
A Stolen Life Page #7
- APPROVED
- Year:
- 1946
- 109 min
- 327 Views
VERY MUCH.
I'M GLAD YOU'RE BACK.
I'M SORRY I DIDN'T GO
THERE'S NOTHING
ANY DIFFERENT BETWEEN US.
I CAME BACK ONLY
BECAUSE OF KATE'S DEATH.
WHY THE ASTONISHMENT?
DON'T TRY TO PRETEND
THAT YOU'VE FORGOTTEN, PAT.
OH, NO. NO, OF COURSE
I HAVEN'T FORGOTTEN.
I ONLY THOUGH THAT PERHAPS I-
I KNOW YOU'VE BEEN THROUGH A LOT. THAT'S
WHY I DIDN'T GO DIRECTLY TO A HOTEL.
IT'S UNFORTUNATE THE ACCIDEN OCCURRED AT THIS TIME,
BUT I THINK THAT JUST AS SOON AS
YOU GET KATE'S AFFAIRS WOUND UP,
YOU'D BETTER GO TO RENO
AND GET IT OVER WITH.
WHAT'S THAT NOISE?
OH, UH...
I'LL GO AND SEE.
ANYONE USED THE KIND OF LANGUAGE YOU USE!
NOT TO MENTION THE WAY YOU ORDER
SELF-RESPECTING PEOPLE AROUND!
A GOOD-FOR-NOTHING
SCALAWAG LIKE YOU! WHY-
GET OUT, GET OUT! AND
KEEP YOUR MEDDLING PAWS OFF MY WORK!
ALL RIGHT, ALL RIGHT!
OH, MISS PATRICIA, I'M SORRY,
BUT WHEN MISS KATE WAS HERE,
SHE ALLOWED THIS MAN TO USE THE
STUDIO, AND NOW I CAN'T GET RID OF HIM!
GO ON, BEAT IT, GRANDMA.
THAT'S ALL RIGHT,
MRS. JOHNSON.
VERY WELL.
SO YOU'RE PATRICIA.
YES, I'M PATRICIA.
I DON'T SEE
MUCH DIFFERENCE...
EXCEPT MAYBE:
AROUND THE EYES.
WILL YOU COME IN HERE
FOR A MINUTE?
PLEASE?
I HIT THE EYES:
PERFECTLY.
I THOUGHT YOURS:
WERE DIFFERENT.
THEY'RE NOT,
NOT A BIT.
WILL YOU SIT HERE?
LOOK AT ME.
I USED TO DRIVE:
YOUR SISTER CRAZY.
SHE WAS:
QUITE A GIRL.
THIS WAY.
IT'S INCREDIBLE.
COULD ANYBODY EVER
TELL YOU AND KATE APART?
NO. NOT EVEN BILL.
BILL WHO?
MY HUSBAND:
BILL EMERSON.
SO THAT'S
THE EMERSON GUY.
TOO BAD KATE WASN' MORE OF A FIGHTER.
YOU DIDN'T LIKE YOUR
SISTER VERY MUCH, DID YOU?
WHY DO YOU SAY THAT?
IT'S TRUE, ISN'T IT?
NO, IT ISN'T TRUE.
YOU TWO PROBABLY
DISLIKED EACH OTHER
FROM THE TIME:
YOU WERE BORN,
AND WHY SHOULDN'T YOU
DISLIKE EACH OTHER?
IT'S A PERFECTLY
NATURAL ANTAGONISM.
SHE SAID YOU WERE
SO ATTRACTIVE,
YOU COULD HAVE:
ANY MAN YOU WANTED,
I- KATE NEVER SAID
HOW DO YOU KNOW?
WELL, I-I JUST KNOW
SHE NEVER WOULD. THAT'S ALL.
SHE DIDN'T HAVE
I KNEW HER BETTER
THAN SHE KNEW HERSELF.
WILL YOU EXCUSE ME?
