A Home at the End of the World Page #4

Synopsis: From the Pulitzer Prize-winning author of "The Hours" comes a story that chronicles a dozen years in the lives of two best friends who couldn't be more different. From suburban Cleveland in the 60s, to New York City in the 80s, where they meet an older woman, the film charts a journey of trials, triumphs, loves and losses. Now the question is: can they navigate the unusual triangle they've created and hold their friendship together?
Genre: Drama, Romance
Director(s): Michael Mayer
Production: Warner Independent
  1 win & 4 nominations.
 
IMDB:
6.8
Metacritic:
59
Rotten Tomatoes:
50%
R
Year:
2004
97 min
$887,724
Website
170 Views


lf you do.

lf we all do.

No, you, Bobby Morrow.

Beautiful, crazy boy.

-You want this, and l could get it for you.

-No, it'd be for us.

So long, treasures.

l'm thinking white here.

Totally white, like a Shinto shrine...

...and we can hang

paper lanterns all over.

-You are the gayest human being ever.

-Somebody's gotta be gay around here.

What do you like?

l think l'm gonna go and fix a window.

Okay. Jonathan, blue is your friend.

See, blue is the color of sky and water.

-Yeah, but white goes with everything.

-Well, honey, it's a house, not an outfit.

-lt's all right, l'll do it.

-No, sleep. lt's my night.

lt's okay, Bobby's doing it.

lt's his night.

lf we don't keep to the schedule,

we'll all be exhausted by tomorrow.

-l don't care. l miss my daughter.

-Guess nobody's sleeping tonight.

Hello, Rebecca. Hello.

Oh, sweetie.

-Hey, beauties and heroes.

-Where have you been?

l got something to show you.

-This town's crying out for a cool caf.

-This town's crying out for an outlet mall.

What? lt has possibilities.

Where? Point out a possibility.

Kitchen's basically okay,

just needs a good cleaning.

Look, wood floors.

-ls that a termite?

-No.

Yeah, maybe.

l think l got a name.

The Home Caf.

What do you think?

Well, it would be better for business...

...than ''The Squalor and Desperation Caf,''

l suppose.

And the goddess said, ''Feed the people

and send them out happy into the night.''

How's that mushroom lasagna

holding up?

-Two more orders left.

-Save them for Martha and Gill.

No problem.

-You got them, my dears.

-Thanks, Jonathan.

We're home, dear.

Oh, she's not happy today.

For a full hour. l have no idea.

Hey, honey.

-Just feeling shitty?

-l think she's getting sick.

l gotta get dressed

and get back to the restaurant.

Yeah. And l have to, well,

pick up some toys.

-You okay?

-Never better.

l seem to have ended up the mother

and the wife, haven't l?

-That's not fair.

-No, that's not fair.

And l can't help that.

l thought you'd be out here.

l'm sorry.

You haven't done anything.

l just want everybody to be happy.

-l know you do.

-lt won't always be like this. We're...

...still getting started.

Bobby, what if l...

...just couldn't do this?

lt'll be okay. Trust me.

You know, l think, maybe l'm not...

...this unusual.

l think maybe it's just my hair.

-l love your hair.

-Come here.

-Oh, Bobby!

-Oh, mamacita!

Here you are.

-Look what you've done!

-Our little place.

lt's beautiful!

Oh, that's Ned and me!

Where did you find this?

Oh, it's lovely, all of it.

-l wanna see the kitchen.

-Come on.

Oh, l love it!

So here it is.

Yasgur's Farm, the holy ground itself.

lt's hard to believe all that went on here,

isn't it? lt just looks like....

Mud puddle and a field of cowpies?

l know.

-Come on in, you people!

-No.

l have been in that water before.

Bobby, don't you dare put her in there!

Boys, give them a puddle to play in....

They're sweet together, aren't they?

-ln their gooney way.

-l think you're very brave.

-You do?

-Yeah.

When l was your age,

you got married and you had a family.

Never occurred to you

to do anything else.

Well, you know, l wanted that.

l wanted...

...just a more normal thing

when l was younger.

Just wanted a husband

and a baby and....

l think maybe you're better off.

