Always Watching: A Marble Hornets Story Page #3

Did you survive two years at the affiliated Boston and you are stressed out here?

Well, I... I got to kicked off Boston.

What?

I got to show you guys something. I got to show you something right now.

Charlie, grab the camera.

- Alright, as if. - What are you...?

Two seconds, I got a whole bunch of stuff to show you guys.

I'll look at it. Come on.

Watch.

Alright, come here.

Come here, girl. Alright.

Good job.

- Alright, birthday girl. - Okay, Tara.

- Just like I showed you. - Let me get this.

- Got hairs on your face too. - Milo, seriously,

What is the point of this?

Just be patient, okay? Just watch.

- Alright, let me spin you. - Not much too dizzy.

Turn you around.

What happened to the sound?

No idea, but it happens on a bunch of these tapes.

There. You see that? You see that?

See what, Milo?

Birthday girl's gonna be defeat.

You see? There ... Look, there's somebody standingbrback there by the trees.

- Look. - There. Yeah, there.

Looks like a guy in suit.

Hold on. Alright, just listen.

Rose, I'm telling you.

I look through the camera, he there. I look up, he's not there.

I'm not lying. I don't know how's the put.

Right, because you can only see him through the camera...

I'm not crazy, you've seen it. I don't know how else to...

Wait, what is that? Look.

Right there.

- What is that? - I didn't see it this one.

I didn't see it.

Is that it?

Should we had to stop rewind and show it this tape to the police? I don't understand.

Maybe he tried to and they were just tired enough of them.

In the 60s there was that serial killer, do you remember?

- What was his name? - Zodiac.

- Yeah. - I used to make entire, you know, uh, code messages

and the press to the police station.

- So yeah, one of the most of them was actually... - Oh yeah.

- with this little cross over it. - Yeah.

So ... I don't know. I mean I guess that this guy was not that imaginative.

You can always return an X. It is a similar symbol.

- This guy... is a serial killer? - It could be.

You know, we just found knives clean and blood in the kitchen.

That thing is that the one trade most serial killer is, that

they are somebody for a while and then they choose them.

You know, and if this guy keeps popping up for the kids birthday

in the woods in the backyard, I guess this is ridiculous thing to say.

And in fact I have a friend in the Bureau in Boston.

Let me see if I still have his numbers. Hang on.

Yep. I'll giving a call, to see if something is ringing the bell.

Are you okay?

Hey, is Barbara pissed with us or that just your face looks like this all the time?

- Hello, Barbara. - Hey.

Oh yeah?

Two hours late.

Yeah, well, it's a lot difficult working on two stories.

- Oh, really? - Yeah.

- That's the problem. - Well, it doesn't have to be a problem.

Yeah, you know what? I think we need to get inside and talk.

Alright, we... I mean, look, there's no reason we can't do

- Both this story. - Be my guest. Be my guest.

- Come on, Milo. Let's go. - Me too?

- Yeah. - Really?

Well, I can't believe she pulled this story. That's, that's bullshit.

- I don't know how she runs that place. - Sara,

Remember the guy, uh, from Atlanta, the rare teeth?

- Yeah. - Wait, who is he?

- This dude came from... - Yeah.

A months ago. We helped him out and he kinda owe us a favor.

Look, to be honest, I think this can go in national.

So if you think you got enough footage, then buy on me. Just keep ...

Up here, guys.

Hey, Marty?

Marty. Marty, out.

Out. Now.

- God. - Is this your dog?

He does not understand anything I say.

You know, that's everything on the van.

Okay.

- At least we have this. - Yeah.

- That's a good set up, man. - Yeah, thanks.

We should've start this from decade ago.

Yeah, who needs sleep or whatever?

Uh, so that's... That's everything right here.

Just try not to turn into zombie while you going through all this stuff, alright?

- Alright. I will try my best. - You're in.

Call me in the morning and let me know.

Yeah, I will spend a few hours tonight and I'll tell you how it went.

- Okay. - Yes.

- All right, Milo. - Right, just get some sleep.

We'll take care of Barbara.

These are hieroglyphics, and right over here ... These are some pyramids.

He following the daughter too?

Hey, Jesus! No, no!

No, no. Marty, no.

Out.

Rose, come here. Come here.

Come on.

- Where? - Come. Out there, under the tree.

Look, right there. Right there.

Honey, there's nobody out there.

Here, look through the camera.

Oh my God. That's him?

Still there, right? I mean, you see him.

You see?

Give me the camera. Sh*t.

- He's gone. - What the hell is going on?

I don't know, Marty.

I don't what's going on,

except that I am not gonna not watch anymore of those goddamn tapes, you feel me?

Do you? You understand? No more.

Not for me. No sir.

Oh goddammit.

Okay.

Where...?

No, Marty.

Stay. Stay in the room, Marty.

Marty, stay in the room.

I've lost.

I've lost it. Thank you, Dan Wittlocke.

Okay.

I'm now officially stuck in the house with my camera.

Hello?

Hello, Milo. How are you?

I'm good. And you?

You know what? Don't check the closet.

It's just jackets in your closet, Milo.

No need to freak out yourself, okay?

Alright.

Marty! Goddammit!

Sh*t. Jesus.

Oh my God.

Marty?

He did not hear in that.

He began to wag and raving, insisting there was...

a guy living in the trees on his property...

I knew it.

Hi, It's Charlie MacNeel. Leave your message.

Charlie, hey. Hey, it's Milo.

I'm going to the Wittlocke 'cause I want to look for some more tapes.

And I don't know if you're around, but ... I think the guy from the tape is following me

and I ... Call me back if you can.

Come on.

Oh yes.

Goddammit.

Alright. Come on, come on.

Hello?

Oh my God.

Charlie?

Screw this, screw this.

Yes.

Goddammit.

Marty, be good. Stay there. Good.

Goddammit.

Goddammit.

Okay, good.

Oh my God.

Hey, Marty?

Marty?

What the hell you doing?

Marty, what ...?

Marty, there's nothing ...

A**hole, get out of my yard.

Marty, get over here ...

Marty.

Sh*t. Sh*t.

Oh my God. Oh my God. Oh my God.

Oh my God. Oh my God. Oh my God.

Oh my God. Okay.

Sara?

Godammit.

Hey Sara? Hey, it's Milo.

Sara?

Hey, uh, I'm sorry.

I-I gotta talk to you right now, okay?

- Milo? - I'm sorry, Sara.

Hey, Sara.

Hey, uh, I'm sorry.

I didn't realize

I didn't realize that, I didn't realize this seconds okay?

You looks like sh*t. Wait, how did you get in here?

- I used the spare key from the ... plant. The part of plants. - Jesus.

Listen for to two seconds.

- I'm sorry. - Jesus.

Okay, I'm sorry. Just listen. Uh, I...

You guys remember the guy, the, the, the ... Uh, Dan Wittlocke who keeps talking in the tapes? The guy?

- Yes Yes Yes. - The guy you can't see,

you know, you make an eye.

Remember he said he can only sees him in the camera?

- Yes. - I just saw him in my yard.

Okay, okay? Well, well, look. Look at this, look at this.

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