BILL. BILL, THERE'S A FRIEND
OF KATE'S IN THE STUDIO THERE,
WORKING ON:
I'VE BEEN POSING
FOR HIM.
SUDDENLY, THIS WHOLE HOUSE
IS MAKING ME SO NERVOUS.
WOULD YOU MIND VERY MUCH
IF I WENT TO BOSTON TONIGHT?
I CAN COME BACK LATER AND
STRAIGHTEN OUT KATE'S THINGS.
I UNDERSTAND.
AS A MATTER OF FACT,
I'LL GO TO A HOTEL.
A LOT OF EMBARRASSMENT.
I'LL TELL MRS. JOHNSON
TO REPACK MY THINGS.
OH, BILL, COULD WE LET THIS DIVORCE
BUSINESS RIDE UNTIL YOU GET TO BOSTON?
I CAN'T SEEM TO THINK
ABOUT IT RIGHT NOW.
WHAT'S THERE
TO THINK ABOUT?
BILL... I WAN ANOTHER CHANCE.
DO YOU THINK:
YOU DESERVE ONE?
MAYBE NOT,
BUT I WANT IT.
THAT'S THE FIRST HONES THING YOU'VE SAID IN MONTHS.
LET ME TRY.
ALL RIGHT.
YOU'LL PROBABLY CHANGE
YOUR MIND ONCE YOU GET HOME,
BUT IN THE MEANTIME,
WE-WE'LL LET I GO AT THAT.
THANK YOU, BILL.
TO THE STATION WITH ME.
OH, WILL YOU CALL FREDDIE
AND TELL HIM I'VE GONE?
CERTAINLY.
BE SURE AND WIRE ME
WHEN YOU'RE COMING.
I:
- I'D LIKE TO HAVE EVERYTHING READY FOR YOU.
GOOD-BYE, BILL.
GOOD-BYE, PAT.
GOOD EVENING,
MRS. EMERSON.
GOOD EVENING.
WE'VE BEEN WORKING TO
EVER SINCE:
WE GOT YOUR WIRE.
YOU DIDN'T GIVE US
MUCH TIME.
I REALIZE THAT.
THANK YOU.
EVERYTHING LOOKS
VERY NICE.
THANK YOU, MA'AM.
WE DIDN'T EXPECT YOU
BACK FOR QUITE AWHILE.
WELL, I WANTED
TO OPEN UP THE HOUSE.
MR. EMERSON WILL
BE HOME IN A DAY OR SO.
FOR HEAVEN'S SAKES! I THOUGH HE WAS GONE FOR ALL SUMMER.
MIKE'S BEEN SO
LONELY WITHOUT YOU.
MIKE, GO OVER AND SEE
YOUR MISTRESS.
FOR HEAVEN'S SAKES,
WHAT'S THE MATTER WITH YOU?
HELLO, MIKE.
WOULDN'T YOU LIKE
THERE ARE A COUPLE
OF MESSAGES FOR YOU.
MR. AND MRS.
DEVERAUX CALLED.
OH, DID THEY?
THEY'RE LEAVING
TOMORROW.
I'LL CALL THEM LATER.
MR. TALBO SENT THE ROSES.
OH?
HE'S BEEN CALLING EVERY
I DIDN'T THINK YOU'D MIND IF I
TOLD HIM YOU WERE COMING HOME.
I THINK HE EXPECTS YOU
TO CALL HIM, MRS. EMERSON.
I'LL ATTEND
TO IT LATER.
OH, YOU-YOU NEEDN'T BOTHER
TO UNPACK UNTIL THE MORNING.
DO YOU WANT ME:
TO CALL HIM?
WHAT?
MR. TALBOT.
NUMBER ALL EVENING.
I SAID I'D ATTEND
TO IT LATER.
VERY WELL, MADAM.
THERE YOU GO.
YOU'RE A LITTLE BEGGAR.
