news reporting, Covert Agencies, and political system. The theft of two suitcase sized nuclear weapons, and their sale to a terrorist group, leads TV Newsman Patrick Hale on an international chase to track them down, and uncover the twisting maze of apparent involvement of US Government agencies.
Director(s): Richard Brooks
Production: Sony Pictures Entertainment
  1 nomination.
 
IMDB:
5.8
Rotten Tomatoes:
38%
R
Year:
1982
117 min
100 Views


Yes, Mr. Unger. Are you alone?

Two million dollars, right?

Yes, Mr. Unger. Are you alone?

Not now.

Yes, Mr. Unger. Are you alone?

Two million, 100,000?

Yes, Mr. Unger. Are you alone?

Two million two?

Yes, Mr. Unger. Are you alone?

Would you stand by

just a moment, please?

Yes, Mr. Unger. Are you alone?

How high do we go?

Yes, Mr. Unger. Are you alone?

[GUNFIRE]

Brand-new bullet.

Explodes on impact.

Yes.

Brand-new bullet.

Explodes on impact.

Two-and-a-half million

dollars, Mr. Unger.

Brand-new bullet.

Explodes on impact.

Deal.

Brand-new bullet.

Explodes on impact.

Now, certified check?

Brand-new bullet.

Explodes on impact.

Dollars?

Brand-new bullet.

Explodes on impact.

Swiss francs.

Brand-new bullet.

Explodes on impact.

Our man

is on the way.

Brand-new bullet.

Explodes on impact.

Since we will never

use the bombs,

Brand-new bullet.

Explodes on impact.

the price is too high.

We're prepared--

Brand-new bullet.

Explodes on impact.

Never buy anything

you cannot use.

Brand-new bullet.

Explodes on impact.

[TELEPHONE RINGING]

Brand-new bullet.

Explodes on impact.

You drive

a hard bargain.

Brand-new bullet.

Explodes on impact.

In my business,

no bargain, no credit,

Brand-new bullet.

Explodes on impact.

and in your case...

Brand-new bullet.

Explodes on impact.

no sale.

Brand-new bullet.

Explodes on impact.

Carlos, our charming friends

are leaving.

Brand-new bullet.

Explodes on impact.

America.

Brand-new bullet.

Explodes on impact.

Texas?

Brand-new bullet.

Explodes on impact.

Sounds like war.

Shooting, yelling.

Brand-new bullet.

Explodes on impact.

Texas.

Brand-new bullet.

Explodes on impact.

Hello?

Brand-new bullet.

Explodes on impact.

Hey there, partner.

Brand-new bullet.

Explodes on impact.

Going to do me

some fancy traveling.

Brand-new bullet.

Explodes on impact.

Going to get me

some fancy luggage.

Brand-new bullet.

Explodes on impact.

You remember

them $2 million suitcases?

Brand-new bullet.

Explodes on impact.

What's that?

Brand-new bullet.

Explodes on impact.

Shut that damn door.

Brand-new bullet.

Explodes on impact.

What?

Did you say three million?

What?

Hey, hey, boy, that's cheap.

We're in business.

What?

Look for John Brown.

What?

John Brown.

He's leaving now.

What?

The suitcases are the key.

What?

Lockwood needs the bombs

to prove justifiable homicide.

What?

Rafeeq needs them

to prove there were no bombs,

What?

and Mallory needs them

to win the election...

What?

and we need them

for an exclusive story.

What?

Book me on the first plane

to Paris,

What?

and have that money

waiting for me when I get there.

What?

You expect us

to pay $2 million?

What?

Maybe more.

What?

That's checkbook journalism!

What?

What kind of journalism was it

What?

when television paid

half a million dollars

What?

for an exclusive

on the Bay of Pigs?

What?

A million dollars to Nixon

to apologize coast to coast?

What?

CBS paid Haldeman,

Eisenhower, and Johnson.

What?

NBC paid John Dean

and Robert Kennedy's assassin.

What?

ABC paid Lieutenant Calley,

What?

and for breakfast,

served up the My Lai massacre.

What?

And what about the killer

I put on television?

What?

From death row

to the electric chair,

What?

fried meat on prime time.

What?

You paid $100,000 for that.

What?

Paid it to the killer!

What?

Do you call that journalism?

What?

We're in show business, baby.

What?

Make them laugh

Make them cry

What?

Make them buy, by and by

What?

Get that guy on camera.

