A Shot in the Dark Page #2
- PG
- Year:
- 1964
- 102 min
- 1,431 Views
You...
you fool!
Just for that you are... you're off the case.
Back to town.
- When can l have the report?
- First thing in the morning.
- Excuse me. M Ballon?
- Yes.
- I'm Commissioner Dreyfus.
- Ah. Where's lnspector Clouseau?
I'm taking charge of this investigation.
You and Mme Ballon
will not be inconvenienced
and the Ballon name will not suffer
the sensationalism of the press.
He was a strange fellow,
but l rather liked him.
- Huh?
- I mean Clouseau.
Oh. Yes, yes.
He's a... he's an extraordinary man.
(creak)
Argh!
- Argh!
- (phone rings)
Inspector Clouseau's residence.
One moment, please.
Commissioner Dreyfus.
(breathes heavily)
- Hello, lnspector Clouseau here.
- Get down here immediately.
- You're back on the Gambrelli case.
- The Gambrelli case?
Maria Gambrelli.
The maid who killed the chauffeur.
Oh, Maria Gambrelli, the maid. Yes, yes.
Excellent. I'll be down there
right away. Thank you.
Well, Kato, l am back on the case.
I tell you, Maria Gambrelli is beautiful.
Innocent. Hah!
That was a good work-out.
You're improving.
Every day you're getting better.
(mutters)
Facts, Hercule, facts.
Nothing matters but the facts.
Without them, the science
of criminal investigation
is nothing more than a guessing game.
Listen to me, Hercule,
and you will learn something.
The facts in this case are...
the body of the chauffeur was found
in the bedroom of the second maid. Fact.
Cause of death - four bullets
in the chest. Fact.
The bullets were fired at close range
from a .25 calibre Beretta automatic. Fact.
Maria Gambrelli was discovered
with the murder weapon in her hand. Fact.
The murder weapon was registered in
the name of the deceased, Miguel Ostos,
and was kept, mark you, in the glove
compartment of the Ballon Rolls-Royce.
Fact.
Members of the household staff
have testified that Miguel Ostos beat...
Careful, you fool. You broke my pointing
stick. I've got nothing to point with now.
..have testified that Miguel Ostos
beat Maria Gambrelli frequently.
Finally comes the sworn statement
of M and Mme Ballon,
as well as all the members of the staff,
each of them with perfect alibis.
Now then, Hercule,
what is the inescapable conclusion?
- Maria Gambrelli killed the chauffeur.
- What? You idiot.
- Impossible. She's protecting someone.
- How do you know?
- Instinct.
- But the facts...
- You are forgetting the motive.
- He beat her.
- He was Spanish.
- He tore her dress off.
Don't be ridiculous. Would you kill
somebody who tore yourdress off?
- No, l suppose not.
- No, of course not.
No, no. There is no doubt
in my mind whatsoever, Hercule.
Maria Gambrelli is most definitely
protecting somebody.
Find them
and you have found the murderer
and l shall find the murderer
before the day is out.
Maria Gambrelli will tell me
who he is. Oh, yes.
- What was that you said?
- uh, nothing.
I see. All right.
Well, you can go, Hercule.
Argh!
I don't understand.
Why in the name of heaven did you
reassign Clouseau to the Gambrelli case?
That is a good question,
and it deserves an answer.
But what l'm about to tell you
must remain in the strictest confidence.
This morning, at six o'clock,
l received a phone call from a superior.
I was informed that certain extremely
influential parties were interested
in having Clouseau back on the case.
- I had no choice but to comply.
- Amazing.
If l told you the identity of the caller
you'd realise how amazing it really is.
But why?
That's another good question,
and for that l have no answer.
Ah. They're bringing in
the Gambrelli woman.
Sit down, Miss Gambrelli.
Sit down, Miss Gambrelli.
Now, where were...
Good morning, monsieur.
- Oh. Good morning, Miss Gambrelli.
- Good morning.
- You slept well?
- No.
- Wonderful.
- It is not easy to sleep in prison.
It isn't? No, no, no, of course it isn't. No.
We shall have to do something
about that, won't we?
uh...
Stupid box. Yes.
But, anyway, first, a few simple questions.
- Is it all right if l smoke?
- Oh, yes, of course.
- Have one of mine.
- Thank you.
- Ah.
- Well, have one of mine.
Mm? Oh, thank you.
That's very kind of you.
Very, very kind of you.
- That's all right.
- Allow me.
- Thank you. Other way around.
- Hm? What? Oh.
It tastes very bad when you do that.
Well, now...
Are you comfortable?
- They should have these chairs in prison.
- Most certainly.
- As l recall, the furniture is deplorable.
- Terrible. Might as well sit on the floor.
Yes, it's high time that somebody
did something about it, don't you think?
Sure.
As a matter of fact, l will do
something about it this very moment.
- Give me the prison superintendent.
- (man) Yes, sir.
Sometimes it's necessary to cut through
red tape and strike directly at the heart.
Prison is bad enough
without uncomfortable furniture.
(phone rings)
Yes?
Superintendent,
this is lnspector Clouseau.
When are you going to do something
about that terrible furniture?
We are not savages.
This is not the Middle Ages.
I mean, you are running a house
of correction, not a torture chamber.
That made him think. I suggest you take
the matter under serious consideration.
If one is to cope with a modern criminal,
it is necessary to use modern methods.
You can't have a contemporary prison
without, uh, contemporary furniture.
Yes. Well, that's my opinion anyway.
Oh. And the same to you, Superintendent.
Filthy swine.
You're not at all like a policeman.
Your dossier.
I always keep my important documents
under lock and key
because one can never be too sure.
Now, here...
Oh.
Oh, uh...
Excuse me.
Stupid.
Oh.
Now, um...
Miss Gambrelli, your dossier contains
some very, very interesting facts.
It seems that you have known
this Miguel Ostos for quite some time.
Yes.
- And were you in love with him?
- Yes.
You're in love
with the man that raped you?
That what?
Testimony of Georges Duval, gardener.
Referring to Ostos, you described him,
and l quote, as "that crazy Spaniard
who raped me in my father's field".
He did not rape me.
- He did not force you?
- Well, you see, l tripped over a root,
and l grabbed Miguel to keep me
from falling, and somehow we both fell.
I cried a little bit afterwards but that
wasn't because l was sorry it happened.
- It was something he said.
- He insulted you.
Oh, no. He lit a cigarette
and took a long puff, and...
Tell me, why do so many men
smoke afterwards?
No wonder tobacco companies get rich.
Yes, l must admit l had never
thought of it quite that way.
Hm. Last night, it was to be our last night.
It was all finished.
- You were leaving him?
- Oh, no. He was leaving me.
Poor Miguel. He was really in one
of his moods last night.
First he babbled in Spanish,
and then he cried.
He really broke down and cried.
- You don't say.
- I do say.
And then when l tried to console him,
make him feel better,
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"A Shot in the Dark" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/a_shot_in_the_dark_18053>.
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