Always Watching: A Marble Hornets Story Page #4

Synopsis: On the hunt for an intriguing news story, a small-town news team follows a crew inspecting repossessed houses. Inside a particularly strange house, the news team discovers a box of video tapes inside a locked closet. Sensing a story, they decide to take them back to their studio. From the tapes, they learn that the family who had lived in the house was not pushed out by the banks, but fled the house in fear for their lives. Trying to decode the story, the crew keeps seeing a faceless figure dressed in a dark suit appear in the footage that causes the videotape to scramble. Their fear mounts when this figure, The Operator as he is deemed, starts to appear in their real lives, standing quietly and always watching them. Tortured and terrorized, the three crew members must track down the mystery of The Operator before it's too late.
Genre: Horror
Director(s): James Moran
Production: Gravitas Ventures
 
IMDB:
4.8
R
Year:
2015
92 min
249 Views


Look at this. Look. It's still there. Look at it.

- You see that? - Oh my God, what did you do with yourself?

I was sleeping and I thought I heard something.

When I woke up, it was just there.

It's like a ... A brand or something.

It's just ...

I just saw the guy in my camera!

Calm down. It's time to leave.

- No, it's not. Charlie. - You've got to go.

- Sara, listen. - Calm down.

I don't know what to do. You see this?

Sara, I wouldn't do this to myself!

Charlie, shut up!

- Milo, that's enough! - Sara, listen. No. No.

No, Charlie! Don't touch my camera, Charlie.

You get out! I don't wanna get physical violence before you leave, do you understand?

Okay. No! Get your hands off me!

Okay, yeah, yeah, I'm calm, I'm calm, I'm calm.

- Listen, I'll go. Charlie, okay? - What?

- I... - Milo.

Look, I saw you at Chez Figaro and I don't care.

- What the f...? Get out of the house! - God, Charlie!

Sara!

Sara, I don't want to go home! Sara, please! I don't want to go home!

I don't know what to do!

Goddamn it, Charlie!

911, what is your emergency?

Hi. I...

I...

Sir, are you there?

I need to... report

Are you okay, sir?

- Sir? - I'm sorry, never, never mind.

Oh sh*t.

Sir?

- Sir? - Yeah?

$ 24.50.

Cash or credit?

Credit, uh, sorry. Hold on.

You got sort of YouTube or something?

Yeah.

Okay.

Okay, I can do this.

I can do this.

Who is it?

Who is it, Marty?

What is it, Marty?

Marty, come here.

Oh God.

H-Hello?

Okay. Okay.

In out...

Oh God...

Your...

Oh, oh, careful. Oh no.

Jesus Christ, Charlie?

What are you doing in my house? You scare the sh*t out of me, Charlie!

Have you been following her?

How long does this thing going on, Milo?

Is it why you had a problem with me since I came to work?

Charlie, you just can't...

Because you're some sick fantasy with you and Sara got in together?

- You can't just walk into my house ... - Put the camera down.

Shut up, Milo. Put the camera down.

How long does it going on? Until you know about Chez Figaro, huh?

'Cause you've been watching us?

- No. - I swear to God, how much does it is bullshit, Milo?

Don't start with me or else I lose my temper.

No! I swear to God.

What the f*** is wrong with you?

Charlie, you've been telling us that the, this whole entire Wittlocke story is been going on?

Now you've been spying on her...?

How much it is true and how much it is bullshit?

Because I've been trying, man. I am trying to give the benefit of the doubt!

I swear to God that I will lose my temper!

Sara, listen to me.

Milo. Milo, stop.

Sara, I know, I know, I know.

We're gonna come and talk to him in the morning.

Sara, if you let me show these tapes ...

Milo, shut up! Shut up, Milo!

Look, he's been stalking you for months.

In the grocery store, until you have to work.

- Have footage where ... - Guys, guys.

- Everywhere. - Guys.

- Somebody's gonna pick up the camera now and look at the screen, please. - That's enough.

That's enough with the pale man.

- Don't touch ... Well, Milo. - Well, Charlie, Charlie, Charlie.

Okay, fine, just look. Just look. Look, please.

