1408 Page #4

Synopsis: The cynical and skeptical writer Mike Enslin writes books evaluating supernatural phenomena in hotels, graveyards and other haunted places, usually debunking the mystery. While writing his latest book, he travels from Los Angeles to New York to spend one night in the Dolphin Hotel's posessed room 1408, which is permanently unavailable for guests. The reluctant manager Mr. Gerald Olin objects to his request and offers an upgrade, expensive booze and finally relates the death of more than fifty guests over decades in the cursed room. However Mike threatens Mr. Olin, promising to sue the hotel, and is finally allowed to check into the room. Later in the night, he finds that guests of room 1408, once they have checked in, might never leave the room alive.
Genre: Drama, Horror
Director(s): Mikael Håfström
Production: MGM/Dimension
  4 wins & 9 nominations.
 
IMDB:
6.8
Metacritic:
64
Rotten Tomatoes:
79%
PG-13
Year:
2007
104 min
$71,912,310
Website
1,420 Views


You know albeit yes

what does want from me?

No, not!

What do you want?

What does want Mr. Enslin?

You sought this room.

A work, he/she was making my work.

- Do excuse?

- My work, I am a writer.

Oh, certain, you don't believe in anything, it likes

of destroying the hope of the other ones.

- Oh, that is bullshit.

- Because the people believe in ghosts?

For amusement? It is not for the hope

that there is something after the death.

How many spirits did you find?

What do you want from me?

What does want from me? Yours...

What, what, what?

I want my drink.

You won.

Mom because the Bible is purple?

I don't know because it is purple,

it was a present.

My grandmother brought me of the

Hungary, some day will be yours.

Those people know

for where am I going?

I have you are not going to place none,

you will be here with us.

Dad, all die.

- When they get old.

- Very old.

They are going to a better place.

It is very beautiful there, all

their friends will be there.

- All?

- Yes.

- Do you believe in that dad?

- Yes.

You know that think

we could have done more.

- We made all that that we were able to.

- No, we would must help her/it to struggle.

Oh, my God.

Instead of filling the head of

histories of the sky and of crowns.

- She likes histories.

- I will look for cigarettes.

In these situations.

Describe...

...what sits down.

The light, the light that does with

that the deads appear.

Everything this mixed.

At this level, 9, it is it more

deep of the hell.

Where was the whole light that heats up.

The six, and in the five

I don't see improvement.

But it is already better.

Mike, do you hear me?

Micheal.

Lily.

Michael, do you listen to me?

Oh, God, mine. I am

trying to communicate.

- Did you call the police?

- Yes, they are already at the hotel.

- Did he/she say in Delfim?

- Yes, yes in the 1408.

Mike they are

in the room 1408.

The room this emptiness.

Mike, Michael, do you listen to me?

Michael, where devils was?

I am not capable of me

to express with this climate.

He/she calms, we go will solve this.

- Don't panic.

- I will die.

Mike, for, you won't die,

I will be oh in 15 minutes.

Mike.

- It will be very late.

- No, it won't be late.

but it comes, it comes now.

I need you

for helping me.

I know that we didn't speak to each other a lot in this

time, but I need you love.

He/she only has to come,

they come here, they come with me.

No, no, not.

Don't count anybody only

come to the 14th floor.

- He/she comes wanted.

- No, no, no, not.

- I will be waiting for you.

- No, don't listen this.

- It is a trap.

- I will be a.

Lily, Lily.

This well friend,

does he/she get to breathe?

Do I have, as he/she sits down?

Where am I?

This well, this in the hospital.

Hospital where, in New York?

New York, no this in L.The.

He/she beat in the head

with his/her surfboard.

- Don't I believe that still surfs?

- This here for me.

Yes, they called.

I will return as soon as you get better.

- Ok I was in New York to I work.

- Because that says?

In Delfim of New York,

I was arrested and dying.

In the hotel, Delfim.

In the hotel Delfim, in 45 and

Lexington, I spoke to you...

- 45 and Lex.

- I called you.

