4.3.2.1. Page #2

Synopsis: While Jo (Roberts) is chained down in a dead end supermarket job, her friends are all out on their own separate adventures: Cassandra (Egerton) is jetting off to New York to meet her Internet boyfriend; Kerrys (Warren-Markland) is on a one woman crusade fighting for female liberation and Shannon (Lovibond) is on a one way trip to meet her maker. But a chance encounter with some diamond thieves sends their separate worlds on a collision course with not only each other, but fate itself. These 4 girls are about to have 3 days they will never forget, spanning to 2 cities. That is ... if they survive.
Genre: Crime, Thriller
Director(s): Noel Clarke, Mark Davis
Production: Unstoppable Entertainment
 
IMDB:
5.9
Rotten Tomatoes:
37%
NOT RATED
Year:
2010
117 min
Website
160 Views


- How's it going in New York?

- Yeah, it's great.

- Look, Shannon, i've got to go...

- Did you see a note anywhere?

A note? No, sorry.

- Okay, but it's quite important.

- i've got to go, Shannon.

There were cameras,

sophisticated alarms,

on every main entrance and exit.

Suspicions and allegations

are now surfacing that it was an inside job,

masterminded to rid the vaults

of the blacklisted blood diamonds.

Ben Shepherd, News Central One, Antwerp.

Do you blame me, Dad?

No. No, no, it's your mum's fault.

I feeI like it's me.

Mum left,

Jo's sister says I'm weird

and Jo wouldn't talk to me.

I called Cass last night

and she wouldn't even talk to me, either.

And Kerrys, we've known each

other since we were kids and...

- Listen, it's not your fault.

- It must be.

That's why none of them will talk to me.

That's why no man wants to...

It's like

they all know what I did

and none of them will come near me.

Sweetie, come here, darling.

You know what? F*** all of you!

- You didn't call me.

- Go away, Shannon.

Why are you looking at me, blud?

Look down on the floor.

It's there. I'm showing you, fam. Sh*t, man.

- Have you lost a diamond?

- Blud, just shut your mouth.

I didn't lose nothing, blud.

Hold on, hold on, hold on.

Excuse me?

Sorry, yeah, but where do I know your face?

Wait up.

Hello? What you saying, Tee? What, today?

Yeah, I can be there a little later, still.

Look, I'll get them back now.

Yeah, them man are here.

Look, don't worry, man,

I'll make you look decent.

All right, well, I'll be there, all right?

- Yeah. Where do I know you?

- I live near you.

I saw you here yesterday, running.

Jo? I thought you weren't talking to me?

- I don't know. Did you see a note yesterday?

- No, i didn't see...

Okay, I'll see you later.

So, listen, yeah, I've got to kick.

I've got a couple of things to do,

so I'm going to be straight up.

You're not usually my type of gash,

but there's something about you.

I'm thinking that me and you should link up

and do a little thing. You get me?

Not really, no.

I'm saying that I think you're nice.

Give me your number, innit?

Safe.

- Blud, what you chatting to her for?

- It's a press, innit?

She calls it art, I call it dirt.

- Hi, Jo.

- Hey.

Look, I can't talk right now. Can you leave?

You just asked me to come here.

And now I'm asking you to leave.

I just want to talk to you.

Why are you being like that?

- Can you just go?

- Why?

Because she's here with her man.

She doesn't want you here.

F*** you.

What are you saying, babe?

Please don't. You won't believe

the sh*t couple of days I've had.

Yeah? Well, it's about to get worse.

Come on, man,

what are you doing with this lock?

Get hold of her. Get hold of her.

Hold her, hold her, hold her.

Give me the bag. Give me the bag.

Take that phone.

It's sh*t, bruv. That's all she's got.

I want it.

- Is that blood?

- Paint, I think.

Don't get it on the seats.

Nice place.

So, look, the bathroom's through there.

Why don't you freshen up?

Here's some clean clothes.

Looks like we have the same style.

Then I'll take you home.

Thanks.

Really, this is so nice of you.

People rarely do good things these days.

So, what do you do?

Actually,

I'm just starting up a new business.

Oh.

- That's cooI. Doing what?

- It's an import export thing.

Right. Well, what stuff do you import?

