1408 Page #5

Synopsis: The cynical and skeptical writer Mike Enslin writes books evaluating supernatural phenomena in hotels, graveyards and other haunted places, usually debunking the mystery. While writing his latest book, he travels from Los Angeles to New York to spend one night in the Dolphin Hotel's posessed room 1408, which is permanently unavailable for guests. The reluctant manager Mr. Gerald Olin objects to his request and offers an upgrade, expensive booze and finally relates the death of more than fifty guests over decades in the cursed room. However Mike threatens Mr. Olin, promising to sue the hotel, and is finally allowed to check into the room. Later in the night, he finds that guests of room 1408, once they have checked in, might never leave the room alive.
Genre: Drama, Horror
Director(s): Mikael Håfström
Production: MGM/Dimension
  4 wins & 9 nominations.
 
IMDB:
6.8
Metacritic:
64
Rotten Tomatoes:
79%
PG-13
Year:
2007
104 min
$71,912,310
Website
1,438 Views


- The hospital of New York?

Yes, he/she doesn't remember the fire.

Yes, I only check.

I think... they think, they were

the old cables, that began all this.

- The cables?

- Everything will be well, he/she rests.

Will he/she be with me now?

That day Lily saved my life and him/it

Delfim this closed at least for the time being.

What will make? I only know that ended

the histories of ghosts.

I am their afraid.

- I never saw writing him/it so fast

- It is easy, I already wrote this book before.

Oh, God, I have to remove all this.

Can I see this?

We go, he/she only brings bad memories,

let to play me out.

The times she cannot turn off the bad ones

memories, he/she has to live with them.

Yes I was already here before, it is safe.

There is a sofa...

a good wallpaper.

The rugs are spotted.

- I love him dad.

- It is not real.

- He/she is not Katie.

- Dad, don't you love me more?

- Of course yes wanted.

- I wanted that were together...

...you, me and mom.

We can, we can, I am with you here,

I already diffused you.

Oh, my God, I won't let you to leave.

Rate this script:0.0 / 0 votes

Matt Greenberg

Matt Greenberg is an American screenwriter and producer, most notable for his work on the horror films Halloween H20: 20 Years Later and 1408. more…

All Matt Greenberg scripts | Matt Greenberg Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "1408" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/1408_1558>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "resolution" in a screenplay?
    A The part of the story where the conflicts are resolved
    B The rising action
    C The beginning of the story
    D The climax of the story