21 Jump Street Page #9

Mr. Fischer? He's Iying.

-How do you know?

-Trust me. it's what I do.

He's hiding something.

and we need to find out what that is.

I need you to do the same thing to him

that he was going to do to you.

We'II enter his subconscious and find out

what he doesn't want you to know.

AII right.

[MACHINE HIDDING]

COBB:
He's out.

-Wait.

Whose subconscious are

we going into exactIy?

We're going into Fischer's.

I toId him it was Browning's

so he'd be a part of our team.

He's gonna heIp us break

into his own subconscious.

COBB:

That's right.

Decurity's gonna run you down hard.

And I wiII Iead them on a merry chase.

-Just be back before the kick.

-Go to sIeep. Mr. Eames.

ARTHUR:

You good?

Hey. You ready?

Yes. yes. I'm fine. I'm ready.

ARIADNE:

Cobb?

Cobb? What's down there?

HopefuIIy. the truth

we want Fischer to Iearn.

I mean. what's down there for you?

[DHOTGUN COCKD]

[GUNFIRE THEN YUDUF YELLD]

[ELEVATOR DINGD]

[YUDUF YELLD]

[BOTH GRUNTING]

[METAL GROANING]

[DECURITY GUARD DCREAMING]

[YELLING]

[GUNDHOT]

[LAUGHD]

Did you see that?

COBB:

Eames. this is your dream.

I need you to draw the security away

from the compIex. understand?

-Who guides Fischer in?

COBB:
Not me.

If I know the route.

everything couId be compromised.

-I designed the pIace.

COBB:
No. you're with me.

DAITO:

I couId do it.

AII right. Brief him on the route

into the compIex.

-Fischer. you'II be going with him.

-AII right. What about you?

You keep this Iive.

I'II be Iistening in the whoIe time.

The windows on that upper fIoor are big

enough for me to cover you from that tower.

FIDCHER:

You're not coming in?

In order to find out the truth

about your father...

...you're gonna need to break into

Browning's mind on your own.

DAITO:

Come on. Fischer!

[BUZZER DOUNDING]

-Dound the aIarm! Dound the aIarm!

-Go. go. go!

Move!

Go!

[GUNFIRE]

YUDUF:

Dod it.

I hope you're ready.

[''NON. JE NE REGRETTE RIEN'' PLAYING]

[DONG ECHOING]

No. it's too soon.

[DONG ECHOING]

Cobb. do you hear that?

I first noticed it about 20 minutes ago.

I thought it was the wind up here.

Yeah. I hear it. It's music.

Do. what do we do?

We move fast.

Yusuf's 10 seconds from the jump.

Which gives Arthur three minutes.

-Hey!

-That's him!

-Which gives us what?

-Dixty minutes.

-Can they make that route in an hour?

-They have to cIimb to the terrace.

Then they need a new route.

a more direct route.

[DHOUTD INDIDTINCTLY]

It's designed as a Iabyrinth.

There must be access routes

that cut through the maze.

Eames?

[GUNFIRE]

Did Eames add any features?

I don't think I shouId teII you.

We don't have time for this.

Did he add anything?

He added an air-duct system

that can cut through the maze.

Good. ExpIain it to them.

ARIADNE:
Saito?

-Go ahead.

[DECURITY GUARD GRUNTD]

Paradox.

[DCREAMD THEN THUDD]

[BOTH GADPING]

ARIADNE:
What was that?

-The kick.

Cobb! Cobb. did we miss it?

Yeah. we missed it.

FIDCHER:

Man.

CouIdn't someone have dreamt up

a goddamn beach? Huh?

Uh-huh.

EAMED [OVER RADIO]:

Well, what the hell do we do now?

We finish the job before the next kick.

-What next kick?

-When the van hits the water.

WOMAN [ON RECORDING]: lf you'd like to

make a call, please hang up and try again.

lf you need help, hang up....

How do I drop you without gravity?

Arthur has a coupIe minutes.

and we have about 20.

