Youngblood Page #2

Synopsis: A gang war/drug story set in a Los Angeles ghetto about the coming of age of a 15-year-old black youth. In HD.
Genre: Action, Drama
Director(s): Noel Nosseck
Production: MGM
 
IMDB:
5.6
R
Year:
1978
90 min
510 Views


I'M GONNA CHECK OU THIS NEXT DANCE.

HEY, BLOOD,

I'M TELLING YOU--

WOULD YOU LIKE TO DANCE?

Man:
HEY, MAN!

TAKE ME TO:

YOUR PLACE IN SPACE

I'M SICK AND TIRED

OF RAT RACE:

ON ROCKET SHIP,

NO TIME TO WAIT:

I JUST WAN TO GRAVITATE

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S GONE

IT'S GONE

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S GONE

IT'S GONE

I'LL TAKE YOU OU TO SEE THE PLACE

WHERE THE MAN IN THE MOON

HAS A SMILING FACE

YOU DON'T HAVE TO WEAR

NO FANCY LACE:

JUST A FUNKY FEEL

AND A LOT OF TASTE

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S GONE

IT'S GONE

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S GONE

IT'S GONE

PEOPLE MOVIN'

TO AND FRO:

TO A SONIC BAND:

AND A LASER SHOW

SUPERMAN, BATMAN,

GOING ALL NIGHT:

PLAYIN' ONE-ON-ONE

WITH A METEORITE

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S OUT OF SIGHT

IT'S GONE

IT'S GONE

IT'S OUT OF SIGHT

I DIDN'T KNOW YOU COULD

DANCE LIKE THAT.

THAT WASN'T NOTHING.

HEY, UH, EXCUSE ME, BLOOD.

HEY, WOULD YOU LIKE

A COKE OR SOMETHING?

YEAH, THAT'D BE NICE.

HEY, BLOOD.

HEY, BUMMIE.

YOU KNOW SYBIL.

COME ON, MAN,

WE GOT TO GO.

HEY, MAN, BE COOL, MAN.

ME AND SYBIL TRYING TO

GET US A THING GOING.

HEY, MAN,

FORGET THAT.

WE GOT TO:

GO.

I AIN'T GOIN'

NOWHERE.

YES YOU ARE, MAN,

UNLESS OF COURSE YOU PLAN

ON PAYING FOR THE NEXT DANCE.

ALL RIGHT?

COME HERE.

( Youngblood and Bummie

protesting )

WHAT'S GOING ON, MAN?

WHAT ARE YOU DOING?

NOW... QUARTER, SUCKER.

WHAT YOU TALKIN' ABOUT?

HEY, MAN, WHEN YOU

DANCE TO THE MUSIC,

YOU GOTS TO PAY THE PIPER.

LOOK, I PAID

TO GET IN ALREADY.

THAT'S CHEAP

WHEN YOU DANCIN'

WITH MY SISTER.

AIN'T NOBODY SAID NOTHIN'

'BOUT NO EXTRA DUES.

DURANGO SAID:

GIVE IT UP, MAN.

LOOK... LOOK...

THE DONS IS HOLDING

THE KEY TONIGHT,

AND Y'ALL DON'T LOOK LIKE

NO DONS TO ME.

SO GIVE IT UP.

YEAH.

FOX TAKES QUARTERS,

MY MAN.

NOW, DIDN'T Y'ALL

HEAR THE MAN SAY

GIVE IT UP?

WE AIN'T...

GOT NO QUARTERS.

THE WAY MY MAN IS DANCING,

HE LOOKS LIKE HE GO LOTS OF MONEY IN HIS POCKET.

ALL I GOT IS BUS FARE.

SO GIVE:

I UP.

HURRY UP, SUCKER.

I CAN'T BE WAITING ON--

HERE.

AND YOU HAD THE NERVE

TO DANCE WITH HIS SISTER.

NOW, SEE IF YOU CAN

HELP YOUR BUDDY OUT HERE.

NOT REALLY.

( chuckles )

OH?

THEN GIVE IT UP...

REALLY.

HEY, YOU LOOK FAMILIAR.

WHAT CLIQUE YOU IN?

