3:10 to Yuma Page #5

Synopsis: Outlaw Ben Wade (Russell Crowe) terrorizes 1800s Arizona, especially the Southern Railroad, until he is finally captured. Wade must be brought to trial, so Dan Evans (Christian Bale), the owner of a drought-stricken ranch, volunteers to escort him to the train. Along the trail, a grudging respect forms between the men, but danger looms at every turn, and the criminal's men are in pursuit.
Production: Lionsgate Films
  Nominated for 2 Oscars. Another 3 wins & 30 nominations.
 
IMDB:
7.7
Metacritic:
76
Rotten Tomatoes:
89%
R
Year:
2007
122 min
$53,574,088
Website
3,030 Views


EMMA:

I was a singer. Best time I ever

had, my whole life.

WADE:

What made you quit.

Emma turns away, collecting the SHOT GLASSES...

...and Wade follows her around the counter.

EMMA:

I got to coughing too much. Doctor

said I should find a drier climate.

WADE:

I spent more money in that joint, I

tell you. Remember a girl, her name

was Velvet.

(CONTINUED)

3:
10 TO YUMA - TAN - 1.23.07 21.

CONTINUED:
(2)

EMMA:

(her back to him)

Nobody forgets Velvet.

Wade reaches out and touches the back of her neck...

Emma hasn’t been touched like that in a while.

WADE:

You know, you look kind of skinny.

EMMA:

I feel skinny.

WADE:

That’s all right. I don’t mind

skinny girls, long as they have

green eyes to make up for it. Do

you have green eyes.

She turns, showing him her BROWN EYES...

WADE:

That’s all right... They don’t have

to be green.

CUT TO:

EXT. CATTLE TRAIL, FOOTHILLS - DAY

Dan and William carry McElroy along a trail on a STRETCHER

made of a stagecoach panel. Dan’s in front.

Mark walks alongside, glancing at McElroy’s WOUND. McElroy

clutches a rag to it and glares at the sky, muttering.

MARK:

...You think they lied? You think

they stole our horses.

WILLIAM:

Ben Wade don’t need our sh*t

horses.

DAN:

Watch your mouth.

Cresting a ridge, they come upon-Their

horses tied to a tree. Dan is surprised.

37A MOMENTS LATER-- AT THE HORSES

William helps his father prop a growling McElroy onto Dan’s

horse. As Mark mounts up. Dan turns to William.

(CONTINUED)

3:
10 TO YUMA - TAN - 1.23.07 22.

37A CONTINUED:

DAN:

...Take your brother and round up

the cattle. Don’t push them. I

can’t afford any more dropping.

William spits, looking at something, then mounts his horse.

WILLIAM:

...Here comes the Cavalry.

Dan turns to see-- Marshal Weathers riding up with Kane,

Crawley and Butterfield. He turns back to his son.

DAN:

Do as I said.

William spurs his horse and leads Mark off, looking back as-Butterfield

dismounts, crossing to McElroy.

MARSHAL:

He from the coach?

DAN:

The only one who made it.

It was Ben Wade.

BUTTERFIELD:

Mister McElroy. Can you hear me.

He needs attention.

KANE:

Get him on my horse.

MARSHAL:

You see which way they rode, Evans?

DAN:

Looked like they were headed to

Bisbee...

With dark faces, Butterfield looks to the Marshal and they

realize...

38 OMITTED

CUT TO:

39 INT. EMMA’S BEDROOM-- SALOON - DAY

Wade relaxes on a chair, wearing only pants. He sketches Emma

who’s lounging naked in bed in a small room above the saloon.

She watches him work for several moments, grinning.

(CONTINUED)

3:
10 TO YUMA - TAN - 1.23.07 23.

CONTINUED:

His eyes meet hers. There are sparks between these two. She

rolls toward him. He reaches out -- touches her ivory skin.

Out a window, Wade glances at-- Butterfield, Dan, the Marshal

and his Deputies riding into town, McElroy in tow.

Wade turns away from the window. It doesn’t worry him.

WADE:

...There’s a town south of the

border... A pretty little pueblucho

on the river. Folks would pay good

money there to hear a white woman

sing.

EMMA:

....Yeah, imagine me shinning down

to Mexico with Ben Wade on my arm.

WADE:

I’m not wanted in Mexico.