[DAITO COUGHING]

You okay?

DOLDIER:
Run! Turn around!

Move to base! Move to base!

Go. go. go!

There's something wrong.

They're heading your way.

Iike they know something.

Just buy us more time. aII right?

-Come on!

-On my way.

DOLDIER:

Come on! Move!

[DILENCED GUNDHOT]

[BOTH GRUNTING]

AII right.

[DILENCED GUNDHOT]

Okay. That's the antechamber

outside the strong room.

-Does the strong room have windows?

-It wouIdn't be very strong if it did.

Let's hope Fischer Iikes

what he finds in there.

-Are those projections his subconscious?

-Yes.

-Are you destroying parts of his mind?

-No. They're just projections.

[COUGHD]

[DAITO COUGHING]

-We're here.

-You're cIear. but hurry.

There's an entire army headed your way.

[WHIDPERD]

I'm in.

[DTATIC OVER RADIO]

[TURND RADIO OFF]

DOLDIER:

There he is.

-There's someone in there.

-Fischer. it's a trap. Get out.

Come on. Come on. a IittIe Iower.

ARIADNE:

Cobb.

No. she is not reaI.

How do you know that?

Dhe is just a projection.

Fischer. Fischer is reaI.

[GRUNTD]

HeIIo.

ARIADNE:
Eames!

Eames. get to the antechamber now!

EAMED:
What happened?

-MaI kiIIed Fischer.

I couIdn't shoot her.

There's no use in reviving him.

His mind's aIready trapped down there.

It's aII over.

Do that's it. then? We faiIed?

We're done. I'm sorry.

It's not me that doesn't get back

to my famiIy. is it?

Dhame. I wanted to know what was

gonna happen in there. I swear we had this.

Let's set the charges.

No. there's stiII another way.

-We have to foIIow Fischer down there.

-Not enough time.

No. but there wiII be enough time

down there.

And we wiII find him.

Okay. as soon as Arthur's music kicks in.

just use the defibriIIator to revive him.

We can give him his own kick

down beIow.

Look. you get him in there.

As soon as the music ends.

you bIow up the hospitaI...

...and we aII ride the kick

back up the Iayers.

It's worth a shot. if Daito can hoId

the guards off whiIe I set the charges.

Daito wiII never make it. wiII he?

-Cobb. come on. We've gotta try this.

-Go for it.

If you are not back before the kick.

I am gone with or without you.

Dhe's right. Dhe's right.

Come on. Let's go.

Can I trust you to do

what needs to happen here?

MaI's gonna be down there.

I know where to find her.

Dhe'II have Fischer.

-How do you know?

-Because she wants me to come after him.

Dhe wants me back down there with her.

AII right?

-This is your worId?

-It was.

And this is where she'II be.

Come on.

[GUNFIRE]

Daito. Daito.

I need you to take care of Fischer

whiIe I go set some charges. okay?

No room for tourists on these jobs.

Don't be siIIy.

ARIADNE:

You buiIt aII this? This is incredibIe.

We buiIt for years.

Then we started in on the memories.

This way.

COBB:

This was our neighborhood.

PIaces from our past.

That was our first apartment.

Then we moved to that buiIding

right there.

After MaI became pregnant.

that became our home.

You reconstructed aII of this

from memory?

Like I toId you. we had Iots of time.

ARIADNE:

What is that?

That's the house MaI grew up in.

-WeII. wiII she be in there?

-No.

Come on.

We both wanted to Iive in a house.

but we Ioved this type of buiIding.

In the reaI worId.

we'd have to choose. but not here.

[GRUNTD]

[GUNFIRE]

[GRUNTD]

[BEEPD]

[BEEPD]

[BEEPD]

How are we gonna bring Fischer back?

We're gonna have to come up

with some kind of a kick.

What?

I'm gonna improvise.

Listen. there's something you shouId

know about me. About inception.

[BOTH GRUNTING]

[GUNFIRE]

An idea is Iike a virus. ResiIient.

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