What stuff do you import and...

- What are you doing?

- Where are the Pringles?

They're just crisps.

I can get you some if you want.

Where are the f***ing diamonds

that were in the Pringles box?

What diamonds?

Open the f***ing door.

Listen, b*tch! If you want to live,

you'll open this door right now.

Just tell me where they are

and I'll let you go.

A lot of people have worked

very hard for this.

Okay, okay.

Just back away and promise me

you're not going to hurt me.

I promise.

Come here!

it's Jo, do it.

Jo, I don't know what the f*** is going on,

but I think I got some stolen diamonds

from your shop.

So can you just give me a call?

Hello? Kerrys.

Cass found what?

- Where's mum?

- Do you know what?

I've changed my mind, right?

It's all your fault. All of this.

All of this is your fault.

Sorry.

Auntie Sandy left a forwarding address

on the telly.

Oh, sh*t.

Are you going to bring her back?

Why would I do that?

Doors closing.

- Shannon, how did you...

- How about, "How are you?"

You wanna know? I had my phone stolen,

I've been mugged, I was chased by police.

I was then lured into an apartment

where I was almost killed

for something I know nothing about,

and none of my friends will talk to me

for longer than 30 seconds to listen.

Shannon, this is CarI.

F*** CarI!

I'm sure you don't need me

to tell you how to do that.

I wrote you a note to avoid a scene like this.

Well, I didn't get it.

This is the happiest I've been

since before you were born.

I supported you.

You made me get rid of her.

It was your choice.

- You made me think it was.

- We talked about it.

You talked about it.

You were only ever thinking about

how it was going to affect you.

Everything was about you.

I stayed in that marriage for you.

You've never noticed my scars, Mum?

Got loads of family coming,

and I think I'll go nuts if you lot ain't there.

- Wish me love.

- Love, b*tch.

Bye, guys.

You can't just come into my flat

whenever you want.

As long as your father and I

pay the mortgage I can.

I'm here to make sure everything's set

and you're ready to go.

Do you have to be involved

in everything I do?

- This audition is your future.

- You're suffocating me.

Are your father and I going with you?

I've got some money for you.

Get something for your father.

Cigars or wine or something he'll like.

Have you decided on your music, yet?

- Yes, Dad.

- And you put the time in on it?

Yes, Dad.

Don't let your mother stress you out.

You know, she only wants you to do well.

- She was never as good as you, you know?

- Yeah.

That's no reason for back chat, though.

There's a certain standard of behaviour

expected from you, young lady.

- You understand?

- I know.

- Kerrys. Hey!

- Hey, Cass.

Open the glove box.

It's for... You know, just in case.

Also, get a couple of gifts for your mother.

You know, one of those designer handbags

or perfume

or a souI.

Yeah, something.

- Surprise her.

- From the start,

we said he would make

all the big decisions,

and I would make all the small ones.

And in 20 years of marriage,

we're happy to say

that there have been no big decisions yet.

Bye.

C*nt!

Miss? Ma'am, is that your bag?

Because I'm gonna be sitting there.

- Sorry.

- Don't worry, no worries.

- Excuse me, Miss. Is he with you?

- No.

Oh, man, this is always

the most awkward part.

Hey, easy, paI.

Excuse me.

- Excuse me.

Some people are so rude.

Oh, my God. Sorry.

Sorry. Man, he's out cold.

That's a reaI bummer for me 'cause I was

hoping to sit in the aisle seat, you know?

Would you mind switching seats terribly?

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Noel Clarke

Noel Anthony Clarke (born 6 December 1975) is an English actor, screenwriter, director, and comic book writer from London. He is known for playing Wyman Norris in Auf Wiedersehen, Pet and Mickey Smith in Doctor Who. Clarke appeared in and wrote the screenplay for Kidulthood and wrote, directed and starred in the sequels, Adulthood and Brotherhood, which earned £1,209,319 during the opening weekend of its release. Clarke studied Media at the University of North London before going on to take acting classes at London's Actors Centre. Clarke won the Laurence Olivier Award for Most Promising Performer in 2003 and was awarded a BAFTA Orange Rising Star Award in 2009. more…

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Submitted on August 05, 2018

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