X Page #2

Synopsis: Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were archenemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-MEN.
Director(s): Matthew Vaughn
Production: 20th Century Fox
  20 wins & 38 nominations.
 
IMDB:
7.8
Metacritic:
65
Rotten Tomatoes:
86%
PG-13
Year:
2011
131 min
$145,300,000
Website
4,826 Views


Dunno.

Why?

Because now you're

a bowling ball.

Drive!

You've rung Holly.

I'm tied up right now,

but if you leave your name

and number, I'll call you back

to arrange an appointment.

Gotcha.

F***.

F***.

Calm down.

- He's dead, isn't he?

- Shh.

- He shot him in the head!

- Shut up!

I saw it!

I saw it!

Just calm down, all right?

All right?

Oh, sh*t.

What the f***

are you looking at?

Where to?

Just drive.

He knew we were there.

He didn't see us.

How do you know?

You're safe.

Oh, f***.

Stop.

Stop!

You don't know me.

I don't know you.

Hey.

Wait!

Where to?

Where can I take you?

Look, give me a destination

or get out.

You all right?

Everyone's crazy tonight.

What's that?

Don't worry.

Shh.

Can't leave him at home.

He's part of my act.

Look, can I take you somewhere?

I'm hungry.

How about your favorite

restaurant?

Vegas is the place

for any serious magician.

My old man used to say

that if you conquer Vegas,

the world will follow.

If you could work

at any casino,

which one would it be?

Caesar's.

How come?

It's the coolest.

And he played there once

on the same bill as Tom Jones.

Who?

Tom Jones?

The singer.

Forget it.

Your Dad sounds cool.

Yeah, he was.

I used to watch his shows

over and over.

My dad was magic too.

He disappeared when I was born.

What, you never saw him?

I got a stepdad.

Aren't you cold?

I left my coat at the hotel.

Here.

So what did you want to be

when you grew up?

I never had a dream

or anything.

Not like you.

Maybe I could be your...

Your lovely assistant.

Hello, Holly.

I'm Willie's friend.

You going somewhere?

Where's your friend?

Willie was a greedy turd.

He always got a double act.

I don't know

what you're talking about.

That was foreplay.

Do you want to f*** with me?

Your friend

with the pink lipstick.

She was from the street.

I don't know her name.

Wrong answer.

Look into my eyes and listen

to the sound of my voice.

There is nothing

but the sound of my voice

and my eyes.

I will count backwards

from five.

When I reach one,

you will be under my spell.

Five.

I want you to completely

free your mind.

Four.

All tension flows

from your body.

Three.

You feel totally relaxed.

Two.

You're light as a feather.

One.

A deep sleep envelopes you.

Can you hear me?

Yeah.

Tell me your name.

Shay Maree Ryan.

How old are you, Shay?

Tell me something

about yourself.

I never forget a face.

Where are you from?

Up north.

Why are you here?

Mum died, so I ran away.

Sorry.

Do you have a boyfriend?

No.

Look at me.

You're beautiful.

Don't.

Can I see you again?

Do you want to see me

or see me?

I want to see you.

"Harry the Impossible."

Will you call?

I don't just hypnotize anyone,

you know.

It wouldn't work out.

How do you know if you don't

take a chance?

What's in the bag, b*tch?

Hand it over,

and you won't get hurt.

You're the one'll get hurt.

Aww teach her

some manners, Rock.

I'll teach her some f***in'

manners, all right.

Oh, f***!

My f***in' eyes!

My f***ing head!

You b*tch!

I f***in' hate you people.

Open your mouth!

Open your mouth!

I want a room.

$25 the half,

$30 the hour.

Five bucks for the towel.

No, for the...

for the night.

Room three, first floor,

end of the corridor.

Thanks.

Whoo, oh, my God!

Hey.

Hey.

Hey, Mum.

Don't you ever be afraid

to take a chance, Shay,

you know?

We're looking for your friend.

I don't know her.

Yeah, but you know what she

looks like, though, don't you?

Huh?

Don't ya?

No.

Ah!

Don't you?

Stop, stop.

All right.

All right!

She didn't see you.

She can't hurt you.

You can't trust women.