I never heard this.

This well, only has to rest.

Oh, we have a winner.

Incredible.

He/she seems lie that lives here.

Because he/she left?

Because when he/she looked at her

he/she saw his/her face.

I believe that this very clear one, in the dream, the

room was a trick of the subconscious.

That was good for you.

This was as a hole of

a rabbit, was in shock.

I cannot stop thinking in this, I believe

that is better to drop me off at the hospital.

In the psychiatric unit.

You are very good, I don't believe

that am seating with you here.

Nor speak to me.

This all well, can he/she bring something more?

A glass of wine, of the same.

- Mike?

- Other, tequila, with lemon.

Katie was there.

You could imagine, to feel this,

...the real sensation of

what did speak to her two days ago?

I spoke to her, I played her, I saw her.

Yes, I see her/it all of the nights

when I close the eyes.

Yes, but it was so real.

- Maybe he/she should write of that?

- On Katie, this playing.

It is not work for me.

Because no, it seems that this

ready to work with this.

Can you be?

I feel a lot.

Factory owner is played of a bridge.

My experience in the

room was frightening.

Moments of madness and despair.

and somehow I left him.

Renewed.

I have, I have a package

to send tonight.

I need New York arrives

tomorrow in the morning.

I feel a lot Mister but we are closed.

I was out, I left, I left.

I left, by God.

I know that I left.

Open.

Dad.

No, he/she is not Katie.

I need help, please.

- You are not real.

- I am with cold.

- He/she is not Katie.

- I am with cold.

He/she looks at dad, no longer he/she loves me more.

Of course yes, wanted.

He/she comes I hold you, I already caught you.

Oh my god.

- They don't let to be me.

- Yes, they will leave.

They don't let to be me.

They don't let to be me.

No, no, I will remove you of here.

I already have her, ok, oh my God.

- Do you love me dad?

- Plus than everything in this world.

Then we can be

together, you, me the mom.

Yes, we can, we can

I am with you here.

I am already with you, everything this well.

No, no, I am not able to.

You are not able to.

Oh, my God.

No.

Return.

Because it doesn't kill me?

Because all accommodate them of this

hotel does what to want.

This same one can live

hour, once and again.

Or it can use ours

excellent departure system.

Mr. Enslin?

This ready one to leave, Mr. Enslin?

- No, I will be.

- I understand.

To purpose Mr. Enslin, his/her wife

he/she called, it will be here in 5 minutes.

- And we will order her to arise.

- Her no this involved.

No there is can have.

I got tired of speaking with

you, I will finish this.

Five, five, ignore the siren.

Does he/she want to leave this room?

Nobody leaves this room.

Nate, this is Nate,

...we can kill their friends.

All their friends are dead now.

I lived the life as a selfish man.

But I don't have to die

this way.

If I die, I will take him/it with me.

This cannot be real and

maybe until me am not real.

But this fire.

He/she has to be real.

They are going for hell.

What does happen he/she?

I don't know Mrs., it can be that is long

something this happening.

Be quiet bastard.

He/she has to help me mine

husband this inside.

He/she has that help-lo,

this in the 14th floor.

Please, help him/it.

This wasting time.

I make my work and I don't get scared.

The decoration is horrible,

I am sure...

In the scale of the fear,

and the top of the world, give 10 skulls.

What did you make?

Dad, dad.

He/she had been well, friend, had been well.

How this?

He/she will be well.

Remove him/it of here.

Well made Mr. Enslin, well done.

- Katie, I saw Katie.

- No Mike, Katie no this here.

- This in the hospital.

Rate this script:0.0 / 0 votes

Matt Greenberg

Matt Greenberg is an American screenwriter and producer, most notable for his work on the horror films Halloween H20: 20 Years Later and 1408. more…

All Matt Greenberg scripts | Matt Greenberg Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "1408" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/1408_1558>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "FADE OUT:" signify in a screenplay?
    A The end of the screenplay
    B A transition between scenes
    C The beginning of the screenplay
    D A camera movement