A Night at the Roxbury Page #12
- PG-13
- Year:
- 1998
- 82 min
- 1,039 Views
Doug pulls out the phone, starts dialing. Steve starts
organizing the desk.
DOUG:
Hey, Steve?
STEVE:
Yeah?
DOUG:
I was just thinking. Dad would
really be proud of us right now.
They both smile. Mrs. Butabi enters.
MRS. BUTABI
Boys, your father's furious. You
were supposed to be at work an
hour ago.
DOUG:
Alright, we're gonna have to do
some re-scheduling.
CUT TO:
INT. SILK PLANT STORE -AFTERNOON
Doug, behind cash register, holding clipboard, on the
phone.
DOUG:
Yes, hello, I'm interested in your
sound systems. I've heard good
tweeters.
Steve walks over.
STEVE:
Doug, I...
DOUG:
I'm on a call.
Steve nods, knowing what to do. He pulls a Post-It,
writes something down and sticks it on Doug's clipboard.
A LADY walks up with a small plant. Doug puts a"Register Closed" sign on the counter. The Lady leaves
and we FOLLOW her TO Mr. Butabi.
LADY:
Mr. Butabi, where is the other
cash register?
MR. BUTABI'S POV
Cash register. There are several Post-Its stuck to the
counter. Steve is filling out another one.
BACK TO SCENE:
MR. BUTABI
I'll be with you in a second, Mrs.
Manicotti.
Mr. Butabi goes over to the cash register.
DOUG:
One second, Dad.
MR. BUTABI
It's good to see you're on a
break. I mean, after all, you've
been here almost twenty minutes
now and it's hard work listening
to your walking man and ringing up
the one customer you've had.
DOUG:
Dad, I'm sensing a note of sarcasm.
MR. BUTABI
This is a very nice sign. Except for
one thing.
(exploding)
This is the only register! This is
why I pay you -- to push a button and
take the money. Is that too much?
Is there some problem I don't know
about? Did you injure your button
pushing finger in a bad cell phone
accident?
DOUG:
Dad, why don't you go to Rexall's
Drug Store. I think you need to
purchase a bottle of chill pills.
MR. BUTABI
Just when I thought I had you doing
the absolute minimum, you astound me
with how much less you can do.
DOUG:
For your information, Dad, we are
working our asses off.
STEVE:
Yeah, our week's filling up pretty
quick.
DOUG:
Dad, last night, Steve and I
happen to have made a very
important business contact.
MR. BUTABI
Oh, what are you dancing the
Macarena with Donald Trump?
STEVE:
Did you want me to go the drug
store to get those pills?
DOUG:
I think we should tell him now.
(excited)
Dad, you're gonna love this. We're
working on this club idea which could
include many silk plant opportunities
and guess who we thought could be our
supplier?
MR. BUTABI
Yes, I need you to give me
opportunities. I feed you, I clothe
you, I put a roof over your head and
I pay for your little phones so you
can call other idiots. I give up on
you two. I am ashamed to call you my
sons.
DOUG:
There you go again, Dad. You always
tell us to do something with our
lives and when we finally do, what
happens? You got to put us down.
You never support us, you never
encourage us, and you never care
about what's important to us. Right,
Steve?
STEVE:
Do you need a prescription for those
pills?
MR. BUTABI
It's my own fault. I spoil you.
From now on, you are no longer
allowed to go out to clubs at
night.
DOUG/STEVE
What?
MR. BUTABI
Now enough wasting time. Go clean
up the stock room.
DOUG:
You know what, Poppason, not only
will Steve and I not clean the
stock room, but we are officially
out of here!
(to Steve)
Come on.
STEVE:
But what about the stock room?
DOUG:
We quit!
(turns back to Dad)
And we don't need you! We made
big contacts last night!
STEVE:
Yeah, plus we met these girls,
Dad, and you wouldn't believe what
happened.
DOUG:
(to Dad)
We're gonna make it without you.
You'll see.
Doug exits, Steve follows him.
MR. BUTABI
Yes, I'll see tonight when you get
hungry and you come home to eat my
food. And when you come crawling
to me for more money!
CUT TO:
EXT. SILK PLANT STORE - CONTINUOUS ACTION
Doug and Steve barrel out the front door and head
straight for the van. Emily, in a sexy sun dress,
carrying two big huge oversized lightbulbs where her
breasts would be, steps in front of them.
EMILY:
Hey, Steve! Do you want to go to
the beach later? I've got my
bathing suit on under this.
DOUG:
(to Emily)
Not now!
Doug blows by Emily. Beat. He steps back INTO FRAME --
takes a second look at the odd bulb positions -- and
exits again. The guys start getting into the van.
EMILY:
I'm not talking to you, Doug.
You're an ass.
STEVE:
Emily, we're experiencing a major
family crisis. I'm gonna have to
take a rain check on this convo.
DOUG:
Steve! Car!
STEVE:
(as he gets into
the car)
Nice bulbs, Emily.
Steve gets in. They PEEL OUT.
EMILY:
(yells after them)
So, you want to go out tonight?
CUT TO:
INT. VAN - CONTINUOUS ACTION
The guys speed along on their way to Butabi. Doug is
looking over a sheet of paper.
DOUG:
Okay, these are the ideas we'll
pitch him. The Jungle Paradise.
STEVE:
Killer.
DOUG:
The Inside Out Club.
STEVE:
Money.
DOUG:
The Civil War.
STEVE:
That one needs work.
DOUG:
Yeah. We'll hold off on that one.
And let's not forget our ace in
the hole -- The Naked Room.
STEVE:
I think we should call it 'The
Nudist Colony.'
DOUG:
That sounds like a strip club.
And this is a dance club.
STEVE:
You're right. We'll go with 'The
Naked Room.'
CUT TO:
EXT. ZADIR'S MANSION
The silk van drives up. Steve and Doug get out and walk
up to the locked gate.
DOUG:
Zadir's gonna be excited to see
us. This is it, bro...
Doug presses the intercom. They wait.
STEVE:
This is it.
Doug presses the intercom buzzer again. No response. As
they wait, Steve starts to sing to himself.
STEVE:
(very softly)
'This is it, make your mistakes
where you are. This is it...'
We realize Steve is singing "This Is It" by Kenny
Loggins. Doug slowly joins in as they pass the time.
STEVE/DOUG
'... We're going no further.'
The both step singing as Doug hits the buzzer again.
After a beat of waiting, Steve picks up the song where
they left off...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"A Night at the Roxbury" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/a_night_at_the_roxbury_710>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In