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3:10 to Yuma Page #5
EMMA:
I was a singer. Best time I ever
had, my whole life.
WADE:
What made you quit.
Emma turns away, collecting the SHOT GLASSES...
...and Wade follows her around the counter.
EMMA:
I got to coughing too much. Doctor
said I should find a drier climate.
WADE:
I spent more money in that joint, I
tell you. Remember a girl, her name
was Velvet.
(CONTINUED)
3:
10 TO YUMA - TAN - 1.23.07 21.CONTINUED:
(2)EMMA:
(her back to him)
Nobody forgets Velvet.
Wade reaches out and touches the back of her neck...
Emma hasn’t been touched like that in a while.
WADE:
You know, you look kind of skinny.
EMMA:
I feel skinny.
WADE:
That’s all right. I don’t mind
skinny girls, long as they have
green eyes to make up for it. Do
you have green eyes.
She turns, showing him her BROWN EYES...
WADE:
That’s all right... They don’t have
to be green.
CUT TO:
EXT. CATTLE TRAIL, FOOTHILLS - DAY
Dan and William carry McElroy along a trail on a STRETCHER
made of a stagecoach panel. Dan’s in front.
Mark walks alongside, glancing at McElroy’s WOUND. McElroy
clutches a rag to it and glares at the sky, muttering.
MARK:
...You think they lied? You think
they stole our horses.
WILLIAM:
Ben Wade don’t need our sh*t
horses.
DAN:
Watch your mouth.
Cresting a ridge, they come upon-Their
horses tied to a tree. Dan is surprised.
37A MOMENTS LATER-- AT THE HORSES
William helps his father prop a growling McElroy onto Dan’s
horse. As Mark mounts up. Dan turns to William.
(CONTINUED)
3:
10 TO YUMA - TAN - 1.23.07 22.37A CONTINUED:
DAN:
...Take your brother and round up
the cattle. Don’t push them. I
can’t afford any more dropping.
William spits, looking at something, then mounts his horse.
WILLIAM:
...Here comes the Cavalry.
Dan turns to see-- Marshal Weathers riding up with Kane,
Crawley and Butterfield. He turns back to his son.
DAN:
Do as I said.
William spurs his horse and leads Mark off, looking back as-Butterfield
dismounts, crossing to McElroy.
MARSHAL:
He from the coach?
DAN:
The only one who made it.
It was Ben Wade.
BUTTERFIELD:
Mister McElroy. Can you hear me.
He needs attention.
KANE:
Get him on my horse.
MARSHAL:
You see which way they rode, Evans?
DAN:
Looked like they were headed to
Bisbee...
With dark faces, Butterfield looks to the Marshal and they
realize...
38 OMITTED
CUT TO:
39 INT. EMMA’S BEDROOM-- SALOON - DAY
Wade relaxes on a chair, wearing only pants. He sketches Emma
who’s lounging naked in bed in a small room above the saloon.
She watches him work for several moments, grinning.
(CONTINUED)
3:
10 TO YUMA - TAN - 1.23.07 23.CONTINUED:
His eyes meet hers. There are sparks between these two. She
rolls toward him. He reaches out -- touches her ivory skin.
Out a window, Wade glances at-- Butterfield, Dan, the Marshal
and his Deputies riding into town, McElroy in tow.
Wade turns away from the window. It doesn’t worry him.
WADE:
...There’s a town south of the
border... A pretty little pueblucho
on the river. Folks would pay good
money there to hear a white woman
sing.
EMMA:
....Yeah, imagine me shinning down
to Mexico with Ben Wade on my arm.
WADE:
I’m not wanted in Mexico.
Emma studies him, wondering if he’s sincere. She breaks a
smile, like he’s pulling her leg. But his eyes are still.
WADE (CONT'D)
Jump out that back window with me.
Emma stares at him, mystified, then laughs.
EMMA:
You’re crazy.
She smiles and starts to rolls out of bed, but he pulls her
back to him and into the soft bed.
