Yanks Page #2

Synopsis: During WWII, the United States set up army bases in Great Britain as part of the war effort. Against their proper sensibilities, many of the Brits don't much like the brash Yanks, especially when it comes to the G.I.s making advances on the lonely British girls, some whose boyfriends are also away for the war. One Yank/Brit relationship that develops is between married John, an Army Captain, and the aristocratic Helen, whose naval husband is away at war. Helen does whatever she needs to support the war effort. Helen loves her husband, but Helen and John are looking for some comfort during the difficult times. Another relationship develops between one of John's charges, Matt, a talented mess hall cook, and Jean. Jean is apprehensive at first about even seeing Matt, who is persistent in his pursuit of her. Jean is in a committed relationship with the kind Ken, her childhood sweetheart who is also away at war. But Jean is attracted to the respect with which Matt treats her. Despite Ken an
Genre: Drama, War
Director(s): John Schlesinger
Production: Universal Pictures
  Nominated for 2 Golden Globes. Another 6 wins & 5 nominations.
 
IMDB:
6.4
Rotten Tomatoes:
71%
R
Year:
1979
138 min
306 Views


- Is this town?

- Just a couple of minutes' walk, love.

- Follow that road there.

- OK. Thank you.

Hey, cherub.

- Me?

- Come here.

Here.

Just in case you get lost.

What's it say?

It says we're going to the movies.

All right!

# Run, rabbit, run, rabbit,

run, run, run

# Run, rabbit, run, rabbit,

run, run, run

# Don't give the farmer his

fun, fun, fun

# He'll get by without his rabbit pie

# So run, rabbit, run, rabbit,

run, run, run

- If they come, I'm not speaking to them.

- Don't. I'm not bothered.

- Do you want half? Last one.

- If you're offering.

# I've got tuppence to spend

and tuppence to lend

# And tuppence to send home to my wife

My mother'll kill me.

If only you'd asked me first.

How could I? They were on my bus.

- Hey, there they are.

- # The sage in bloom is like perfume

# Deep in the heart of Texas

Excuse me.

Come on, come on.

This is Movietone.

Leslie Mitchell reporting.

The latest films to arrive

from the Burma front show...

Sorry we're late, but it was

so goddamn dark we couldn't find it.

It's a blackout, chuck. Show 'em a

light and they drop a bomb on you.

- They're like that, the Jerries. Nasty.

- Shh!

- The name's Danny.

- Mollie.

- This is Matt.

- Hi.

- This is Jean.

- Glad to know you, Jean.

- Shh!

- I said glad to know you, Jean.

Do you mind?

I'm trying to watch the news.

The object of this attack

was to obtain identification

of Japanese troops

reported to be in occupation.

- Cigarette?

- No.

Oh, ta.

- Did you see that?

- Shut up!

Matt, you gotta be quiet.

She's trying to watch the news.

Fish and chips four times, is it?

- Eating them now?

- I'm starving!

Help yourself to salt and vinegar.

Here you are, Jean.

There's nothing on 'em.

- Cod and chips twice.

- More batter here, Doris.

Get out of it! You can talk!

There, soldier. Get that down you

and you'll not do so bad.

- You ain't kidding.

- Half a crown, love.

Oh, sure. Uh...

No, two shillings and sixpence.

Take him on one side and teach him.

He'd best learn t'money or they'll

do him right, left and centre.

- Now, son, what's yours?

- Fish and chips, please. 36 times.

- We'll be here all night!

- You don't look like a boxer to me.

- What do you mean?

You know what they call me?

Boom-boom Ruffelo.

- Boom-boom!

- Really. Cos I got power in both hands.

- I got power somewhere else too.

- Bragging again, are we?

We're not having a very good time,

are we?

No, I'm fine, really.

- You been out with an American?

- No.

Maybe that's what's bothering you.

- A girl gets a name going with

Americans. - I ain't...

And my family has a shop here.

- See you tomorrow, Jean.

- Mollie, wait a minute.

- Matt, see you at the barracks.

- I must go.

- Behave yourself!

- What are you so scared about?

- You don't have to be scared of me.

- I'm not scared.

Cos I tell you,

I'm the one that ought to be scared.

Think about it.

Here I am, God knows where,

God knows how long.

I'm out with the first

real English girl I ever met.

That's pretty scary.

I told you, it isn't you.

- Somebody else?

- Hm.

- Right. He's in the army?

- Yes.

We're getting engaged

when he gets leave.

But you're not engaged yet,

so you can see me again.

I don't understand.

I've told you there's no point.