Emma studies him, wondering if he’s sincere. She breaks a

smile, like he’s pulling her leg. But his eyes are still.

WADE (CONT'D)

Jump out that back window with me.

Emma stares at him, mystified, then laughs.

EMMA:

You’re crazy.

She smiles and starts to rolls out of bed, but he pulls her

back to him and into the soft bed.

39A INT. DOC POTTER’S OFFICE, BISBEE - DAY

A loud knocking. DOC POTTER (42) shuffles toward the door and

UNLOCKS it. Kane and Dan move in holding McElroy in their

arms. Butterfield follows. Dan sets McElroy on a BIG SLAB.

DAN:

Coach got held up.

DOC POTTER:

What’s his name.

BUTTERFIELD:

Byron McElroy. He’s a bounty hunter

under contract with the Pinkertons.

(CONTINUED)

3:
10 TO YUMA - TAN - 1.23.07 24.

39A CONTINUED:

Butterfield looks about the room. A veterinarian's office. He

crosses to the window.

Outside the saloon, the Marshal and Crawley begin to search

the village for Wade.

KANE:

(crossing to the door)

I best get out there.

DOC POTTER:

You’ve lost a lot of blood, Mister

McElroy. I’m gonna need to do a

little stitching on your-

MCELROY:

Shut your mouth and do the same to

my gut.

Doc Potter blinks. He notes the many scarred-over bullet

holes and gashes on McElroy’s chest.

Dan crosses to the door, watching as-

Kane joins the Marshal and Crawley as they continue moving

through the town, guns drawn.

BACK INSIDE-

DOC POTTER (CONT’D)

What I’m about to do is going to

hurt like a sonofabitch...

(to Butterfield)

...Hold him please.

Butterfield moves to pin McElroy, but...

MCELROY:

Don’t touch me.

Doc Potter dives a LONG PAIR OF TWEEZERS into McElroy’s

wound. McElroy grunts fiercely, eyes welling, holding his

glare with Potter.

Plink. The bullet’s out. Doc Potter drops it in a dish.

McElroy turns, noticing the ANIMAL CHARTS on all the walls.

MCELROY:

What the f*** kind of Doctor are

you anyway?

(CONTINUED)

3:
10 TO YUMA - TAN - 1.23.07 25.

39A CONTINUED:
(2)

DOC POTTER:

Nice to have a conversation with a

patient once in a while.

CUT TO:

39B EXT. BISBEE STREET-- CONTINUOUS--

Dan makes his way around the corner from Potter’s place,

moving toward Hollander’s mercantile. He sees-Hollander

talking to a clerk, through an open side door.

Dan steps pick up speed.

39C EXT. BISBEE STREET-- OUTSIDE BOARDING HOUSE

Crawley stops in front of Wade’s Horse, runs his hand over

the animal. This animal is not from Bisbee

39D INT. SALOON-- CONTINUOUS

The Marshal and Kane stand at the entrance of the saloon.

They look about until they hear a whistle from outside.

They turn to see-- Crawley pointing to Wade’s horse in front

of the Boarding House.

They move quickly to the Boarding House, weapons drawn.

CUT TO:

INT. HOLLANDER’S MERCANTILE -- CONTINUOUS

Dan enters. He meets eyes with Tucker, who assists a clerk

with inventory. On the other side of the room, Hollander puts

a Ledger book in his bag and pulls on his coat, watching out

his window.

HOLLANDER:

What the hell are they looking for?

DAN:

...Ben Wade. He held up the payroll

coach. I was there.

TUCKER:

F*** off, cripple.

DAN:

I want to talk, Mister Hollander.

(CONTINUED)

3:
10 TO YUMA - TAN - 1.23.07 26.

CONTINUED:

Hollander moves toward the door, his eyes across the street,

watching the search. He checks his sidearm.

HOLLANDER:

Ben Wade in Bisbee. Sh*t. We’re

moving up.

DAN:

Mister Hollander.

HOLLANDER:

(to Tucker)

‘Going to the saloon...

Dan follows Hollander out the door.

EXT. BISBEE-- MOVING TOWARD SALOON-- CONTINUOUS

Dan trails after Hollander along the plank walkway.

DAN:

...You got no right to do what you

done. You hear me. That’s my land.

Rate this script:3.7 / 3 votes

Michael Brandt

Michael Brandt (born October 1, 1968) is an American writer and director. more…

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