This is ridiculous. Alright, alright.

For the last time, Milo, There is no...

pale man.

Leave the room! Go!

What the hell just happened?

You believe me now?

I'll just keep driving man, okay?

- Where are you trying to take us to? - What do you mean?

I'll just gotta keep driving until somewhere.

Calm down.

Don't you think he's gonna finds us on the road?

Why does he have to?

- We can't just keep driving, Milo. - Where are we supposed to go?

We need to, we need to go the cops, okay?

If the cops really believe us ... It is the best idea.

Dan Wittlocke called the cops and looked at what they looked at him.

Yeah, they thought he was crazy.

Yeah, we're not calling the cops like crazy people.

- Hey, you need the GoPro? - Yeah.

Check this out, guys.

- That's a good idea. - Oh man.

Yeah.

I've got to show you something.

Come here.

Alright man.

- You can bear with me for a second, okay? - Yeah.

I have no idea what the ... what this thing is.

I don't know what it wants, and don't know why chose us or why chose the Wittlockes.

But I think it operates some of uh, some kind of a, like, uh...

Like a pattern. Look.

- Dan? - Yeah.

I see you.

I see you.

This is exactly what happened to me.

And I have no idea. I have no idea.

I didn't feel it. I just, I just woke up.

This one is the craziest thing I've found. This is the one that I found it in the basement.

Alright, play it.

What the f...?

Daddy.

Tara? Tara.

Tara, I'm coming.

- Daddy. - Tara.

Tar ...

What? Oh God, oh God, oh God.

Tara, where are you?

Oh God. Tara.

Okay. Okay, all right. I'm here.

- I'm here, I'm here. - Something's wrong with my tummy.

Something's wrong with your tummy?

Like a, tummy ache?

No, it's on the outside.

On the outside of your ... like on your skin?

Yeah.

Okay, yeah, uhm...

Okay, well, stand up and let me take a look at it.

I take your bunny.

Let me see it. Let me see it.

Here, let me see it.

Okay, uhm, here, that's gonna be okay. Take your bunny and come with me.

Let's go find mom, okay? Come this way.

Alright, okay.

It'll just gonna be just fine.

- Just fine. - What's wrong, Daddy?

Uh, nothing is wrong.

Rose. Honey?

I'll be right back here. You stay right here.

Rose?

Honey.

Honey, what are you doing?

Rose.

What are you doing?

I was washing up.

- We have to leave. - Okay, okay, okay.

- Okay, okay, yeah, come on. - Now.

- That's it? - That's it.

- That's all we have? - Yeah.

Okay.

So, why does this thing stalks you and then ...?

Marks you somehow in possibly?

And then you so obsessed with this thing then you just go completely mad?

- 'Cause that's what we're dealing with it? - Maybe they found a way to make it stop.

Yeah. Or, God, maybe they didn't, guys.

I mean, I'm telling you,

- they could be lying somewhere dead. - Stop, stop.

That's what I'm only saying.

We need to figure out where they went.

- Anything? - No, nothing.

Hey.

How long have you been following me around?

Well, technically I started the night we met.

You know, I ... I told myself ...

when I started that ... You know, I was doing it because I...

You know, I ... I loved you.

You know, and I wanted ... I wanted to make sure you were safe,

that you're okay and when you're gonna go to your meetings.

You know, the truth is, I started ...

like that and then ...

but I kept going because I just, uh...

I didn't know how to stop.

Hey, Charlie?

- Charlie, you gotta wake up. - Yeah.

- Why? - Sara is not here. I don't know.

I don't know where she...

- What are you doing? - What are you doing?

Where have you been?

- Where did you go? - I just trying to get some air.

Urghh...

- Why didn't you take the camera? - I'm sorry.

- It's Charlie. - Chill out.

Oh God,I tell you I've got good news.

- You really should have take a camera. - Holy sh*t, are you serious?

Alright, give me a second. I'll go get something to write it down.

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Ian Shorr

Ian Shorr is a writer and producer, known for Splinter (2008), Infinite (2021) and Office Uprising. more…

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Submitted on August 05, 2018

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