A Serious Man Page #3
Doctor
Well, you’re in good health. How’re Judith and the kids?
Larry
Good. Everyone’s good. You know.
The doctor takes a long suck.
Doctor
Good. Daniel must be—what? About to be bar mitzvah?
Larry
Two weeks.
Doctor
Well, mazel tov. They grow up fast, don’t they?
TINTED PHOTO PORTRAIT
The portrait, old, in an ornate gilt frame, is of a middle-aged rabbi with a small neat
mustache and round spectacles. He wears a tallis hood-style and has a phylactery box
strapped to his forehead. A plaque set into the picture frame identifies the man as Rabbi
Marshak.
Wider shows that the portrait hangs in the Hebrew school principal’s office, a white
cinderblock room. It is quiet. The only sound is a deep electrical hum.
Just visible behind the principal’s desk, upon which is a low stack of books and a name
plate identifying the occupant as MAR TURCHIK, is the top of a man’s head—an old
man, with a few whispy white hairs where his yarmulka is not.
Danny, seated opposite, pushes up from his slouch to better see across the desk.
We boom up to show more of the principal. He is short. He wears a white shirt and
hoist-up pants that come to just below his armpits. He has thick eyeglasses. He fiddles
with the transistor radio, muttering:
Principal
Hmm. . . eh. . . nu?
He experiments with different dials on the radio.
Danny
You put the—
The old man holds up one hand.
Principal
B’ivrit. (In Hebrew)
Danny
Um. . .
The old man looks down at the little earpiece pinched between two fingers. He examines
the contrivance like a superstitious native handling an unfamiliar fetish.
We cut to the source of the electrical hum: a wall clock whose red sweep-second hand
crawls around the dial very, very slowly.
The reb continues to squint at the earpiece.
Danny sighs. He encourages:
Danny
Yeah, you—
The principal’s tone is harder:
Principal
Danny sighs. He encourages:
Danny
Yeah, you—
The principal’s tone is harder:
Principal
B’ivrit!
This time his cold look holds until he is sure that the admonishment has registered.
He looks back down at the earpiece.
The door opens, ignored by the principal, and an old woman shuffles in with a teacup
chattering on a saucer. She has thick eyeglasses. She wears thick flesh-colored support
hose. She takes slow, short steps toward the desk. The principal continues studying the
radio.
Principal
Mneh. . .
The old woman’s gait makes for slow progress and a continuously rattling teacup. She
bears on toward the principal. The tableau looks like a performance-art piece.
She reaches the desk and sets the teacup down. She summons a couple of phlegm-
hawking rasps and turns.
She takes slow short steps toward the door.
The principal raises the earpiece experimentally toward his ear.
Close on his hairy, wrinkled ear as his trembling fingers bring in the earpiece. The
fingers push and wobble and tamp the earpiece into place, hesitate, and then do some
more pushing and wobbling and tamping.
The principal keeps Danny fixed with a stare as his hand hesitantly drops from his ear,
ready to reach back up should the earpiece do anything tricky.
. . . mneh. . .
Satisfied that neither the student nor the earpiece are about to make any sudden moves, he
looks down at the radio. He turns a dial. looks down at the radio. He turns a dial.
Issuing faintly from the imperfectly lodged earpiece is the tinny jangle of rock and roll.
The rabbi stares blankly, listening.
Danny waits.
The rabbi is expressionless, mouth slightly open, listening.
Tableau:
anxious student, earplugged spiritual leader.Muffled, from the outer office, the hawking of phlegm.
CLASSROOM:
We are behind a man who writes equations on a chalkboard, shoulder at work and hand
quickly waggling. Periodically he glances back, giving us a fleeting look at his face: it is
Larry Gopnik.
Larry
You following this?. . . Okay?. . So. .. Heh-heh. . . This
part is exciting. . .
Students watch, bored.
. . . So, okay. So. So if that’s that, then we can do this,
right? Is that right? Isn’t that right? And that’s
Schrodinger’s paradox, right? Is the cat dead or is the cat
not dead? Okay?
BLEGEN HALL:
Larry enters the physics department office. The department’s secretary wheels her
castored chair away from her typing.
Secretary
Messages, Professor Gopnik.
He takes the three phone messages.
Larry
Thank you, Natalie. Oh—Clive. Come in.
y
Thank you, Natalie. Oh—Clive. Come in.
A waiting Korean graduate student rises from his outer-office chair.
LARRY’S OFFICE
He flips through the messages. Absently:
Larry
. . . So, uh, what can I do for you?
The messages:
WHILE YOU WERE OUT Dick Dutton
OF Columbia Record Club
CALLED.
REGARDING:
“Please call.”CALLED.
REGARDING “Let’s talk.”
WHILE YOU WERE OUT Clive Park
CALLED.
REGARDING:
“Unjust test results.”He crumples the last one.
Clive
Uh, Dr. Gopnik, I believe the results of physics mid-term
were unjust.
Larry
Uh-huh, how so?
Clive
I received an unsatisfactory grade. In fact: F, the failing
grade.
Larry
Uh, yes. You failed the mid-term. That’s accurate.
Clive
Yes, but this is not just. I was unaware to be examined on
the mathematics.
Yes, but this is not just. I was unaware to be examined on
the mathematics.
Larry
Well—you can’t do physics without mathematics, really,
can you.
Clive
If I receive failing grade I lose my scholarship, and feel
shame. I understand the physics. I understand the dead cat.
Larry
(surprised)
You understand the dead cat?
Clive nods gravely.
But. . . you. . . you can’t really understand the physics
without understanding the math. The math tells how it
really works. That’s the real thing; the stories I give you in
class are just illustrative; they’re like, fables, say, to help
give you a picture. An imperfect model. I mean—even I
don’t understand the dead cat. The math is how it really
works.
Clive shakes his head, dubious.
Clive
Very difficult. . . very difficult. . .
Larry
Well, I. . . I’m sorry, but I. . . what do you propose?
Clive
Passing grade.
Larry
No no, I—
Clive
Or perhaps I can take the mid-term again. Now I know it
covers mathematics.
Larry
Well, the other students wouldn’t like that, would they. If
one student gets to retake the test til he gets a grade he
likes.
Clive impassively considers this.
Clive
Secret test.
Larry
No, I’m afraid—
Clive
Hush-hush.
Larry
No, that’s just not workable. I’m afraid we’ll just have to
bite the bullet on this thing, Clive, and—
Clive
Very troubling.
He rises.
Larry
Well, the other students wouldn’t like that, would they. If
one student gets to retake the test til he gets a grade he
likes.
Clive impassively considers this.
Clive
Secret test.
Larry
No, I’m afraid—
Clive
Hush-hush.
Larry
No, that’s just not workable. I’m afraid we’ll just have to
bite the bullet on this thing, Clive, and—
Clive
Very troubling.
He rises.
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"A Serious Man" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/a_serious_man_550>.
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