1666 AKA Knock Knock 2 Page #5

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No, you're so brave and you

were calling me a b*tch?

- So go. Go

- Oooh!

No, because when

I called you a b*tch

- you still didn't do anything about it

- No, go go.

Go. You're calling me out? You're

calling me out on the camera, so go

Come on, tough--

come on, toughness. Let's go

- Let's see what you're made out of

- I got close.

You got close?

You got close?

- You gonna follow me with the camera?

- What, did you walk over here?

Did you walk over here?

Did you walk here?

- Did you walk here?

- Keep going, keep going

Shut up.

I don't feel like it

All right?

So shut your f***ing face!

- Oh sh*t.

- You can call me tough boy

That's what Reeves said

right before he died.

He said, Shut your f***ing face

- Yeah.

- And then he blew his head off

And then he blew his head off

I promise you

I'm not leaving the car on this

I promise you

I'm not leaving the car on this

I promise you

No, you have to leave the car

No, I don't have to do anything

- I'm a grown-ass man.

- Proceed to destination, 900 feet

"Lights in the kitchen

go on and off by themselves,

while out in the living room

people see strange formless light

in an outline form floating

above, near the ceiling."

- It's a bumpy road.

- "In a corner of the living room

near the mailbox--

a small mailbox

she-- you know, you can hear?

Heavy heart-breaking

sobs of a woman."

Oh my God, look at this

Look at-- oh my gosh

Okay, I can't see anything now

Here, I can get out if you want me to

Whoa, that makes everything

look really f***ing creepy.

You might want to roll down your window

though, that would be helpful.

And get out of the way

sorry

Um, all I can see is a gate too,

so it's not really exciting

Should we pull over for a sec?

- We are pulled over

- Should we drive--

just pull into the driveway

Here, do you want me

to hand the camera to you?

Okay.

I think it's relatively

focused for the distance

It's recording.

Well

- All right.

- So this is--

what's the name

of this house?

The Jean Harlow house,

is that right?

- Yep.

- Just--

This is the house she

moved to after the studio

told her to move to a nicer house

So this is the nice house?

Apparently. For the 1930s

Look at the mailbox. Yeah

Place doesn't look lived in

Yeah? What does that mean?

That means we should go in

It means we can probably get in.

- Go on, Beckett

- Ridiculous.

- Why aren't you parking?

- Parking where?

Just stop for a second

There's a car coming this way

So pull back in

Okay, why don't we get out?

Okay yeah, that's great.

I'm driving. That's great

You're sort of parked

at the moment.

I'm trying to figure out

what we're gonna do.

- Are we getting out then?

- Yeah.

And looking at this gate

outside just for the sake--

This is the one right here?

It's not the one

next door to this one?

- This is-- this is--

- I'm highly conf-- I'm like

- Yeah, this is it.

- ...reviewing our relationship and

- wondering if it's really what I want

- Because the one before--

Like I'm just wondering

now at this point.

Is this really what

I wanted with my life?

- Right now.

- Yes, okay.

- Right now.

- Yes, okay.

it's Henry and Emily Strawling

They were a loving couple

in their late 20s.

Henry was an established

cinematographer

and had photographed

many celebrities from the 1920s

natural eye for lighting

blah blah blah.

"His wife Emily also

worked behind the camera

as an up-and-coming

costume designer.

Together they were remembered

as a loving and devoted couple."

Et cetera, et ectera.

Um, "Shortly after

they moved into their new home

Henry began to become

easily aggravated

and short-tempered. Never having

a history of this behavior before,

Emily discarded it

and figured it was a result?

Of the increasing pressures

of his burgeoning career.

However things became worse

He became depressed

talking angrily

with himself and at times

had momentary

outbursts of rage

Still Emily kept

the matter private,

as she still held on

to the faith that underneath it all

the man she married and fell

in love with was there."

then take next right

Um...

Okay well, what did

he do that was creepy?

- He was a paranoid schizophrenic

- Oh sh*t.

- Okay.

- Et cetera. She was pregnant-

eight months pregnant

Who didn't know,

so he wasn't on medication

"On October 30th, 1931,

Emily, eight months pregnant,

Henry decided to take the life

of his unborn child.

When Emily returned home

that afternoon,

Henry is said to have

sedated his wife,

stuffed her mouth with a cloth

and proceeded to cut her stomach open

to remove the unborn child."

Why couldn't we just do,

like, a regular Hollywood tour?

- See some celebrity houses?

- See the Hollywood sign.

With the baby in his hands,

he took its life.

Emily eventually bled to death

When he came to,

he realized what he had done

- and took his own life

- Arrive to destination

Um, he thought that

the baby was the devil

- And it's said it's been--

- Is it on the right or the left?

No-- uh--

it's over here

Pull over right here, I guess

Right, 16

- 1666--

- Did we just pass it?

I mean it's a f***ing

abandoned house over there

- It's a nice neighborhood

- Hold on, let me--

Beckett, we gotta do it.

Where are we going after this?

I think we've been to

- every place.

- We could go eat

Food!

Hey hey

Where's the number?

Do we see the number

on that house?

Well, this looks like--

this looks like

what it would look like

And it looks well-kept.

I don't think it's this one

Oh my God

- You look concerned

- Huh?

- I said you look concerned

- Shut up, dude.

- It's gotta be this one

- Ya think?

'Cause that one's

the house before it

Oh.

- She has spoken.

- I meant the number

Gosh, you guys are rough

I'm coming

Hopscotch. Oh my gosh

You all right?

- Hopscotch? Really?

- Really?

I think it's better

standing before that

- Yes.

- Yes?

- It actually is.

- Legal, illegal

- I'm on the sidewalk

- This is not--

- You're on the actual property

- Yeah.

- So...

- Well, somebody wants to sell it

it's-- nobody's in it!

- So they're trying to...

- Who's gonna call the cops?

Get us to view it.

Why are you so worried

about the cops?

Cause they're the law?

I don't know.

- Yeah.

- 'Cause you get raped in prison

In Steph's own words

F*** the police.

You're not pretty enough

I'm-- I don't have to be.

Let's go, f*** it

Jordan, Jordan!

- Jordan--

- Jordan, please

- Really?

- It's just the backyard

What are you, five years old?

- Kind of, yeah

- That's mean.

I'm trying to maintain

my childlike innocence

- Oi. Yep.

- Are you gonna come up here?

- No.

- I didn't ask you

You know, we're not

the one who parked.

Anyway, it's like

this is a hunger strike

Hey, let's go, come on

I just want a breath of fresh air

since I haven't been let out of the car

Okay, so, Steph

you're awesome.

You're really brave

and I commend you for that

- I'm not trying to be brave.

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