Albatross Page #5
There's something there.
You seem very distracted.
Is it that you can't take
criticism?
Jonathan...
Dad?
Come on.
Hurry.
Can you sign this, please?
What is it?
Parental consent
for my Leavers' Ball.
Do I have to do this now?
That's a bit
of a lifeless outfit.
Well, it's obviously
reflecting my personality.
She didn't make it.
She's gone.
Are you going to dress up
for the school ball?
Wear something special?
Beth?
What's wrong?
Nothing.
I know What's Wrong.
Beth thinks you love Emelia
more than her.
You wish Emelia
was your daughter.
What was I f***ing thinking?
Hey.
Hey.
Just wondered if you fancied
a cup of tea?
Oh, I can't.
Got to get back,
unfortunately.
My bloody mother.
Are you all right?
My granny died.
When?
Why didn't you call me?
I'm so sorry.
Excuse me, has your room
been cleaned?
Not yet. Yours?
I heard the lady on the desk
moaning about the cleaner
not showing up for work.
If only we were
20 years younger, eh?
Hello.
How are you?
There's been a lot
to sort out, but I'm fine.
You look bloody awful, though.
What's up?
- I've just been sick
every morning this week.
I think it's just a bug.
But isn't that
morning sickness?
Can't be, can it?
We used a condom.
Don't worry.
I'll get you a test.
Emelia?
Can you come up, please?
Emelia, I...
There's something-
- Jonathan-
I'm sorry.
I just want...
I can't write.
I can't do it.
Of course you can.
I quite often think of a quote
by Tolstoy.
"In a writer, there
must always be two people,
the writer and the critic. "
When I was writing
The Cliff House-
For God's sake,
get over The Cliff House.
What do you mean by that?
You haven't lived
a bloody day since, have you?
I mean, what else have you
achieved in the last 20 years?
I've read your other work,
and it sure ain't Tolstoy.
Unless it's the sequel,
Bore and Cease.
What's this?
Nothing.
What was that?
That better not be what
"What's this?
What's that?"
What's it got to do
with you, anyway?
It's got everything
to do with me.
You think you're pregnant?
I'm not pregnant.
It's negative.
So why don't you
just f*** off!
Ng]
Had your head so far
up your own ass,
you can't have seen
daylight in years.
Do you even know that you
questioned The Great Gatsby?
You idiot.
You told Truman Capote
he need not to be so obvious...
with his metaphors.
What on Earth
are you talking about?
Half of the stuff I gave you
as samples weren't even mine.
I just copied them
from books by my bed.
Why are you being so cruel
and childish?
Because I am a child.
I'm best friends
with your daughter,
in case you
hadn't noticed.
Emelia, you don't need
to do this.
I can't do this
to Beth any more.
And I hate you
for being able to.
it's all right.
It's going to be all right.
You're okay.
Thank f***.
Come on.
Get your things together.
We're going out.
Okay.
Let's go out.
Let me put some makeup on
my big, fat, swollen face.
Did you know that Beth
is now having sex?
Did you?
Well, she is, so maybe you can
think about that next time
before you celebrate her
for getting sloshed.
I mean, look at the mess
she is in
because of that
stupid girl.
You're just so selfish.
You lock yourself away up here
as if you're curing cancer
instead of churning out
a potboiler once a decade.
You think buying this house
is just your entire contribution
to this family done,
don't you?
That's your bit done,
isn't it?
I've been sleeping
with Emelia.
You have got to be joking.
Shall we get going, then?
Fat f***ing father you are.
You've been f***ing the maid?
If you want to put it
that way, um, yes, I have.
Shall we head out, then?
Let's head out.
So while I've been bringing up
the kids and running this house...
and this business has been
hanging around my neck...
draining every last morsel
of energy I've got left,
you have been up here...
f***ing our daughter's
best friend!
I'm leaving you.
Although, um,
I'll be keeping the house,
so technically,
you'll actually be leaving me.
Beth...
I want you gone by morning.
You can clear all of this out.
Want you to take it with you.
I thought
you were my friend.
I am, Beth.
I am.
Not you,
you f***ing idiot.
Look, Mummy, I'm Emelia!
See, my dad's right.
I can't get anything
through my thick skull.
Beth?
Beth?
Beth, I need to talk to you.
Beth, I'm sorry.
I didn't mean for it
to happen,
any of it, I just...
I want us to be friends again.
We can't be friends,
Emelia.
You're a liar.
No, I'm not.
You... you know everything now.
You must know
why I had to lie.
I did a bad thing.
I'm not talking
about that.
Your name may not be
Serena Molina,
but it certainly isn't
Conan Doyle either.
What?
Do you actually believe
your name is Conan Doyle?
Grandpa,
can I ask you a question?
Yeah.
Was my father the grandson
of Arthur Conan Doyle?
Well, his name was Doyle.
Was it Conan Doyle?
Was he related
to the author?
Your mother did a lot of things
for the right reasons...
and a lot of things
for the wrong reasons.
Your father's name was Doyle.
But...
it wasn't Conan Doyle.
Me and your granny felt
to take it away from you
after your mum died.
It seemed... another cruelty.
We knew how much
it meant to you.
This just means
that the foundation...
that my life's built on
is based on lies.
My ambition to be a writer
is based on a lie.
I need to rewrite myself.
But you can.
You're a great writer anyway,
without all that nonsense.
You can't push everybody away,
Emelia.
Your mother Wanted you
so much.
She can't have wanted me
that much.
She jumped off a bridge
onto a main road.
Millie, she was ill.
Her mind wasn't right.
But she'd be so proud of how
clever you've made yourself.
Because of him, without him,
what does it matter?
It's just a name, Emelia.
It's just an albatross
around your neck, really,
but you just
can't see that yet.
You're still special,
you know.
Special bloody needs,
thanks to her.
- You'll stop being angry
with her one day.
And with yourself.
You're a writer.
But if you change your mind...
and want to go
to college instead,
there's money,
you know.
I don't need anything
but to upgrade my tea bags
every once in a while.
Well, don't go bloody mad.
I want some kind of
inheritance.
Daddy!
Hello, my darling.
Are you coming home?
No, I'm not.
I'm just here to drive my
Oxford undergrad to college.
Hi.
Hi.
Thank you for letting me
drive you.
Hi, hello.
Hi.
How are you?
Good.
Hear you got a job.
Yes, I'm teaching
creative writing.
Oh. Huh.
Let's go.
Come on, then.
Grab something.
Yes.
Hi, um... can I get this
printed on A-4 and bound?
Yep, no problem.
Just take a seat.
We've all been changed
From what we were
Our broken hearts
Left smashed on the floor
I can't believe you
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"Albatross" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/albatross_2404>.
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