Always Watching: A Marble Hornets Story Page #5

Synopsis: On the hunt for an intriguing news story, a small-town news team follows a crew inspecting repossessed houses. Inside a particularly strange house, the news team discovers a box of video tapes inside a locked closet. Sensing a story, they decide to take them back to their studio. From the tapes, they learn that the family who had lived in the house was not pushed out by the banks, but fled the house in fear for their lives. Trying to decode the story, the crew keeps seeing a faceless figure dressed in a dark suit appear in the footage that causes the videotape to scramble. Their fear mounts when this figure, The Operator as he is deemed, starts to appear in their real lives, standing quietly and always watching them. Tortured and terrorized, the three crew members must track down the mystery of The Operator before it's too late.
Genre: Horror
Director(s): James Moran
Production: Gravitas Ventures
 
IMDB:
4.8
R
Year:
2015
92 min
254 Views


Let me get a pen. Okay, yeah?

What is it? Charlie, what is it?

Okay. Yep.

Oh, you're a handsome man and I love you.

I already told you that before? Thank you so much, buddy.

2901 Little Cape Road, Alma, Colorado. 81210.

What is that?

Bureau got to hit on Dan Wittlocke's credit card

and apparently he ordered something and had a shoot it to this address.

I say, we go there and play a little more, Milo.

I might need your help packing up the projector.

Yeah.

- Hey, Charlie. - Yeah?

Lift up your shirt.

What?

- Look. - Oh sh*t.

- What? - Sh*t.

When did it happen?

Thank you.

No way.

WELCOME TO ALABAMA BEAUTIFUL

Milo. What are you doing over there?

- Look, could I ask you something? - Sure, yeah.

You got, uh... fired from Boston, right?

Why?

We had create a differences. It was totally encore.

- Really? - No, not at all.

I walked into my boss's office and I smashed up everything with a light knife.

- Jesus Christ, really? - Yeah.

We doing a story on a charge of school in Boston

sticking bibles for the extra kids.

As it turns out, my boss's son was one of the kids.

- No, sh*t. - So, of course, he tried to shut this down.

I didn't like that very much.

And I got very angry.

I lost my temper.

It was trying to like if something that I couldn't stop myself doing.

Does makes sense.

Yeah, does makes sense.

- Yo, you want me to drive? - No, I'm alright, man.

- Sure? - Yeah.

Oh, Marty. Marty.

I get so much dog hair from here.

There is Sarah.

Marty, are you okay? Good boy.

Do you think she's okay?

I have no idea. How do you think I should act?

Hey, come on. Sit.

You alright?

Milo.

Charlie, wake up. Milo is gone.

Sh*t.

Milo.

What are you doing?

What are you doing?

The ...

I'm sorry. The headlights ... They were flickering.

So, I had to come out here and fix them, you know?

Marty, sit down.

Stay.

Hey, Milo, let me know if your hotspot had been running.

- I need to know about it. - It should be else in run.

- It is right now? - Yeah. Just do me a favor

keep the eye on the monitors. I'm busy, okay?

Yeah, I'm looking at it. I got it.

I got it. I got it.

Oh, no, we are long way to go. Goddammit.

Man, I think it got too hot in the car.

- What? - The projector's not working.

Sara, how you doing there? I got to use the restroom.

Sh*t.

You okay?

I'm fine. Hold on.

- Milo? - Yeah, what's wrong?

I don't know.

Sara, can we come in?

Sara, what's wrong?

Sara, open the door, ya?

Sara, I'm gonna come in, OK?

- Sara, open the ... - Just leave me alone.

She's not open up, Charlie.

Sara, open the door.

- Hey, hey. - Leave me alone.

I'm sorry. Are you okay? What's happen?

Look, look, look.

- Just leave me alone, okay? - It's gonna be ok.

- Goddammit, Milo. - Just stop it. Sara, what is wrong?

What do you doing with ...?

Really? Now?

- You kidding me? - Give me my...

No. Just stop.

- What else you got? - Come on, guys.

What else you got?

Let's see what else we can find here.

- What else is inside, huh? - Milo, Milo. stop, stop, stop!

Get out of my ...

