X-Men Page #5
He plunges through the ice like a mark in a carnival
dunking tank. His massive weight and hairy coat quickly
suck him down.
The TWO FIGURES - CYCLOPS (Scott Summers) AND STORM
(Ororo Munroe) - obviously two of the children we saw
earlier now grown - move over the hole and calmly watch
Sabretooth gather himself and swim back to the surface.
Storm looks down at the hole, concentrating her intense
gaze. The wind whips further and the water in the hole
begins to freeze over.
UNDER THE ICE:
Sabretooth wisely concedes.
With one last look at the two mysterious figures now
nearly obscured by the ice, he turns his body and swims
away with the same agility he had on land.
ABOVE THE ICE:
THE SNOW AND WIND ARE NOW VIOLENTLY RAGING
Cyclops and Storm walk over to Logan and look down at him
curiously.
LOGANíS P.O.V.
They look at one another, wondering. Above them, a black
shape looms into frame, bringing with it the whining of
jet engines.
This is the X-JET and it is like no other plane we have
seen before.
Loganís eyes begin to close as they obscure the last of
all perceptible detail.
CLOSE UP ON:
The Periodic Table of Elements. A chart made up of
blocks depicting the elements and their chemical symbols.
Among the standards like Gold (Au) and Iron (I) and
Oxygen (O2) is a new square on simple red construction
paper tacked to the top.
It contains simply a large letter ìA.î
TRACKING SHOT THROUGH:
We are in a laboratory of sorts, quite different from any
we have ever seen -- and so are its occupants.
MORTIMER TOYNBEE, a dim, loyal thug whose agile leaping
ability and superhuman strength have earned him the name
TOAD.
Across the room, JOHN ALLERDYCE, a wiry redhead whose
ability to control fire with his fingers has earned him
the name PYRO.
In the corner we see BLOB, no explanation needed,
devouring a BUCKET of cereal, preariously balanced on his
huge belly.
They are a bestial and sinister bunch.
Toad and Pyro are working on:
A MACHINE:
A fantastic device which occupies a hallowed space in
this lab. It is meticulously designed, and with its
intricate circuitry, wires, and power boards, it
resembles most closely (and only resembles, because truly
itís like nothing weíve ever seen before) a combination
of an upright torpedo and a fantastic light source --
only far more dark and foreboding.
Pyro holds a stick of solder in one hand. He lights a
lighter with the other, then drops it. Strange thing --
the flame remains hovering about his finger. Quickly the
flame intensifies and turns blue, melting the solder over
a small circuit board. Then, the flame is gone.
He sticks out his hand like a surgeon.
PYRO:
Hand me the dykes.
Toad, both hands occupied, flicks his long tongue and
grabs a pair of pliers which he rests in Pyroís hand,
leaving them slicked with SLIME. The flame in his finger
goes out. The slimy coat over the pliers quickly
HARDENS, freezing their action.
PYRO (contíd)
I asked you not to do that.
Blob laughs. Toad shrugs.
In the background, almost ignored by them, something is
on the television. The news.
NEWSCASTER (O.S.)
Preparations are nearly completed for
the upcoming anniversary gala
celebrating the formation of the
United Nations. With nearly every
invitation confirmed, the occasion
promises to be the largest single
gathering of world leaders in history.
The image in the screen is a helicopter shot of ELLIS
ISLAND, with Liberty Island and the famous Statue in the
background.
NEWSCASTER (contíd)
Ellis Island, once an arrival point
for thousands of immigrants crossing
the Atlantic with the hopes of a
better life, will open its doors
again. Only this time it will be to
leaders and their families from over
200 nations.
Blob belches his skepticism deafeningly.
TRACK FURTHER THROUGH THE LAIR AND OUT THE DOOR as the
Newscast drones on.
INT. CORRIDOR/OFFICE - NIGHT
WE MOVE through subterranean corridors and past dozens of
projects that share some similarity to the machine we
have seen, including crude designs that have been
rejected or stripped of their good ideas.
FAINTLY we become aware of a clicking sound. Almost like
a stopwatch very far away, always growing louder.
The newscast has faded and another voice is getting
closer from somewhere down the hall.
Sabretooth emerges around a corner heading towards us,
turning just as we get to him. The clicking is loud and
clear now.
Sabretooth enters an office and we follow him. Seated at
a desk in the center of the room is MAX LENSHERR - age -
somewhere after sixty, but strong and vital for his
years. He is more often called MAGNETO.
The clicking is from the sound of an executive pendulum
thingy on his desk. The six steel balls hang onto one
another from string supports in formation depending on
how many are let to fly from either end. One ball
strikes one and one ball swings out from the other. Two
balls and two, and so on.
Slight difference. There are no strings supporting the
balls, thus defying gravity.
A chess set - all of its pieces made of beautifully
crafted iron - sits on the far end of the desk.
He is watching television, or more accurately listening -
his eyes looking off into space, deep in thought.
INTERVIEWER:
...and the leading voice in the call
for Mutant registration is Senator
Scott Frank Kelly, of Florida, who
claims to support the constitutional
rights of the genetically enhanced,
but whose crusade to register mutants
is gaining popularity.
Now Kelly is on the screen. Magneto shakes his head.
MAGNETO:
Not this one again.
When Sabretooth clears his throat, the clicking balls
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"X-Men" Scripts.com. STANDS4 LLC, 2024. Web. 28 Dec. 2024. <https://www.scripts.com/script/x-men_1076>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In