I AIN'T IN NO GANG.

YOU SURE 'BOUT THAT?

-HUH?

-YEAH.

YOU OUGHTTA BE!

( indistinct angry shouting )

NOW KEEP YOUR ASSES

OUT OF HERE!

-COME ON, Y'ALL,

LET'S GO.

-CHUMP!

HEY, THE TRUCK!

MOVE! MOVE!

-GET IT!

-YOU TURKEYS!

YOU TURKEYS!

( laughing )

( indistinct angry shouting )

GO ON AND CHASE THIS,

YOU PUNK! YEAH!

PUNK!

( laughing )

YEAH!

GET ON THIS!

( both laughing )

YEAH!

MAN!

WHOO!

( laughing )

LATER ON, BABY!

( both laughing )

( can clatters underfoot )

MAN, THEM DUDES

THINK THEY SLICK?

THEY AIN'T SO SLICK.

WHY DON'T YOU JUS FORGET ABOUT IT, BUMMIE?

WE GOT AWAY, DIDN'T WE?

NAH, I AIN'T FORGETTIN'

'BOUT NOTHIN'.

THEY MESS WITH ME,

THEY MESS WITH THE KINGSMEN.

YOU COMING DOWN?

I DONE TOLD YOU,

I DON'T NEED NOBODY

FIGHTING FOR ME.

YEAH, WELL, YOU'VE GO TO BELONG TO SOMETHING.

I MEAN, YOU DON'T WAN TO GET CHUMPED OFF, DO YOU?

I AIN'T NO CHUMP.

YEAH, WELL, YOU BETTER

FORGET ABOUT SCHOOL TOMORROW,

COME DOWN AND MEE THE REST OF THE DUDES.

THIS YOUR MOMMA'S RIDE?

NO, UH, MY BROTHER'S.

-SHO' IS BAD.

-YEAH.

HE MUST BE INTO SOMETHING

PRETTY COOL.

UH, YEAH, HE'S A BANKER.

A BANKER?!

WHAT BANK?

WELL... NOT EXACTLY A BANK.

OH, I

SEE.

WELL, HE GOT AN OFFICE.

YEAH, BUT THAT DON' MAKE IT A BANK, DO IT?

HE LENDS MONEY, BUMMIE.

AIN'T THAT WHAT THEY DO

IN BANKS?

BUT THAT DON'T MAKE HIM

NO BANKER.

WELL, I GUESS THIS AIN' HIS CAR, IS IT?

DON'T HAVE TO BE.

( groans )

YEAH, I'LL SEE YOU

TOMORROW...

...CHUMP.

NONE FOR ME, MOMMA.

OH, BOY, PUT HAIR

ON YOUR CHEST.

WELL, WELL, WELL.

HERE COMES:

HIS MAJESTY NOW.

IF YOU THINK I'M GOING

TO KEEP THE FOOD WARM

FOR YOU ALL NIGHT,

YOU GO ANOTHER THINK COMING.

NOW, YOUR BROTHER'S

BEEN WAITING HERE FOR YOU

FOR TWO HOURS,

AND YOU KNOW HOW BUSY

YOUR BROTHER IS.

HOW YOU DOING,

PARTNER?

OH, HEY,

I'M COOL, REGGIE.

YOU ALSO KNEW THAT I WAS

GOING OUT TONIGHT.

WHERE HAVE YOU BEEN,

JUNIOR?

JUNIOR,

WHERE HAVE YOU BEEN?

DO YOU HEAR ME TALKING

TO YOU, JUNIOR?

MY NAME AIN'T JUNIOR!

HEY, MOMMA, COME ON.

THOUGHT YOU SAID

YOU WERE COOL, LITTLE BROTHER.

DON'T YOU GO

TELLING HIM NOTHING.

YOUR BUTT'S GONNA BE

OUT THERE IN THE STREET SOON.

NOW, IF YOU THINK

YOU'RE SUCH A MAN,

YOU SHOULD BE OUT THERE

DOING A MAN'S JOB.

( belches )

( knock on door )

OH, LORD, THERE'S MARSHAL.

