After the Rain Page #4

Synopsis: Ihei Misawa and his wife Tayo, stranded by rains at a country inn, bring a great deal of happiness to the other residents of the inn by means of Ihei's generosity and good spirit. Ihei is a masterless samurai and fencing expert. Ihei comes to the attention of Lord Shigeaki, who hires him as fencing instructor for Lord Shigeaki's men. But Ihei's expertise causes friction and jealousy in Shigeaki's castle and his future there comes into doubt.
Genre: Drama
Director(s): Takashi Koizumi
  14 wins & 6 nominations.
 
IMDB:
7.8
Year:
1999
91 min
481 Views


It already happened...

Yes, but this time, the lord is

a whole different class all together.

Of course,

I can't be sure...

but I really believe that,

this time,

I can have faith in him.

I would like to believe that too.

Do you want some more sake,

or do you want your dinner?

Right... I almost forgot...

I should eat a little.

I'll be back in a while.

What a nice day!

We need a clear sky.

For if we want to go over the hill

where it rains a lot,

we need to cross the river

on a day like today.

Are you leaving?

No... I'm just...

going for some air.

Hello! It's a nice day.

A fabulous and blessed day.

I pray for the happiness of you

and your wife!

Concerning the weather,

nothing to tell...

We should get some news today.

We can't leave without

saying something.

That's true.

That doesn't withhold me of

preparing everything, in case of...

Naturally. We'll have to get out

of here by all means possible.

There they are!

You are an exceptional fire-eater.

Your skill is without equal

and your confidence unsurpassable.

His Holiness intensely wishes to name

you master of arms...

No... Your offers are excessive.

I don't deserve them.

However every time,

despite a small setback,

The decision is made to recruit

you...

an unexpected problem emerges.

This problem is not of our making.

It's entirely yours.

You anticipated in duels.

You fought for money,

in the city dojo...

which you took after you won.

You must remember...

It's true. I do remember.

I remember but...

It was for people really,

sincerely in need,

Boarders of this inn.

Whatever the reason,

for a warrior, it's the ultimate

dishonor,

fighting for money.

Besides, because there was a

complaint,

custom wants it that the fief breaks all

ties with the responsible.

With great regret,

you must forget our job offer.

His Holiness has asked me

to give you this money to

contribute to your expenses on the road.

But no, I didn't know...

Don't worry about me.

I have already been...

Please...

But of course.

We accept with recognition.

My husband was wrong to participate

in those fights.

For a long time,

I've been begging him

to stop doing that.

However, I see that I'm wrong.

I have just understood.

My husband knows, for sure,

the dishonor connected with those duels.

Yet knowing this, he still participates.

There are times when he

has no choice.

But I understand now.

The important thing,

is not what he does

but why he does it, isn't it?

Can't dummies like you

understand that?

Stop it, Tayo. Let's not be impolite.

Right, I'll stop.

However...

I have something to tell you.

From now on,

Every time it seems justified...

participate in duels

when by doing this, you'll be able...

to help the poor, the weak and

the miserable

find a little happiness.

Madam...

Take this with you.

Whenever your sandals

are hurting you...

it's tobacco-ashes.

with some saliva, it's works nicely.

It's not that great...

But it is, it's very nice of you.

Thank you very much.

And to say that they despise

a master as yourself!

That lord is nothing but

parade-carp!

What?

It may look like a carp,

but it's empty on the inside.

Don't say that.

The lord of this fief

is a good lord.

To say the truth...

I really thought that it was

a place where I could have served.

And his wife said that the important

thing was not what he had done

but why he had done it.

Right?

Yes, that's right.

And then...

'Can't dummies like you

understand that?'

You, what did you answer?

Huh?

You blunt mule-face!

Bring this man to me!

Otherwise, I'll have you cut into pieces

and fed to the carps of the pond.

But you allowed him to discharge himself.

Can't I ask you anything,

you retard!

My horse!

You're a beautiful human being

without equal,

You don't know whether to open up,

that's strange, isn't it?

but for me, it's alright that way,

you don't push people aside

nor do you take their place.

If the opportunity arrives,

you help the sincere, even the poor,

find happiness and hope,

whichever way you are, you are fabulous,

I've sweat a great deal.

It's alright, let's go.

I've put aside my regrets.

Take courage!

I have plenty of it.

I believe I can say that.

This is so beautiful!

What a superb view.

It's true.

It's really magnificent.

One feels the vital force

bubbling in the entire body.

Misawa Ihei

Terao Akira

His wife, Tayo

Miyazaki Yoshiko

The lord

Mifune Shiro

The prostitute

Harada Mieko

Master Tsuji Gettan

Nakadai Tatsuya

Scenario

Kurosawa Akira

Director

Koizumi Takashi

International sales

Pascal Diot - idpl

Rate this script:4.7 / 3 votes

Akira Kurosawa

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948)--"Drunken Angel"--was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Maadadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977). more…

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Submitted on August 05, 2018

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