
Zodiac Page #23
File footage of TOSCHI.
(CONTINUED)
FINAL SHOOTING SCRIPT 132A.
180 CONTINUED:
180NEWSCASTER (V.O.)(CONT'D)
Toschi, who rose to public
prominence for his investigations
into both the Zodiac and the Zebra
Murders, is currently making
headlines as the next possible
Chief of Police. Along with his
partner William Armstrong, Toschi
is the only San Francisco
detective still working a case
that at one time commanded the
attention of hundreds of
policemen. Now it's down to just
two. And the killer, still at
large, who haunts them.
180A EXT. SAN FRANCISCO STREET CORNER -- NIGHT 180A
Toschi and Armstrong pull up to a curb by Armstrong's
apartment building. Done for the day.
(CONTINUED)
FINAL SHOOTING SCRIPT 133.
180A CONTINUED:
180AArmstrong begins gathering up his stuff. Preoccupied with
something. Maybe even upset. Toschi notices.
TOSCHI:
You want to keep the car tonight?
ARMSTRONG:
It's your turn.
TOSCHI:
I know, but if you drop me at my
place, you can have it.
Armstrong looks out the window - his WIFE stands in the door
to the building, waiting. Toschi sees her too. Strange.
Armstrong turns back to Toschi. Has to tell him.
ARMSTRONG:
You should keep the car.
TOSCHI:
Yeah?
ARMSTRONG:
I'm not coming in tomorrow.
TOSCHI:
What's up?
ARMSTRONG:
I'm done. I put in for a
transfer.
TOSCHI:
Where?
ARMSTRONG:
I'm looking at fraud. I can't be
on call anymore.
TOSCHI:
I understand.
ARMSTRONG:
Rather watch my kids grow up, you
know?
TOSCHI:
Yeah. Hey, good for you.
ARMSTRONG:
You'll be okay?
(CONTINUED)
FINAL SHOOTING SCRIPT 133A.
180A CONTINUED:
(2) 180ATOSCHI:
I'll be fine.
Armstrong smiles. Gets out of the car. Thinks of something.
ARMSTRONG:
Hey... I'm not leaving you holding
the bag on anything, am I?
He means Zodiac. Toschi knows it.
TOSCHI:
Nope.
ARMSTRONG:
Okay.
TOSCHI:
Hey, now you got time to get that
sushi.
(CONTINUED)
FINAL SHOOTING SCRIPT 134.
180A CONTINUED:
(3) 180AArmstrong smiles. Walks to his building. Toschi sees him go
to his wife. He waves. She waves back, knowing what just
transpired. He watches the Armstrongs disappear inside.
Then drives away.
180B OMITTED 180B
181 OMITTED 181
182 INT. SAN FRANCISCO CHRONICLE THIRD FLOOR -- DAY 182
The NEWS ROOM. Different. Old faces gone. New faces there.
A YOUNG REPORTER setting up shop at what used to be Avery'sDesk. Graysmith watches. Finally walks over.
GRAYSMITH:
Hi. Robert Graysmith.
JENNINGS:
(absently)
Duffy Jennings.
Graysmith watches him get comfortable in Avery's chair.
GRAYSMITH:
The guy who used to sit there was
a great reporter.
JENNINGS:
I'm sure he was. I mean, it's an
honor to leave the Chronicle and
go work for the Sacramento Bee.
He threads a piece of paper into his typewriter.
JENNINGS (CONT'D)
Nice meeting you.
183 EXT. WASHINGTON AND CHERRY -- NIGHT 183
October 11, 1977. The eighth anniversary of Stine's death.
Toschi sits in his car like always. Except this time, the
passenger seat is empty. He's alone. Toschi sighs and puts
the car in gear. Driving away. We HOLD on the corner...
Until a YELLOW CAB pulls up to it. The Passenger gets out
and pays the driver. GRAYSMITH. Taking in the scene for the
first time.
184 INT. GRAYSMITH'S APARTMENT -- NIGHT 184
Graysmith, sitting on his couch, going through yellowed
newspaper clippings from Zodiac. Turning page after page.