39A INT. DOC POTTER’S OFFICE, BISBEE - DAY
A loud knocking. DOC POTTER (42) shuffles toward the door and
UNLOCKS it. Kane and Dan move in holding McElroy in their
arms. Butterfield follows. Dan sets McElroy on a BIG SLAB.
DAN:
Coach got held up.
DOC POTTER:
What’s his name.
BUTTERFIELD:
Byron McElroy. He’s a bounty hunter
under contract with the Pinkertons.
(CONTINUED)
3:
10 TO YUMA - TAN - 1.23.07 24.39A CONTINUED:
Butterfield looks about the room. A veterinarian's office. He
crosses to the window.
Outside the saloon, the Marshal and Crawley begin to search
the village for Wade.
KANE:
(crossing to the door)
I best get out there.
DOC POTTER:
You’ve lost a lot of blood, Mister
McElroy. I’m gonna need to do a
little stitching on your-
MCELROY:
Shut your mouth and do the same to
my gut.
Doc Potter blinks. He notes the many scarred-over bullet
holes and gashes on McElroy’s chest.
Dan crosses to the door, watching as-
Kane joins the Marshal and Crawley as they continue moving
through the town, guns drawn.
BACK INSIDE-
DOC POTTER (CONT’D)
What I’m about to do is going to
hurt like a sonofabitch...
(to Butterfield)
...Hold him please.
Butterfield moves to pin McElroy, but...
MCELROY:
Don’t touch me.
Doc Potter dives a LONG PAIR OF TWEEZERS into McElroy’s
wound. McElroy grunts fiercely, eyes welling, holding his
glare with Potter.
Plink. The bullet’s out. Doc Potter drops it in a dish.
McElroy turns, noticing the ANIMAL CHARTS on all the walls.
MCELROY:
What the f*** kind of Doctor are
you anyway?
(CONTINUED)
3:
10 TO YUMA - TAN - 1.23.07 25.39A CONTINUED:
(2)DOC POTTER:
Nice to have a conversation with a
patient once in a while.
CUT TO:
39B EXT. BISBEE STREET-- CONTINUOUS--
Dan makes his way around the corner from Potter’s place,
moving toward Hollander’s mercantile. He sees-Hollander
talking to a clerk, through an open side door.
Dan steps pick up speed.
39C EXT. BISBEE STREET-- OUTSIDE BOARDING HOUSE
Crawley stops in front of Wade’s Horse, runs his hand over
the animal. This animal is not from Bisbee
39D INT. SALOON-- CONTINUOUS
The Marshal and Kane stand at the entrance of the saloon.
They look about until they hear a whistle from outside.
They turn to see-- Crawley pointing to Wade’s horse in front
of the Boarding House.
They move quickly to the Boarding House, weapons drawn.
CUT TO:
INT. HOLLANDER’S MERCANTILE -- CONTINUOUS
Dan enters. He meets eyes with Tucker, who assists a clerk
with inventory. On the other side of the room, Hollander puts
a Ledger book in his bag and pulls on his coat, watching out
his window.
HOLLANDER:
What the hell are they looking for?
DAN:
...Ben Wade. He held up the payroll
coach. I was there.
TUCKER:
F*** off, cripple.
DAN:
I want to talk, Mister Hollander.
(CONTINUED)
3:
10 TO YUMA - TAN - 1.23.07 26.CONTINUED:
Hollander moves toward the door, his eyes across the street,
watching the search. He checks his sidearm.
HOLLANDER:
Ben Wade in Bisbee. Sh*t. We’re
moving up.
DAN:
Mister Hollander.
HOLLANDER:
(to Tucker)
‘Going to the saloon...
Dan follows Hollander out the door.
EXT. BISBEE-- MOVING TOWARD SALOON-- CONTINUOUS
Dan trails after Hollander along the plank walkway.
DAN:
...You got no right to do what you
done. You hear me. That’s my land.
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"3:10 to Yuma" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/3:10_to_yuma_166>.
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