Affliction Page #5

Synopsis: Affliction is an American drama film produced in 1997, written and directed by Paul Schrader from the novel by Russell Banks. It stars Nick Nolte, Sissy Spacek, James Coburn and Willem Dafoe. Affliction tells the story of Wade Whitehouse, a small-town policeman in New Hampshire. Detached from the people around him, including a dominating father and a divorced wife, he becomes obsessed with the solving of a fatal hunting accident, leading to a series of tragic events.
Production: Lions Gate
  Won 1 Oscar. Another 7 wins & 19 nominations.
 
IMDB:
7.0
Metacritic:
79
Rotten Tomatoes:
88%
R
Year:
1997
114 min
732 Views


WADE:

(soft)

Nothing.

POP:

You no-good pup!

Rolfe runs from the room screaming, "Mom!"

CUT TO:

EXT. WICKHAM'S - DAY

The town's 24-hour restaurant. A bright new sign reads: "Home

Made Cooking." Wade's grader out front.

CUT TO:

INT. WICKHAM'S - DAY

Wade, eating lunch at the counter, talks with Nick Wickham:

WADE:

It don't look right.

NICK:

What?

WADE:

The sign. It looks like it's spelled

wrong or something.

NICK:

F***. Wade Whitehouse. It's people

like you that keep this f***ing town

from prospering. Whatever somebody

does to improve things around here,

you gotta find fault with it.

WADE:

I'm not finding fault. It's a good

idea, good for you, good for the

town. Real modern too.

NICK:

This town sucks.

WADE:

Aw, c'mon, I was only saying there's

something wrong with "Home Made

Cooking", that's all. The sign's

fine. What it says is wrong.

Margie Fogg heads over, sits:

MARGIE:

Who needs it? Everybody who comes

here has been coming for years so

what they need a sign for?

Nick goes back to work.

MARGIE:

You okay?

WADE:

Yeah.

MARGIE:

I'm sorry about what I said.

WADE:

Said what?

MARGIE:

About you and Jill and needing a

third person. She went back to

Lillian?

WADE:

Forget it.

MARGIE:

(touches his arm)

I'm sorry.

WADE:

I'm going to start one of those

custody suits. I don't give a f***ing

sh*t. You know?

Wade's eyes well up.

MARGIE:

You don't mean that.

WADE:

Yeah. I mean that.

MARGIE:

(arm around his

shoulders)

No you don't. You're pissed, that's

all. You ought to cool off for a few

days then have a long talk with

Lillian. You know? Work it out with

her, tell her how you feel. Lillian's

not out to get you.

WADE:

The hell she isn't. Lillian's been

trying to nail me to a cross since

the day I met her. I'm gonna hire me

a f***ing lawyer from Concord and

get this thing, this divorce thing,

rearranged. I've been thinking about

it a lot. It's like she owns Jill or

something. Nobody owns nobody,

especially not kids. And I pay her.

NICK:

(calls)

Marg!

WADE:

That goddamned woman. Thinks she can

cart Jill off and leave me alone

like this. I'm more than pissed,

Margie. I'm a whole lot more than

pissed. I been that plenty and I

know the difference. This is

different.

NICK:

Marg! You got orders!

Wade and Margie stand. She wants to kiss him.

MARGIE:

Call me.

WADE:

(genuine)

Tonight. Let's get together.

MARGIE:

Okay.

Wade meets Nick halfway to the door.

NICK:

You talked to Jack?

WADE:

Not since last night. He took a guy

hunting.

NICK:

The f***er shot himself. Ker-bang!

That's what it sounds like. Not on

purpose. I assume accidental.

WADE:

(shocked)

Jack?

NICK:

The other guy.

WADE:

Where... how'd you hear that?

NICK:

CB. Little while ago. One of the

boys on the way in picked up Jack on

the CB calling for state troopers. I

figured you'd know what really

happened. The f***ing guy kill

himself? This Twombley, who the f***

is he, anyhow?

WADE:

No, I... I've been out on the grader

all morning. Twombley's summer people.

Massachusetts. Friend of Gordon's.

It was his idea for Jack to take him

hunting.

(suddenly engaged)

I gotta go.

Margie steps over as Wade exits.

NICK:

He don't care for you.

MARGIE:

Stop being jealous.

CUT TO:

EXT. LARIVIERE CO. - DAY

Elaine looks up from her desk as Wade pulls the grader into

the lot, jumps out, heads for his car. Laviviere stands

outside.

LARIVIERE:

What's the hurry?

WADE:

A hunting accident. Jack and Twombley.

LARIVIERE:

Huh?

WADE:

I figured you already heard.

