3 Men and a Little Lady Page #5
- PG
- Year:
- 1990
- 104 min
- 1,433 Views
Wanna dance?
Rubber Duckie
Joy ofjoys
When I squeeze you
you make noise
Rubber Duckie
I'm awfully fond of you
Here it is.
My speciality,
liver mousse
and poached eggs.
An attractive
combination.
- It's great.
- Don't you like it?
- I love it, but we do have a cook.
- I like doing it.
Try it, Edward.
You'll like it.
Whoever taught you to
hold your teacup like that?
I don't know
anybody here.
- I thought Glenn was coming.
- His kids have measles.
- Martha?
- She had to make
an asparagus costume for Tommy.
So much for life
in the fast lane.
What are we
doing here?
Having a great time.
Can't you tell?
- Why aren't we in England?
- Ah, Michael.
I spoke to Mary.
I could sense
she was not happy.
She said she was
having a good time.
I know what
I'm talking about.
My parents sent me
to camp every summer.
The counselors made us
write postcards home.
a guy who collected farts,
and I'd be praying the
whole place would burn.
But I'd always write what
a good time I was having.
Believe me,
you guys,
our little girl
is miserable.
I'm going to England.
You can stay here
if you like.
I'm going.
What's this thing run on, batteries?
The last one
they had.
I hate England.
I always have.
As long as we're here,
look on the bright side.
You're right.
I'm sorry.
- The toilet paper's like Reynolds Wrap.
- That's a start.
It's so damn cold, the only
thing that's warm is the ice.
- You know what I hate most?
- What?
- The way they use
words like "schedule."
- And "vitamins."
- Other side, Pete!
- Damn!
- Want me to drive?
- Relax.
We're lost. I haven't
seen a road that's marked.
What's that noise?
- Do you think it's the engine?
- Uh-uh.
The next road.
I can't hear
a word he's saying.
Okay, I got it.
On your right,
you'll see two large
trees and a gray stone,
which my wife says
reminds her of a tortoise.
In between
those trees...
is a long,
narrow road...
with a shallow brook
running alongside...
...and a short hedge
full of white blossoms.
Now, don't take
that road!
Let's get out of here
as fast as we possibly can.
Maybe we should
have called first.
Don't worry about it.
This'll be more fun.
This is it? It's so huge.
Looks like
a hotel.
Wow, look at
this place.
Family money.
Yeah.
Hey.
The Medieval version
of permanent press.
How do you take a leak
in one of these things?
Carefully,
very carefully.
Come on.
There she is!
Look, it's Michael
and Peter!
My life is complete.
- Yea!
- Yea!
- We missed you!
- Missed you more.
Welcome.
- Good of you to come.
- Edward.
Hi, Sylvia.
- Where's Jack?
- Making a movie.
- He got a job?
- Yeah.
We thought we'd
surprise you.
You certainly did.
It's wonderful.
- You must stay with us.
Is that all right?
- Of course.
How did you find us?
It was no trouble at all.
I'm not surprised.
- My horse's name is Slamdunk.
- Let's go see him!
- You'd probably like to unpack.
- Oh, sure. Sorry.
Barrow, show
these gentlemen...
to the guest rooms
in the west wing.
Very good, miss.
- Not bad.
- Nice.
The water closet
is in here, sir.
You were very
well behaved before.
Well, we're all
civilized people.
- Michael! Peter!
- Hey!
What'd you
bring me?
Did we bring
anything for Mary?
- I can't remember.
Look in that suitcase.
- Yeah!
Look at that,
and Jack sent you
a makeup case.
It's just
like his!
Dinner will
be served...
promptly at 8:
00,gentlemen.
- Sure we're not overdressed?
- Trust me.
I saw " Brideshead
Revisited" 3 times.
Has someone died?
Not yet.
Peter, Michael,
let me introduce you.
This is Dierdre Coleman,
with the foreign service,
and Wilfred Blair, director
of the national theater.
Edward's told me
about your commune.
- How do you do?
- And Reverend Hewitt,
who'll be marrying us.
How do you do?
Is there more salmon?
Peter and Michael,
friends of Sylvia's.
- Yes, but is there any more salmon?
- Yes.
There is
Sylvia now.
Peter, there's someone over
here I'd love you to meet.
Elspeth, I'd love you
to meet Peter Mitchell.
Miss Elspeth Lomax.
- How do you do?
- Miss Lomax is from Guernsey.
Oh, where the
cows come from.
- Mr. Mitchell is...
- An architect.
Well, then,
do you align yourself
with the post-modernists,
- or are you more of a classicist?
- What?
in this country with...
- Ooh, bang!
- Sorry.
Um...
No, uh...
There's some roe
on your nose.
- Oh, goodness. I'm sorry.
- It's all right.
What is it
that you do?
I'm the headmistress
of a girls' school...
in West Riding.
You may have
heard of it.
The Pileforth
Academy.
Pileforth?
I can't say that I have.
We've turned out England's
finest young ladies...
since the 18th century.
Excuse me.
Mary'd like to see us.
Oh, sorry.
Lovely to meet you.
Nice meeting you.
Don't be such
a rogue.
- What makes you say that?
- He asked to meet you.
- Do you?
- A woman has to walk
a fine line with him.
- How so?
She has to make it very clear
that she's attracted to him,
but she can't come on
too strongly.
Say no more.
You ever get the feeling
you're being watched?
- I make up stories about them.
- She was...
on the cover
of"Rolling Stone."
- We brought super-chunk peanut butter.
- From New York.
- Yeah!
- Okay.
Wait here.
I'll get it.
- Oh, Peter. I was just...
- Hi.
- I'm sorry.
- No, what were you gonna say?
Is everything
all right?
Towels, blankets?
Everything is fine.
- You look great.
- So do you.
Well, Sylvia...
You know how you want
to say something...
and then
you don't,
and then by the
time you say it,
it's been such
a long time.
One time, Sandra,
my assistant,
- she never told me this guy called...
- What is it...
you want to say?
I'm sorry about what
I said before you left.
So am I.
I overreacted.
You have a pretty
good right hook,
but I deserved it.
I was out of line,
way out of line.
Ahem.
I beg your pardon, miss.
Lady Eastwick is leaving.
- I have to go.
- It's all right.
Jack, how's
the movie going?
Fabulous role,
Michael.
Kind of a South
American King Lear.
I don't want
to talk about me.
- Where's Mary?
- Asleep.
How's she doing?
Is she any bigger?
Has she got the
accent down yet?
She missed us.
She misses you, Jack.
Tell her
I miss her, too.
- Gonna make it to the wedding?
- I don't know, Michael.
I really need the work,
and I'm pivotal to the plot.
We need you here.
Fruit of the Loom,
you're on!
I gotta go.
Bye-bye.
Not so splendid as
your mighty erections,
I imagine.
- Did I frighten you?
- I was expecting Mary.
Little Mary, yes.
What a delightful,
if somewhat wilful child.
She'll make an excellent
Pileforth student.
She's going
to your school?
No, not immediately,
but eventually.
- She wouldn't like it.
- What makes you say that?
Boarding school is
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