What?

Get that guy on camera.

The soldier

with the bleeding stumps.

Get that guy on camera.

You rolling?

Hey, Sarge, you're on TV!

Get that guy on camera.

How does it feel

losing your legs?

Get that guy on camera.

You call that news?

Get that guy on camera.

We peddle disaster.

Violence, it's commercial!

Get that guy on camera.

Blood and tears

and football and cheers.

Get that guy on camera.

Performers, superstars.

Get them on, get them off.

Get that guy on camera.

Next, next,

fast, fast!

Get that guy on camera.

We're in

the entertainment business,

Get that guy on camera.

and there's nothing wrong

with that...

Get that guy on camera.

if you call it that.

Get that guy on camera.

Now, folks,

for my next act,

I'm going to try to save

the president's neck.

Now, folks,

for my next act,

You bum!

Now, folks,

for my next act,

You're the one

that exposed him!

Now, folks,

for my next act,

Right!

Now, folks,

for my next act,

And that's not wrong.

That's my job.

Now, folks,

for my next act,

And if he told the truth,

I'll get the facts to prove it,

Now, folks,

for my next act,

and that's my job too!

Now, folks,

for my next act,

Well, I happen

to be for Mallory.

Now, folks,

for my next act,

Frankly, my dear,

I don't give a damn.

Now, folks,

for my next act,

Monsieur John Brown...

[SPEAKING FRENCH]

Monsieur John Brown...

Mr. John Brown?

Monsieur John Brown...

Tonight. 6:
00.

Not sooner, not later.

Monsieur John Brown...

Bring cash. Come alone.

Monsieur John Brown...

[TOILET FLUSHING]

[RINGING]

[GUNFIRE]

Eight.

All the same.

Eight.

All empty.

Eight.

No bombs.

Eight.

Not here.

Eight.

No suitcases

here, either.

[BELL RINGING]

[BELL RINGING]

[BELL RINGING]

[BELL RINGING]

Mr. Unger?

Not here.

Mr. Unger?

Who are you?

Mr. Unger?

Shipping.

Mr. Unger?

Freight.

Mr. Unger?

Then you know

where everything is.

Mr. Unger?

Name's Brown.

Mr. Unger?

Supposed to pick up

two suitcases.

Mr. Unger?

I got the cash

right here.

Mr. Unger?

[BELL RINGING]

Anyone here?

Mr. Unger?

[SCREAMS]

Turn around.

Walk.

Turn around.

Open it.

Go in.

Don't touch anything!

Go in.

Sit down.

Oh, Jesus.

Hardly.

Oh, Jesus.

How did he get it?

Oh, Jesus.

Same way.

Ice pick.

Oh, Jesus.

Not my style.

What is your style?

Not my style.

King Awad's suicide?

Not my style.

Poisoned cigars?

Darts? Umbrella tips?

Not my style.

Or like the rat in the cage?

Not my style.

Awad's camp's a fortress,

but you got in and out.

Not my style.

How?

Not my style.

You know I'm not wired.

Not my style.

What is the style

of the CIA?

Not my style.

Is this where I get it?

You brought the king

a birthday gift,

a camera, at the airport,

the day he died.

You brought the king

a birthday gift,

I bought

that camera myself.

You brought the king

a birthday gift,

It wasn't the one he got.

You brought the king

a birthday gift,

He took a picture of you.

You brought the king

a birthday gift,

Tiny needle...

tiny puncture.

You brought the king

a birthday gift,

Hardly felt.

You brought the king

a birthday gift,

Seven hours later,

You brought the king

a birthday gift,

dead.

You brought the king

a birthday gift,

Who switched the cameras?

Your Majesty,

just a moment.

Who switched the cameras?

Your birthday gift.

Who switched the cameras?

You remembered.

Who switched the cameras?

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Charles McCarry

Charles McCarry (born 1930 in Massachusetts) is an American writer, primarily of spy fiction, and a former undercover operative for the Central Intelligence Agency who The Wall Street Journal described in 2013 as the dean of American spy writers; The New Republic magazine calls him "poet laureate of the CIA."; and Otto Penzler says he has produced some "poetic masterpieces." William Zinsser calls him a "political novelist:"Jonathan Yardley, Pulitzer Prize-winning critic for the Washington Post, calls him a "'serious' novelist" whose work may include "the best novel ever written about life in high-stakes Washington, DC." more…

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Submitted on August 05, 2018

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