A Walk in the Sun Page #7

Synopsis: In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to blow up a bridge next to a fortified farmhouse, as tension and casualties mount. Unusually realistic picture of war as long quiet stretches of talk, punctuated by sharp, random bursts of violent action whose relevance to the big picture is often unknown to the soldiers.
Genre: Drama, War
Director(s): Lewis Milestone
  Nominated for 1 BAFTA Film Award. Another 2 wins.
 
IMDB:
7.3
APPROVED
Year:
1945
117 min
273 Views


to Italy. Like to see the country.

That's the kind of job to have.

No walking. Solid comforts.

Between you and me, Jake,

motorcycles scare the life

out of me.

I didn't think you were scared of anything.

- Women and motorcycles, Jake.

A butt.

- When I run out of butts,

you'll be in a rotten mess.

I'll find a new friend.

I feel better. If the road's clear,

it might be all right, after all.

How long do you think it

will take him to get back?

About ten or 15 minutes.

What's the idea of leaving the ditch?

We got no orders.

The road's easier on the feet.

Simple.

It's time that rider

was coming back.

He's only been gone ten minutes.

Everything in the Army is simple.

You live or you die.

I'd still

like to be sitting in his boots.

Whose boots?

- The guy on the motorcycle.

That's a life.

- Why? Are you feeling

a lousy hero?

I like my comfort.

- The guy's a dead pigeon.

High mortality rates.

- So what?!

So what? That's the first sergeant

I ever saw on a motorcycle.

Most of them are lucky

to make corporal.

Do you think you'll make corporal?

- I just want to make civilian.

You've got no imagination, Rivera.

You're a lump.

- That's what I am, all right.

Suppose you still

think they'll be back?

May have gone further than we thought.

Might have got a flat.

He didn't go too far

and he didn't get a flat.

He ran into trouble.

Did you hear any firing?

- Didn't hear a thing.

- He ran into trouble.

Eddie, I don't know what's

the matter with you,

but you need to snap out of it.

What's eating you?

- I don't know.

Still wanna be on a motorcycle, ugly?

Sure. It's a life.

- In that guy's case,

the question is, is it a life?

He's probably sitting under a

tree somewhere, reading a book.

It's optimists like you that cause

all the trouble in the world.

Where would he get a book?

How do I know where he'd get a book?

Last pack.

I'll let you watch me.

You've got another loving pack.

- All I got, baby.

A drag.

- I'll consider it.

Well?

It's a funny thing, how many

people you meet in the Army who

cross your path for a few seconds

and you never see them again.

- Who do you mean?

You've never seen the face before, you

never see it again. Can't forget it.

Guy on the motorcycle?

Bill, I'm scared of the tanks.

If they catch us on this road

they've got us cold, like mackerel.

Tell them to take a break.

Jack, Phelps, Dubrusky, Long,

Tranella, Tinker,

Archimbeau and all bazooka men,

front and centre.

The rest of you,

take a break, into the woods.

Sergeant Porter wants you

bazooka men up ahead.

I'm giving you ample protection.

When you get a mile ahead of us,

we'll follow.

Good hunting.

Archimbeau, you stay here.

Watch the road. If you see that

rider coming back, wave to me.

- I'll never stand it till then.

Till when?

- Till the Battle of Tibet.

Every dead-head job in the Army

is my personal property.

Something's up with the Sergeant.

Which Sergeant?

- Porter.

Nobody tells me nothing.

- Keep your eyes open.

If you weren't smoking your last

butts and getting smoke

in your eyes,

you might know more about what's

going on. Butt.

What's up with Porter?

- How do I know? I ain't a doctor.

Thanks, Bill.

It's nothing. You

just didn't think of it, that's all.

Yeah. I didn't think of it.

Apples.

What did you say, Sergeant?

Oh, guess I said apples.

Why?

I'm just thinking of them.

Oh.

- What kind of apples, Sergeant?

All kinds. Bald ones. Mclntosh.

Reds. Pippins. Russets.

I was thinking I would like to

be cutting one open, right now.

And licking that

juice off a knife.

Cut it out, will you, Sarge?

Now you got me thinking

about something juicy.

You like apples, Sergeant?

Not especially. Apple's just

happened to pop into my head.

I like pears better.

- Maybe we'll come across some

growing around here.

We won't.

- How do you know, Sergeant?

I'm a farmer. A good one.

The soil's no good around here.

It's no good, at all.

It's old and tired and worn out. See?

They say up north it's different.

They say up north they grow

grapes as big as a man's head.

You can't convince me.

My mind's made up.

You know, once I make up my

mind about something, nothing

changes it except an act of God.

Or my wife.

Yes. Soil's no good.

It's no good, at all.

Maybe too many soldiers

have been walking on it.

They've been walking

on it for a long time.

That's what always happens to a

country when soldiers walk on it.

I wrote a letter to my wife.

All right.

I wrote it in the landing barge.

It's hard to write something

when you can't see it.

Why didn't you wait 'till daylight?

You never can tell.

A man don't want to take no chances.

I even wrote

the envelope in the dark.

It looked good.

- How do you know it looked good?

I saw it in the daylight.

Then I give it to Sergeant Hoskins.

What for?

- To mail for me.

The guy'll probably

tear it open and read it.

He'll be reading it right now.

He wouldn't do that.

- You never know with sergeants,

they do some funny things.

He wouldn't.

- How do you know?

Maybe he thinks there's money in it.

Maybe he's using it for a bandage.

He's got a bullet hole and he may

have stuffed it in the bullet hole.

You're crazy. You can't

stuff paper in a bullet hole.

How do you know you can't?

- It crinkles.

Boy, what a dope. Next time

you get a bullet hole in you,

stuff some paper in and see

how it feels, then you'll know.

Cut that out, Riddle. He'll mail the

letter. Now, leave him alone.

I were just kidding, Sarge.

You've got a mean streak, Riddle.

Someone'll paste you

one of these days.

I'll wait.

OK, Johnson. You mailed your letter.

But you never know

what Sergeants will do.

They won't do anything.

It's time we got moving, Eddie.

Call Ward, will you?

Hey, Ward!

He don't feel so good.

A guy can pick up anything

in this kind of country.

Ward... I can't go on.

Tyne is taking over.

Well, it's OK with me.

Tyne's a good man.

I know he is.

You can work with him, Ward.

I know I can.

- You can go on, Eddie.

- I don't know.

Do you ever feel like you

want to lie down and never get up?

Sure I have.

- It's the way I feel.

I want to lie down.

I've got to get up.

A guy gets tired after a while.

You've been at it a long time.

- We've all have.

Why don't you lie down, Eddie?

You might feel better.

- Need...

a drink of water.

Maybe if I rest...?

I've got to lie down.

Poor dirt.

Poor country.

Armoured car coming!

Enemy armoured car! Take cover!

Eddie. Eddie.

That was close, Sergeant.

That was close.

- Leave him alone.

What's the matter with him?

- He's sick.

How did they get by our bazookas?

I almost threw a grenade at it.

- It's a good thing you didn't.

What do you think, Ward?

- I don't like it, none.

- Go on back, Arch,

and keep your eyes open.

- Why do I have to pull this stuff?

How about someone else?

- OK, get someone else.

- I'll do it.

Here, Arch, watch this rifle,

it gets in my way.

Rate this script:0.0 / 0 votes

Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

All Robert Rossen scripts | Robert Rossen Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "A Walk in the Sun" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/a_walk_in_the_sun_2066>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    A Walk in the Sun

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who is the main actor in "Die Hard"?
    A Bruce Willis
    B Arnold Schwarzenegger
    C Sylvester Stallone
    D Tom Cruise