LARIVIERE:

(urgent)

Twombley, Jesus. We got to get moving:

I got to get up there. How would I

know? C'mon, you drive. We'll take

my truck.

They head for LaRiviere's blue 4x4 Dodge.

CUT TO:

INT./EXT. LARIVIERE'S PICKUP - DAY

Gordon and Wade drive up the same road Jack took Twombley.

Wade fiddles with the CB. No use: static.

LARIVIERE:

F***. Turn it off.

(Wade does)

All you heard was there was some

kinda accident?

WADE:

Twombley's shot. I heard that. Not

Jack. He's okay, I assume.

LARIVIERE:

F***. You don't know how bad or

anything?

WADE:

You mean Twombley?

LARIVIERE:

Yes, Wade, I mean Twombley. Put out

that cigarette. F***. F***. F***.

LaRiviere grunts disapproval as Wade slips the butt out his

window.

WADE:

He more than likely just shot himself

in the foot or something. That's

what usually happens.

LARIVIERE:

I shoulda sent you instead of Jack.

WADE:

I wish you had. I'd rather be deer

hunting instead of freezing my ass

on that f***ing grader.

LARIVIERE:

You ain't the hunter Jack is. And he

can't drive the grader worth sh*t.

WADE:

Like hell.

Ahead, they see flashing lights and cars. A white emergency

vehicle passes, jolting the pickup.

LARIVIERE:

(frightened)

That must've been Twombley. Jesus. I

bet that was Twombley.

WADE:

You want me to follow them to

Littleton?

LARIVIERE:

Let's get to the top and talk to

Jack first. He'll know what happened.

He f***ing better. If this coulda

been avoided, I'll put that kid's

ass in a sling.

CUT TO:

EXT. ACCIDENT SCENE - DAY

Wade pulls behind three state trooper cars. Jack stands joking

with the TROOPERS, one of whom holds a German shepherd on a

leash. LaRiviere and Wade jump out. Jack, suddenly serious,

turns to LaRiviere:

JACK:

You heard the news.

LARIVIERE:

I hear Twombley got shot.

JACK:

Yeah.

Wade walks over to trooper ASA BROWN, pets the shepherd.

BROWN:

Watch the dog, Wade. Takes a mind

to, he'll tear your f***ing head

off.

LARIVIERE:

(to Jack)

Bad?

BROWN:

Thirty-thirty at close range.

LARIVIERE:

Jesus.

WADE:

Will he make it?

BROWN:

(shakes head)

D.O.A. Blew the bastard wide open.

Had a hole in back you could put

your head into. Pretty big hole in

front too. You could've put your

fist into that one.

LARIVIERE:

(to Jack)

You see it?

JACK:

Nope. Heard it. We wasn't far apart.

I spotted this buck, then I heard

the gun go off and Twombley was gone.

I looked over the little cliff we

was using for a stand and there the

f***er was, deader'n sh*t. Called it

right in.

LARIVIERE:

This is gonna be one f***ing mess to

clean up. Twombley's son-in-law and

daughter are up the weekend. Didn't

you say you'd seen him, Wade?

WADE:

I seen 'em. Near ran me over.

BROWN:

You wanna tell 'em, Gordon? You knew

the old man.

LARIVIERE:

What the f***. My day's already

ruined.

(to Wade)

Give me the keys. You can go back

with Jack. You still got a shitload

of plowing to do.

WADE:

It ain't done, if that's what you

mean.

LARIVIERE:

Something bugging you?

WADE:

Yeah. A few things.

LARIVIERE:

Well, right now we're not too

interested. Finish up what you gotta

do, then you can get bugged on your

own time.

Brown walks off with shepherd.

LARIVIERE:

(to Jack)

Might as well take the rest of the

day off. You look sort of f***ed up.

You've been paid for the day, anyhow,

right?

JACK:

Not exactly. I mean, he never paid

me.

LARIVIERE:

You'll get your money. Don't talk to

any newspapers about this. Twombley's

a big deal down in Massachusetts,

you know. Tell them your lawyer says

you shouldn't comment.

Rate this script:3.0 / 2 votes

Paul Schrader

Paul Joseph Schrader is an American screenwriter, film director, and film critic. Schrader wrote or co-wrote screenplays for four Martin Scorsese films: Taxi Driver, Raging Bull, The Last Temptation of Christ and Bringing Out the Dead. more…

All Paul Schrader scripts | Paul Schrader Scripts

2 fans

Submitted by aviv on January 26, 2017

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Affliction" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/affliction_830>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Affliction

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of a "beat sheet" in screenwriting?
    A To write character dialogues
    B To provide camera directions
    C To describe the setting in detail
    D To outline major plot points