I'd just like to see you again.

Like tonight. We could go take in a

movie, something to eat, go for a walk.

No fancy moves.

You just want a girl.

- The woods are full of giris.

- Pick yourself one.

Look, you never ever met

anyone like me before.

- No one as modest, anyway. - I didn't

mean it like that, like bragging.

It's like I never met

anyone like you before.

Oh. I'm not that special.

Sure you're special.

I think everybody's special.

- First of all, you're a foreigner.

- Oh, I see.

Are we in America now? You shouldn't

have any trouble finding your way home.

- I didn't mean it. I'm sorry.

- Good night.

Wait. Where are you going?

- It's all right. My mistake.

- You got me all wrong.

- Sorry.

- I take it all back. I'm the foreigner.

- I don't know how to get back. - Keep

going till you get to the monument.

Thanks a lot. Where's the monument?

- Sh*t!

Where did you get it, Annie?

Our last kid brought it home with him.

- The one that was wounded?

- Aye, in Africa.

Said he'd have brought the bloody head

as well if they'd let him.

- Here's your stamps, Mrs Shenton.

- Could have been worse, Clarrie.

- Could have been a Yank's.

- Ooh, I wish it had been.

With a Yank in it and all.

They're my sort of lads, the Yanks.

Hi.

- Can I help you?

- That's very kind of you, ma'am.

- Is it OK if I just look around?

- Yes, of course.

- Ta-ra.

- Goodbye, Mrs Shenton.

- See you.

- Bye.

Goodbye.

Sure there's nothing

I can help you with?

Yeah. Do you carry -

what do you call them - bicycle clips?

- We do.

- Could I try them on?

Certainly. Jean,

would you take care of Annie, please?

Yes, Mother.

- Hey! Those are clothing coupons, love.

- Oh, sorry. Sorry.

- Shall I put yours on account, Annie?

- Yes, please, love.

It's pensin day on Thursday.

I'll have to get myself one of these

lads. Pay you cash then, no danger.

I can't seem to find them anywhere.

You're not climbing ladders, Mother.

- Go and see to my dad's tea.

- Thank you, Jean.

- I'll be in the kitchen if you need me.

- All right.

One pair of bicycle clips.

- I wanna take you to the movies.

- No, thank you.

I've already told you

I've got a boyfriend.

Perhaps you don't believe me.

You'd like to see a photograph.

Yeah, that'd be nice.

Maybe I should ask your mom.

- Don't you dare!

- She'd show me.

- Matt!

- Oh, remembered my name.

Now, please, be sensible.

- OK, let's both be sensible.

- Right.

- How much do I owe you?

- One shilling, please.

- There you go.

- Thank you.

- Saturday, the Ritz, eight o'clock.

- No, thanks.

- All right, I'm going.

- You are?

I look like the kind of guy

to cause trouble?

.It's OK. I'll just be back tomorrow.

- Good morning, lvy.

- She's round the back.

.You're not much help

.standing there staring.

.I'm not staring, I'm admiring.

- You're early, aren't you?

- I'm always early.

.You just never noticed.

.Here, let me give you a hand.

- You'll get dirt on your uniform.

- I'm used to dirt.

.I worked my way through law school

.collecting garbage.

- I thought you washed dishes.

- I did that too. I did lots of things.

- Dug ditches, shovelled coal, drove a taxi.

- Phone, Miss Helen! Master Tim.

- Can you bring those leeks?

- Sure. That's what I'm here for.

.Tim? This is getting ridiculous.

.Nothing but phone, phone, phone.

.Why aren't you at school?

.I am at school. They're playing rugger.

- Shouldn't you be playing too?

- Yes, but... I try.

.I'm just no good at it.

- They all bully me.

- I see.

.I try my best, Mum.

- What do you say, giris?

- Hi.

- Fresh new crop of Gls just came in.

- Hey!

.Hey-hey! Huh?

.Just kids, most of them.

.Ivy, listen. This is for you too.

Rate this script:0.0 / 0 votes

Colin Welland

Colin Welland, born Colin Edward Williams, was a British actor and screenwriter. He won the Academy Award for Best Original Screenplay for his script for Chariots of Fire. more…

All Colin Welland scripts | Colin Welland Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Yanks" Scripts.com. STANDS4 LLC, 2024. Web. 27 Jul 2024. <https://www.scripts.com/script/yanks_23775>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Yanks

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "second act" in a screenplay?
    A The resolution of the story
    B The climax of the story
    C The main part of the story where the protagonist faces challenges
    D The introduction of the characters