Really.

One minute you have everything

you ever wanted, and the next...

...you find yourself in some

suburban neighborhood somewhere.

And it's fine. l mean,

it's not not fine, it's just....

The world just...

...starts to shrink around you somehow.

Most women have absolutely

no idea what they're getting into.

No.

l don't suppose anyone knows

what they're getting into...

...till they're into it.

-For God's sake.

-Hey, what's up?

A little privacy, please.

You never wanted privacy before.

You okay?

Yeah, l'm fine.

What's that?

lt's nothing.

Come here.

lt's one of those spots, l think.

No, man, it's a bruise.

Maybe.

Absolutely.

-Will you do something for me?

-Sure.

-Don't tell them.

-l won't.

l can't....

-lf l'm sick--

-You're not sick.

Just promise me that, then, okay?

-lf it's just a bruise--

-lt is a bruise.

lf l just bumped my hip,

there's no reason to mention it.

-lt is a bruise.

-Okay, there's no reason to talk about it.

-Okay.

-All right.

-Mom, is that...?

-Your father's ashes.

l thought there'd be a right moment.

Suddenly, if l don't give them

to you right now...

...l'll have to take them back

to Phoenix with me.

He wouldn't have wanted them

scattered in Arizona.

-l thought we could scatter them here.

-Here?

Well, this is your home, isn't it?

l guess.

You know, l think it might be best just

to be done with it. He was a modest man.

He wouldn't have wanted

an elaborate ceremony.

-Mom.

-And l can tell you this...

...this is no more him than a pair

of his old shoes.

Not yet. l'm--

Not here, not now. l'm not ready.

Well, whenever you are.

-We should go.

-Okay.

-Oh, l love you, honey.

-l love you too.

l'll see you at the caf.

Bye!

l know. Did you get yourself dirty?

Did you? You got yourself so dirty.

l need powder.

Did you get yourself dirty?

l know you did.

-You're so sexy like this.

-You are a true pervert. Get me the powder.

What happened?

You got something on your face.

Here, let me.

You can do anything, can't you?

-Me? No.

-l mean it.

You can live in the suburbs,

in the East Village, in the country.

lt doesn't make any difference to you,

does it?

l don't know. l never really think about it.

There you go, all done. Come on.

Thanks.

Come here. Sit up there, princess.

You are a strange

and mysterious creature.

l'm, like, the least mysterious one

around here.

l bet you could live in the Sahara.

l bet you'd just pitch a tent

and find someone to sell you a camel.

l mean it. ls there anything

you couldn't do?

l couldn't be alone.

Nope.

No, you couldn't, could you?

Hey, man.

Blessings on our day off.

l wonder if we should be closing

on Mondays.

-l feel a little guilty about it.

-No worries, please.

Hey, that little bruise gone away?

Well, no.

Let me see.

-lt's the same.

-Let me see.

See? lt's the same.

No, man, it's fading.

-You really think so?

-Absolutely.

You wanna dance?

-What?

-Come on.

Jonathan.

Hi.

l was so in love with you.

l was in love with you too.

But Bobby is the love of your life.

You know it's not that simple.

lt's just that...

...l seem to have ended up....

-Come to bed.

-l can't sleep.

Do you want me to get up?

No.

Go back to sleep.

Good night, crazy mama.

lt'll all seem better in the morning.

-Gonna miss you.

-lt's just a few days.

-You're taking a lot of stuff.

-Well, she needs a lot of stuff.

Okay, l think we're all set.

So....

Bobby, do you wanna come with us?

l can't.

Bobby.

Do you wanna come with us?

No.

Okay.

Okay.

-Call me.

-l will.

-Okay?

-Yeah.

You're a brave woman,

visiting your mother all alone.

Rate this script:3.0 / 1 vote

Michael Cunningham

Michael Cunningham (born November 6, 1952) is an American novelist and screenwriter. He is best known for his 1998 novel The Hours, which won the Pulitzer Prize for Fiction and the PEN/Faulkner Award in 1999. Cunningham is a senior lecturer of creative writing at Yale University. more…

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Submitted on August 05, 2018

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