Milo, come on. You're not helping.

Bastard! Stop it!

- Milo, stop. - Charlie, you don't touch me!

Hey, don't push her, Milo!

- Stay out, Charlie! - Do not put your hands on me, Milo!

What will you gonna do? You gonna grab a light knife and go crazy on me ...?

You piece of sh*t! What did you just said?!

He's here.

- Who is here? - I think he's in the room.

What happened? What happened?

I don't know. I don't know.

No gracious.There's no gracious.

Look, I'm really sorry, again.

I just don't have any goddamn idea what happened.

How did that thing find us?

Even talking about it. We have no idea what we talking about.

It could be anything. You can only see him through the camera.

Means it can be, what, anywhere?

Is death.

Doesn't seem like death could be done with you?

Whatever is this, it makes you do things.

- You alright to drive? - Yeah.

- You sure? - Yeah.

Okay.

Oh sh*t!

Guys, we gotta stop. I've tried. I'm done.

Guys...

Guys.

What if we just switched off the cameras?

Why would we? Why we just shut off the camera?

Because we can only see this thing through the camera

and obviously he wants us to see him.

What if we just shut them off?

Yeah, I see it ...

It's only anything we got it.

Well, maybe ... Maybe it would go away. We do not know ... I mean, I ...

Yeah, I think we should do it.

- Really? - Yeah.

What else we can do, Milo?

Let's try it.

You got it?

Fine.

Guys, wake up ...

Marty?

My dog stop moving! I don't know!

I don't know what had happened.

He's dead! You woke up and he's dead?

Yes, Charlie. Why did you guys tell me to shut off the camera?

- It was an idea, Milo. - Why would you make me to shut off the camera?

What will you do besides stop filming this guy?

Oh sh*t! Jesus Christ.

This is it?

He was in the car.

I'm really worry about him.

I don't know what to say.

Milo, I'm so sorry.

WELCOME TO COLORFUL COLORADO

You guys sure that this is the right address?

Yeah, I mean, it popped up in the GPS, alright? So...

Yeah, these people they did not want to live out.

Destination will be on your right in point two miles.

You have arrived on your destination.

Sh*t!

Just let him go.

- Hey guys? - Yeah?

Come here.

See that?

- What? - What is that?

Oh, you know that looks like?

It looks like a ...

Yeah, it looks like an RFM antenna.

Yeah, what the ...?

What the hell is that connected to?

- Open it up? - Yeah.

- Is there a latch or something? - Yeah.

- You need help? - Nope.

What's in it?

It looks like a storm shelter.

Charlie, go grab a flashlight from the truck, ya?

Hello?

Yeah, there is so much of sh*t down here.

Careful, don't touch anything.

Jesus, look at this.

Come here.

Oh sh*t.

Uh, he totally lost it.

What is this set up here?

- Guys, there's light. - Give me the light.

- I'm gonna try to find ... - There is a cord.

There's a cord down here.

Alright.

Well, there you go.

Well, go, go to the last entry.

Oh sh*t.

Oh man.

Holy sh*t, he filmed the whole house.

Dear?

Tara?

Honey?

Wake up.

No. Dan. What did you do?

What did you do?

Dan.

I love you.

It make us kill each other out of it? Is that it? That's it?

It can't be. That's not it.

You know what, I'm taking this.

So, what're we gonna do now?

Hey, pond there.

I'm sorry, sir. Did you know they were the Wittlockes when you found them?

Oh we didn't know who they were actually until after the fire.

I see some things up here. The hunting accidents and all it like.

But I never seen anything like this bad.

By the time the trucks got there,

husband and the kid are quite burnt toast.

What about the wife, Rose?

She was still kick in.

I'm sorry, wait. Is she still alive?

Barely.

She is trap inside the psychiatric Stratton, she is gonna stay for very long time.

Uh, I'll be right back.

Hold on, guys, wait for a second.

- 1138. - Oh sh*t.

You see that? Did you see it?

Who? That guy?

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Ian Shorr

Ian Shorr is a writer and producer, known for Splinter (2008), Infinite (2021) and Office Uprising. more…

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Submitted on August 05, 2018

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