THERE. REMEMBER
WHAT I TOLD YOU, MIKE.
GOOD AFTERNOON,
MR. EMERSON.
GOOD AFTERNOON.
HERE. TAKE THESE THINGS
UPSTAIRS FOR ME,
WILL YOU, LUCY, PLEASE?
HELLO, BILL.
HELLO.
COCKTAILS RIGHT AWAY?
YES. AND WE'LL HAVE
DINNER IN AN HOUR.
HELLO, MIKE!
HIYA, BOY.
HEY, MIKE.
WELL, YOU LOOK RESTED.
YES, I AM.
ALMA AND I HAVE PLANNED
YOUR FAVORITE DINNER.
OH, WE'RE STAYING
HOME TONIGHT.
WHY, YES, IT WOULD.
EXCUSE ME WHILE:
BILL, IT'S WONDERFUL
TO SEE YOU.
OH, MIKE.
YOU ARE MY FRIEND.
AND SUGAR, WON'T YOU, BILL?
ALL RIGHT.
HERE'S YOUR TOBACCO.
THANK YOU.
ISN'T ALMA
THE WORLD'S BEST COOK?
WE'RE LUCKY
TO HAVE HER.
WE ARE.
MIKE WAS VERY LONELY
WITHOUT ME.
WEREN'T YOU, MIKE?
DIFFICULT FOR YOU AS IT IS FOR ME.
OH, BUT IT ISN'T, BILL.
I LOVE BEING HERE
WITH YOU.
YOU DO BELIEVE THAT,
DON'T YOU?
I WANT TO.
YOU KNOW THAT.
WHAT ABOUT TALBOT?
HAVE YOU SEEN HIM?
NO.
SURELY,
YOU MUST REALIZE
THAT'S THE MOST IMPORTANT THING
TO GET STRAIGHT BETWEEN US.
DON'T YOU THINK
TO TELL HIM:
THAT IT'S ALL OVER?
OR PERHAPS:
IT ISN'T OVER.
OH, YES, IT IS, BILL.
I SWEAR IT.
HE'S TELEPHONED ME
TWO OR 3 TIMES
AND... AND SENT ME FLOWERS.
I HAVEN' ACKNOWLEDGED THEM.
I- I THOUGHT THAT WAS
THE BEST WAY TO HANDLE IT.
PAT, UNTIL YOU GE THIS TALBOT THING
STRAIGHTENED OU ONCE AND FOR ALL,
THERE ISN'T ANYTHING MORE
BILL!
GOOD AFTERNOON,
MRS. EMERSON.
GOOD AFTERNOON.
WOULD YOU TELL MR. TALBO THAT I'M HERE?
I'M QUITE SURE
HE'S IN.
THANK YOU.
HELLO, DARLING.
HELLO.
MAY I TAKE YOUR COAT?
OH. YES, THANK YOU.
HOW ABOUT A MARTINI?
I DON'T BELIEVE
I FEEL LIKE ONE.
I KNOW I SHOULD HAVE
CALLED YOU.
YES.
LUCY TOLD ME:
THAT BILL WAS BACK.
I MUST SAY:
I WAS SURPRISED...
CONSIDERING EVERYTHING.
AND JUST WHERE:
DOES THAT PUT ME?
I HAVE SOMETHING
I MUST TELL YOU.
I FIND OUT I'M STILL
IN LOVE WITH BILL.
I'M SORRY.
THAT'S PERFECT.
AND YOU SAY:
YOU'RE SORRY.
DIVORCE MY WIFE FOR YOUR SAKE.
I SUPPOSE IT NEVER OCCURRED TO YOU THA SOMEONE COULD SAY A THING AND MEAN IT.
WELL, HOW DO YOU THINK I
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"A Stolen Life" Scripts.com. STANDS4 LLC, 2025. Web. 23 Feb. 2025. <https://www.scripts.com/script/a_stolen_life_2030>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In