YOU BE ASLEEP:

BEFORE I GET BACK HERE

TONIGHT, YOU HEAR ME?

'CAUSE YOU'RE GONNA TAKE

YOUR BUTT BACK TO SCHOOL

TOMORROW, SONNY.

HAVE A NICE EVENING, MOMMA.

YOU HUNGRY?

NO.

YOU'RE GONNA HAVE TO GIVE

MOMMA A LITTLE SLACK.

UNDER ENOUGH PRESSURE

AS IT IS:

WITH THE CITY BEATING

DOWN HER NECK TO MOVE

SO THEY CAN BUILD

ANOTHER PARKING LOT.

HEY, I CAME OVER TONIGH TO TELL YOU ABOUT THE HOUSE

I FOUND FOR Y'ALL.

I THINK YOU'LL DIG IT.

KID, Y'ALL DIG RINGS?

SEE HERE?

GO ON, TRY IT, MAN.

THEY'RE CHEAP. HERE.

LOOK HERE, YOU WAN TO TRY IT, MAN?

-NO, MAN.

-BETTER TRY SOMETHING, MAN.

THAT THING ON YOUR FINGER'S

KEEPING YOU VERY NAKED.

LOOK HERE. HEY...

TAKE THE WHOLE THING, MAN.

WE DON'T WANT ANY.

OKAY?

JUST... JUST...

SPEIDEL, JACK.

YOU KNOW? QUICK.

( street hawker

continues indistinct )

THAT WAS SOME PRETTY NICE

STUFF, REGGIE.

YEAH, JIM, I KNOW BRO

DIGS SOME JAM, HUH?

LOOKY HERE, MAN.

YOU CAN GET LOVE,

PEACE, AND HAPPINESS,

AND KGFJ,

AND A TAPE DECK.

CAN YOU DIG IT, MAN?

TAKE THE WHOLE THING,

UNDERSTAND?

THE WHOLE THING.

TAKE IT ALL.

I'M GONNA GIVE I TO YOU FOR...

JUST...

YOU CAN HAVE THE WHOLE...

JUST GIVE ME SOMETHING...

JUST GIVE ME... JUS SOMETHING FOR THE THING, MAN.

SPLIT, MAN.

DON'T YOU LISTEN

TO RADIO, MAN?

WOULDN'T HAVE BEEN

FOR RADIO,

YOU WOULDN'T HAVE GO THAT BROOKS BROTHERS SUI AND THEM HORN-RIMMED

GLASSES.

YOU PROBABLY GO A PAPER ROUTE.

WHERE'S THE RADIO?

RADIO, MAN!

COME ON, JUNIOR,

LET'S GO.

YEAH, OKAY, I'M COMING.

THAT WAS A GOOD RADIO,

REGGIE.

CAN'T MAKE DEALS

WITH JUNKIES.

WHY NOT?

( chuckles incredulously )

LOOK HERE, MAN,

LOOK HERE.

I GOT THIS HERE TV.

LOOK HERE, MAN.

FIRST COLOR TV:

I EVER STOLE--

I MEAN SOLD--

I MEAN BOUGHT, MAN.

YOU GOT UHF, VHF.

LOOK HERE, YOU CAN

WATCH SOUL ON THIS THING.

I WATCHED:

ROOTS:

ON THIS SUCKER.

ROOTS II.

HEY, MAN, COME ON,

JUST GIVE ME SOMETHING

FOR IT, MAN!

YOU A JIVE SUCKER

IN THE SUIT, MAN!

TELL YOUR BROTHER--!

THAT YMCA SUIT ON

YOU GOT FROM SEERSUCKERS!

OOH! YOU BETTER GET HOME,

'CAUSE I KNOW THAT SUIT'S

GOT TO BE WORN:

BY YOUR DADDY TONIGHT!

JIVE TURKEY FOOL!

YEAH, MAN, I KNEW

IT WAS GONNA BE TROUBLE,

THE MOMENT WE CAME

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Paul Carter Harrison

Paul Carter Harrison (born March 1, 1936) is an American playwright and professor. more…

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Submitted on August 05, 2018

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    "Youngblood" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/youngblood_23906>.

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