XXX Page #2
If a nuclear war broke out, you could run the country from
down here.
INT. SAM TANNICK'S OFFICE - NIGHT
The office is expensive yet devoid of personality, reflecting
the shadowy nature of it's owner. One wall is GLASS, looking
down on the information room. SAM TANNICK, grizzled NSA chief,
looks down at the activity below.
SAM TANNICK:
Come.
Gibbons enters, stands by the desk.
GIBBONS:
Evening, Sam.
Sam remains in shadow.
SAM TANNICK:
What do you have?
GIBBONS:
Not a whole helluva lot. His final
transmission was mangled. About
something or someone called "Ahab".
Whatever it is, it cost him his life.
SAM TANNICK:
He was the best there was. That makes
three agents lost.
GIBBONS:
They're ruthless and they have a lot
of firepower. It's only a matter of
time before they figure out how to
deploy Silent Night. Then we're gonna
have a catastrophe on our hands.
SAM TANNICK:
Silent Night in the hands of a bunch
of impertinent cowboys
GIBBONS:
We're gonna have to step in, Sam.
Those CIA boys couldn't find a clown
in a field of cactus. Let me take
care of it.
SAM TANNICK:
How will you fix it?
GIBBONS:
I'll go in with a team. But first
I'm going to need some intel. I'll
have to put someone inside, someone
new, someone they won't see coming.
One of their own.
SAM TANNICK:
So you'll dredge the bottom again.
You've done that before. The results
were... uneven.
GIBBONS:
You wanna find out about rats, ask a
rat. I've had my people put together
a talent pool. I downloaded it to
your desktop.
Gibbons snaps on the giant FLATSCREEN on Sam's desk. He starts
cycling through PHOTO AFTER PHOTO of TOUGH LOOKING MEN.
GIBBONS:
The usual prospects. Convicts,
contract killers, murde...
SAM TANNICK:
The scum of the Earth.
GIBBONS:
But programmable. And expendable.
SAM TANNICK:
I've seen enough. Turn it off.
Gibbons clicks off the screen.
SAM TANNICK:
They're degenerates. There's not a
man in there that would give a damn
if the Chinese took over.
GIBBONS:
That's exactly why we need them.
Sam sighs, stares out at the information room.
SAM TANNICK:
Get these "scum", Mr. Gibbons, bring
them in. Test them. Train them. Find
your man.
CUT TO:
EXT. SKYSCRAPER - DOWNTOWN LA - NIGHT
The huge ARCO TOWER rises up towards a moonlit sky.
We see ACCOMPLICE #1 (TRAVIS PASTRANA) sneak up and take
position behind a FOUNTAIN.
ACCOMPLICE #2 (CAREY HART) sneaks across a roof and takes
position overlooking the fountain position of #1.
ACCOMPLICE #3 (DAVE MIRRA) takes up position in the second
story window of a FLOPHOUSE HOTEL down the street.
A MESSENGER (BOB BURNQUIST) skates up to the front of the
skyscraper with a PACKAGE. He gets the attention of the
SECURITY GUARD inside. The Security Guard unlocks the door
and lets him in.
Just then a VAN pulls up and ACCOMPLICES #4 (SHAUN PALMER)
and #5 (MAT HOFFMAN) hop out. They open up the back and a
BICYCLE is rolled out of the back by a MAN IN A HOODED JACKET.
Jacket Man rolls the bike to the skyscraper and enters the
lobby.
INT. SKYSCRAPER LOBBY - NIGHT
The Security Guard is checking his computer.
SECURITY GUARD:
Crump... I'm sorry, no one by that
name.
K The Guard glances up as Jacket Man gets into an ELEVATOR.
SECURITY GUARD:
Hey! You can't go up there!
The Security Guard rushes to intercept him. The Messenger
kicks his skateboard out, TRIPPING UP the Security Guard.
The Messenger hauls ass out the door. The Security Guard
pulls out his WALKIE-TALKIE.
SECURITY GUARD:
We've got an intruder in the express
elevator!
INT. ELEVATOR - NIGHT
The button for "91 - ROOF ACCESS" is lit up. Jacket Man waits
patiently.
INT. 91ST FLOOR - NIGHT
This fancy office is empty for the night. The STAIRWELL DOOR
opens and a PLATOON of SECURITY GUARDS rushes in. They take
Up position in front of the elevator doors armed with BILLY
CLUBS and TASERS.
DING! The elevator arrives and the door swings open. But
there's NOBODY INSIDE.
One Guard steps forward and suddenly a bicycle SWINGS DOWN
from the ceiling, TAGGING HIM IN THE FACE. He falls back,
TASERING another Guard.
Jacket Man drops down onto his bike and pedals through the
chaos before the Guards know what hit them. There's a CURVY
PIECE OF ART in the room, some kind of modern art statue.
Jacket Man rides up the artwork like a ramp and does a
TABLETOP AERIAL over a DIVIDER. He hits the ground pedalling,
Jacket Man enters a HUGE OPEN ROOM with a FIELD OF CUBICLES
in the middle. He bunny hops onto a desk and SLIDES TO A
STOP. He tosses back his hood and we get a good look at him
for the first time.
He is XANDER CAGE. He's got a shaved head, bizarre TATTOOS
all over his body and multiple PIERCINGS. He's lean and
heavily cut, even dangerous looking.
The Guards charge at him and he HOPS up onto the top of the
CUBICLE WALL. This thing is maybe FOUR INCHES WIDE and FIVE
FEET TALL.
He pedals across the top of the cubicle wall, the Guards
scrambling after him.
Xander bunny hops over one guy's head onto the next set of
cubicles and pedals hard. The Guards fall all over themselves
trying to catch him.
At the other end Xander catches air and lands on a CONFERENCE
TABLE. He does a WHEELIE across it's length with Guards
closing in.
Xander springs up and does a TAIL WHIP, knocking them back
with his rear wheel. He lands and pedals to the stairwell
untouched.
Xander bursts out of the stairwell to the top of the TALLEST
BUILDING IN DOWNTOWN LA. He climbs on a RAISED PLATFORM.
From here he can drop down onto another level that is strewn
with SATELLITE DISHES and MICROWAVE RELAYS.
Guards rush onto the roof and try to corral him.
Xander tears off his jacket, revealing a BACKPACK on his
back and VIDEO CAMERA on his chest. He pulls out a ROAD FLARE
and SPARKS IT. We see there are SOAKED RAGS tied to his
SPOKES.
He LIGHTS THEM with the flare. Then he TOSSES THE FLARE off
the building.
The Accomplices see the flare drop. #'s 1, 2 & 3 pull CAMERAS
OUT and start filming.
Xander races around the roof like a trapped animal. He evades
Security Guards, picking up speed.
With Guards right behind, he drops off the TOP PLATFORM and
lands on a massive SATELLITE DISH.
Using the dish as a ramp, Xander LAUNCHES himself OFF THE
TOP OF THE BUILDING. We're talking 90 some stories here.
He spins through the air, his bike on fire. He's doing end
over end backflips. One... Two... Three... Four...
He's looping through space on his bike, a crazy man on a
flaming bike against a backdrop of sleek skyscrapers and
night lights.
The stunt is covered by the various Accomplices and Xander's
own chest camera, in SUPER 8 and DIGITAL VIDEO, from four
different angles.
Xander ditches the bike, kicking it away from him and plummets
towards the ground.
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