After the Rain Page #3

Synopsis: Ihei Misawa and his wife Tayo, stranded by rains at a country inn, bring a great deal of happiness to the other residents of the inn by means of Ihei's generosity and good spirit. Ihei is a masterless samurai and fencing expert. Ihei comes to the attention of Lord Shigeaki, who hires him as fencing instructor for Lord Shigeaki's men. But Ihei's expertise causes friction and jealousy in Shigeaki's castle and his future there comes into doubt.
Genre: Drama
Director(s): Takashi Koizumi
  14 wins & 6 nominations.
 
IMDB:
7.8
Year:
1999
91 min
494 Views


but I know they're really old.

Okay, everybody take their rolls

and take it easy.

The dishes are beautiful

but the contents aren't worth it.

Especially for me

whose health is under constant watch...

They forbid me to eat any greasy fish

and while the fish is being eaten,

I always eat my cold soup.

It's really horrible!

The other day, I wanted to give

some fish to the cat of my concubine.

She smelled it,

looked totally disgusted

and preferred to leave the room!

Oh yes... I have chosen

our master-of-arms.

Here he is.

I've had a wonderful day.

The proposals were interesting

and I have refound pleasure.

Sir, this post is very

important.

We must proceed with the

greatest precaution.

You doubt my judgment?

Gon!

That man has enchanted me.

What do you think of him?

Your judgment is sound.

I've also had the honor of seeing

the wife of sir Misawa

and the excellence of theirs characters

has fulfilled me with admiration.

but, in choosing a master of arms,

everyone must agree

and tradition wants there to be

demonstration...

Again 'tradition'!

I don't think it's necessary!

If we fixed a date so he could

demonstrate his talent,

would that be appropriate for you?

At your service.

mule-heads!

I will remain angry!

Facing us three,

dojo masters,

he has won each duel!

It's intolerable!

Sir, that was all a trick.

He has shown himself so

humble and so delicate...

He has fooled our vigilance!

That such an individual has

been invited to the castle...

it's incomprehensible!

He's a devious man.

He knows how to sell himself...

with extreme politeness.

Either way,

the master of arms of this fief

must be one of our own.

If not, how will we uphold our

pride in this stronghold?

No worries!

His Holiness is very attentive

to details...

We won't let a buzzard steal our

cheese!

Listen to this!

He left in a carrying-chair

with a following covered by gifts.

I thank you.

If I find any food,

I'll bring it to you.

Hello again.

Rejoice yourself.

I've been appointed to become the master

of arms of this fief.

At least, I think it's decided.

In fact, It will be official when

I give a demonstration,

but the lord said that's superfluous.

So it's practically acquired.

He really appreciated this sword...

He's very well-informed... of everything.

Have you waited for me?

I am sorry. I've been to a banquet

at the castle...

Here... It's a present for you.

In fact, you've been brought up

during the dinner.

It didn't prevent the lord from

truly amazing me.

He understands things so well...

He's really passionate.

I told him.

This samurai is a good man.

He's not a ordinary person.

He's even nice and attentive

to someone like me!

A hero on a heap of manure!

We don't deserve him.

It's true!

Take it, it's for all of you...

a gift from the lord of this fief.

He's an absolutely

excellent lord.

What are waiting for?

Well,

the three masters of the city dojo

should have come but

they haven't arrived yet...

Are they the only combatants?

No. Two men of our fief

are also ready.

Moron! Why not start with

them?

We begin!

Nabeyama Tahei. At your command.

Misawa Ihei. Pleased to meet you.

I give up!

What a pity. Are you alright?

I haven't hurt you?

Not at all.

Next!

Inuyama Handayu.

Pleased to meet you.

I surrender!

Next!

The dojo masters still

haven't arrived.

They have preferred to avoid

the confrontation!

It's no use waiting for them.

Go, Gon! Go there and face him.

A thousand pardons,

Sir Misawa is far too strong

for me to face him.

Somebody else then...

Is there nobody else?

That anybody who wants to,

name himself!

You bunch of yellow chickens!

Very well! I will go myself!

Let us wait a moment longer...

silence!

Tell me! A training lance

isn't really interesting.

What if I used a real one?

Good.

Bring me a lance!

Be careful!

It's a real one.

Don't think about scratching

the lintel.

Okay!

Here I am.

I beg you.

No reserve between us!

What an unpardonable error!

I was caught in the middle of the game.

A thousand pardons.

Are you safe?

silence! Shut up!

Don't worry. Our lord calms down as fast

as he gets angry.

He knows the value of things.

He would never defy a man,

that he would like to engage

as master-of-arms.

It's a good remedy.

As for me, I don't know

when I will ever learn...

Very well, I will go.

I will call you a carrying-chair.

No thank you.

I thank you for your kindness.

Those court-clothes fit you

incredibly well!

What's this about an a**hole wanting

to become master-of-arms of the fief?

It's so funny it makes me piss my pants!

And who are you?

Have you forgotten about our duels?

You had us good the other day,

But this time,

it'll be different!

Draw!

Draw, you beggar of a ronin!

Wait a moment.

I have disposed of all my gains

and thus I can't give you anything,

But it could happen

that I have to renounce

of becoming master-of-arms...

following the events of today.

Shut it!

Take guard!

If there is one day

to be angry at myself,

It must be today.

I get angry and when I lose

control over myself...

I answer to nothing, attention!

You're talking!

Let us not go any further. That's enough.

Did something happen?

Nothing at all.

Did you get angry again?

In fact, during the battle,

I was completely balanced.

I wasn't as moved as that,

but the one who drove me over there

excused himself so excessively

that I thoroughly lashed out at him.

It's childish of me, I know,

but the benevolence of the winner

wounds the heart of the loser.

I had the impression of being mocked

and I was furious.

This man interests me a lot.

But the benevolence of the winner could

indeed wound the other.

Without a doubt.

Nobody likes to be pitied.

It hurts your self-esteem.

It must be hard for people

who are strong.

It would be nice to be

very beautiful, but really

your quality would surely make

you detested.

Wait!

He told me...

that he always had trouble

when he was employed.

So that's it! I see.

It must be!

Good evening!

There you are again.

Do you want to have dinner?

Tonight, I would love...

to have some sake.

Understood.

Everybody left today.

It's become very calm.

They were all so nice,

so good,

although they had hard lives.

Aside from that, they were all

warm-hearted and touched by humanity.

Poor people have no other support

than mutual aid.

They can't survive if they only

think of themselves.

The old sermonizer...

He told me he was never happier

in his life,

and that he learned, at his age,

that the world was a beautiful place.

And that,

even if he couldn't get any younger,

and whatever the difficulties,

it was great to be alive.

I thought my heart

was going to burst.

Let's leave it at that.

You're much too...

Anyway,

All this ended well.

I think it should be said.

In fact, I've won all

the fights today.

It's true that at a certain point,

I possibly went too far,

but it should be alright.

Rate this script:4.7 / 3 votes

Akira Kurosawa

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948)--"Drunken Angel"--was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Maadadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977). more…

All Akira Kurosawa scripts | Akira Kurosawa Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "After the Rain" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/after_the_rain_2652>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    After the Rain

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "denouement" in screenwriting?
    A The rising action of the story
    B The opening scene of the story
    C The final resolution of the story
    D The climax of the story