(CONTINUED)
FINAL SHOOTING SCRIPT 135.
184 CONTINUED:
184The headlines flitting past - "'I've Killed Seven' Zodiac
Claims", "Zodiac Sends New Letter Says He's Killed Ten", "New
Zodiac Letter Claims 17+", "Cops No Closer On Zodiac's
Identity"A
VOICE BY HIS EAR:
MELANIE:
"I am not Paul Avery."
Graysmith starts. Melanie laughs.
MELANIE (CONT'D)
The boys need tuck-ins and the
poop machine needs changing.
GRAYSMITH:
Flip you for it?
MELANIE:
You wish.
(looking at the book)
No one has more Zodiac crap than
you.
Graysmith blinks at this. Looking down at the album.
same name at the top of every article - By Paul Avery.
The
185 EXT. HARBOR -- SUNSET 185
Graysmith walks down the dock among houseboats. Comes to one
in particular - with SHEET METAL over the windows. He knocks
on the door. COUGHING from inside.
It cracks a little to reveal AVERY. Face gaunt. Eyesbloodshot. Looks like hell. Taking in Graysmith. Then:
AVERY:
You gotta be f***ing kidding.
186 INT. AVERY'S HOUSEBOAT -- SUNSET 186
Avery leads Graysmith inside, clearing away some of the mess.
Graysmith, a little surprised at the state of things.
GRAYSMITH:
I hope I’m not interrupting
anything...
It’s clear from his surroundings the only thing Graysmith has
interrupted is Avery playing PONG.
(CONTINUED)
FINAL SHOOTING SCRIPT 136.
186 CONTINUED:
186AVERY:
Not at all.
(re:
Pong)Have you seen this thing? It’s
mesmerizing...
GRAYSMITH:
Yeah. Yeah. So... how have you
been?
AVERY:
Can’t complain. Bee’s not exactly
the Chron, but f*** it, right?
Work is work. You want a drink?
He begins making a mixture of gin and ice.
GRAYSMITH:
Don't worry about it-
AVERY:
No worry at all, my friend.
Nobody comes by from the old days -
what we got ourselves here is an
occasion.
(raising the bottle)
To your health. And mine. Mostlymine.
He raises his bottle in toast. Graysmith raises his glass.
Notices it’s filthy. Avery drinks deeply. Graysmith does
not. Putting the glass down.
GRAYSMITH:
It’s good to see you, Paul.
Avery smiles at him and settles into a chair.
AVERY:
So, what’s new?
He takes a seat. Graysmith takes a deep breath.
GRAYSMITH:
I’ve been thinking.
AVERY:
Yeah?
GRAYSMITH:
Somebody should write a book.
(CONTINUED)
FINAL SHOOTING SCRIPT 137.
186 CONTINUED:
(2) 186AVERY:
“Somebody” should write a book
about what?
GRAYSMITH:
About Zodiac.
AVERY:
That’s not new. Is that whyyou’re here?
GRAYSMITH:
(pitching him)
Nobody knows more about the case
than you. You have the files - if
you put together all the
information, it could jog
something loose-
AVERY:
Lost the files.
GRAYSMITH:
(horrified)
You lost them?
AVERY:
Lost them or tossed them, who
cares, man?
GRAYSMITH:
But you wanted to be in charge of
the investigation!
AVERY:
That was a long time ago.
(refilling his glass)
We work in the daily business as
in to-day. What did you think we
were doing back then? You didn’t
really think it was important?
(off his look;
laughing)
Oh, Jesus... We were just trying
to sell newspapers. More peopledie in three months on the East
Bay commute than that idiot
killed. He offed a few citizens,
wrote a few letters, and faded
into footnote. What, Gray, didyou think I was just sitting here
waiting for you to drop by and
reinvigorate my sense of purpose?
(CONTINUED)
FINAL SHOOTING SCRIPT 138.
186 CONTINUED:
(3) 186
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"Zodiac" Scripts.com. STANDS4 LLC, 2025. Web. 12 Mar. 2025. <https://www.scripts.com/script/zodiac_1416>.
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