From Up on Poppy Hill Page #10

Synopsis: A group of Yokohama teens look to save their school's clubhouse from the wrecking ball in preparations for the 1964 Tokyo Olympics.
Director(s): Gorô Miyazaki
Production: Independent Pictures
  6 wins & 11 nominations.
 
IMDB:
7.5
Metacritic:
71
Rotten Tomatoes:
84%
PG
Year:
2011
91 min
$696,519
Website
1,919 Views


Dialogue:
0,1:23:52.67,1:23:55.63,poppy,,0000,0000,0000,,Come on, Shun. Hurry!

Dialogue:
0,1:23:56.84,1:23:58.01,poppy,,0000,0000,0000,,Thanks.

Dialogue:
0,1:24:27.45,1:24:29.16,poppy,,0000,0000,0000,,That's my dad's tug.

Dialogue:
0,1:24:56.23,1:24:58.36,poppy,,0000,0000,0000,,Here they are, captain.

Dialogue:
0,1:25:07.70,1:25:09.91,poppy,,0000,0000,0000,,Push our departure back 15 minutes.

Dialogue:
0,1:25:14.54,1:25:18.09,poppy,,0000,0000,0000,,So you're Tachibana's boy.

Dialogue:
0,1:25:19.55,1:25:22.34,poppy,,0000,0000,0000,,And you must be Sawamura's daughter.

Dialogue:
0,1:25:22.34,1:25:23.68,poppy,,0000,0000,0000,,Both fine-looking youngsters.

Dialogue:
0,1:25:39.57,1:25:41.28,poppy,,0000,0000,0000,,It's Shun, right?

Dialogue:
0,1:25:42.03,1:25:45.03,poppy,,0000,0000,0000,,Your father was Hiroshi Tachibana.

Dialogue:
0,1:25:45.03,1:25:47.91,poppy,,0000,0000,0000,,Front row, fourth from the right.

Dialogue:
0,1:25:48.45,1:25:50.83,poppy,,0000,0000,0000,,You can see Sawamura next to him.

Dialogue:
0,1:25:51.62,1:25:54.08,poppy,,0000,0000,0000,,We three were close friends.

Dialogue:
0,1:25:55.29,1:25:58.09,poppy,,0000,0000,0000,,Take the seat of honor, Tachibana.

Dialogue:
0,1:25:58.09,1:25:59.09,poppy,,0000,0000,0000,,Why me?

Dialogue:
0,1:25:59.09,1:26:01.55,poppy,,0000,0000,0000,,You're our leader. You belong there.

Dialogue:
0,1:26:01.55,1:26:03.97,poppy,,0000,0000,0000,,All right, let's do it.

Dialogue:
0,1:26:06.68,1:26:09.26,poppy,,0000,0000,0000,,Just don't die before me, okay?

Dialogue:
0,1:26:10.14,1:26:12.27,poppy,,0000,0000,0000,,Same goes for you.

Dialogue:
0,1:26:12.27,1:26:13.60,poppy,,0000,0000,0000,,Here we go.

Dialogue:
0,1:26:26.07,1:26:30.91,poppy,,0000,0000,0000,,I was away at sea\Nwhen your parents passed on.

Dialogue:
0,1:26:30.91,1:26:34.25,poppy,,0000,0000,0000,,Otherwise I'd have done\Nexactly what Sawamura did.

Dialogue:
0,1:26:35.58,1:26:40.42,poppy,,0000,0000,0000,,Meeting you two\Nis like seeing my old friends again.

Dialogue:
0,1:26:40.42,1:26:43.51,poppy,,0000,0000,0000,,Thank you both.\NI've never been so happy.

Planning & Screenplay by Hayao Miyazaki\NProduced by Toshio Suzuki

Based on the Original Graphic Novel by\NChizuru Takahashi & Tetsuro Sayama\N\NScreenplay by Keiko Niwa

Music by Satoshi Takebe

On Poppy Hill

"Summer of Farewells" Performed by Aoi Teshima\N\N"Ue wo Muite Aruko" Performed by Kyu Sakamoto

Character Design Katsuya Kondo\Nlmaging Atsushi Okui\NSound Design Koji Kasamatsu

Masami Nagasawa\N\N\N\N\N\N\N\N\N\N\N\NJunichi Okada

Keiko Takeshita\NRumi Hiiragi\NYuriko lshida\NJun Fubuki

Takashi Naito\N Shunsuke Kazama\NNao Omori \NTeruyuki Kagawa

Directed by Goro Miyazaki

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Latin Quarter Anti-Demolition League

Save Our Clubhouse From Demolition

Don't demolish our clubhouse

LITERATURE CLUB:

LATIN\NQUARTER\NWEEKLY

CAST!

PHYSICS:

AST!

PHYSICS:

AST!

PHYSICS:

AST!

D:

RM FORECAST!

PRESERVED!

RESOLVED:
THE LATIN QUARTER SHOULD BE PRESERVED!

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

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Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

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Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

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Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

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Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

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Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

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Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

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Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Onodera\h\h\h\h\h\h\hSawamura\h\h\hTachibana

Rate this script:3.8 / 4 votes

Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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    "From Up on Poppy Hill" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/from_up_on_poppy_hill_11969>.

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