Sh*t just f***in' flies

out of their mouth

without them even thinking.

It's biological.

It's because they got

a c*nt hidden away.

It's natural they're gonna

be hiding something.

With a bloke,

it's all just there, isn't it?

What you see is what you get.

But women are f***in' liars.

I f***in' hate women.

Start looking.

Where's Rose?

Don't know.

Who are you?

I heard you from next door.

Have you got anything?

No.

Got a smoke?

Sorry.

F***.

What time is it?

It's late.

Where the f*** is she?

I'll get you some water.

Okay?

Sweet.

Here I am, baby.

Who the f*** are you?

She's the girl from next door.

Well, she can f*** off,

because we're f***in' busy.

I was just seeing

if your friend was all right.

He's not my friend.

Hurry.

Come on.

Hurry up.

Come on. Come on.

Come on!

Half.

Half.

Half!

F***.

F***, f***.

The back of your hand.

Shut up, b*tch!

Shut up.

F***!

Ooh.

You got any money?

No.

Bullshit.

Cutie like you.

Come on.

Give us some money.

I don't have any.

F*** you.

Hey, open the f***ing door.

Come on, sweetheart.

Open the f***ing door.

The welcome wagon.

C*nts.

That's the way it is.

They f***ed me.

Now it's your turn.

I could tell 'em you're here.

They'd pay me for it.

Thanks.

Get f***ed.

Hey.

Pink lipstick.

Run!

Gotcha.

Get in!

Are you all right?

What did he do to you?

Police radio.

What?

He's a cop.

F***.

You should go home.

I can't.

Somewhere else, then.

There's nowhere else.

I could stay with you.

I'm going to the airport

to get on a plane out of here.

That guy'll come after me.

I offered you a job.

No one forced you.

You don't give a sh*t.

I just saved you.

I don't owe you anything.

You can have the car.

I can't drive.

Get out.

Get out!

Get out!

Hey.

F*** off!

It's Shay.

Fully didn't recognize you.

Where you going?

Nowhere.

Can I come?

I saw a guy get killed.

You okay?

I think someone's after me.

Who's lookin' out for you?

Rocky will help.

He looks after me.

He'll love you.

Yeah.

I'll go get him.

Lend me some ciggie money?

I'll pay you back.

You're a real friend.

Don't move.

Get in.

I'm waiting for someone.

Shay, get in.

I met my first trick

on this street.

I was so scared.

This big old man.

I thought he was gonna

have a heart attack on me.

I promised myself,

before I turned 30, I'd quit,

move to Paris,

reinvent myself.

It's my birthday today.

I've been f***ing for money

since I was 15.

I want a new life.

There's this guy.

He doesn't know

that I'm leaving,

and I don't want him to.

He can help us.

Who is he?

He's a cop.

Don't worry, ladies.

Safe as houses here.

Take a load off.

This is Bob's place.

No secrets between him and me.

Except where the bodies

are buried.

Good one.

- Who's this?

- Shay.

We were on the job together.

You see what happened?

- He shot him in the head.

- Who shot him?

A cop named Bennett.

He tried to kill us.

He's after us, Michael.

Where'd you park

his car darlin'?

We didn't say anything

about a car.

Gotcha.

Mate, you got more bruises

than a Queensland banana.

I reckon your nose looks better

on this side.

Fonzie got busted!

Laugh now, you f***in' dog!

Where's my car, c*nt?

Settle down.

Get out of my way.

You made enough mistakes

tonight.

F***in' settle down.

Look at my suit.

Rate this script:5.0 / 1 vote

Ashley Miller

Ashley Edward Miller (born March 16, 1971 in Windber, Pennsylvania) is an American screenwriter and producer best known for his work on the television series Andromeda, Terminator: The Sarah Connor Chronicles and Fringe. He also worked on the films Thor and X-Men: First Class. He often collaborates with fellow screenwriter Zack Stentz. more…

All Ashley Miller scripts | Ashley Miller Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "X" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/x_23720>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    X

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the main function of a screenplay treatment?
    A To detail the character backstories
    B To give a scene-by-scene breakdown
    C To provide a summary of the screenplay
    D To list all dialogue in the film