Amber Alert Page #7

Synopsis: When a group of friends decides to follow a car they've seen posted on an Amber Alert, things start to go very wrong.
Director(s): Kerry Bellessa
Production: Wrekin Hill Entertainment
 
IMDB:
4.6
R
Year:
2012
80 min
Website
119 Views


Don't be such a baby.

I'm not being a baby!

I'm just saying, we haven't

eaten anything all day.

I'm starving.

It's been a crazy day today.

Can we at least get something to eat?

That's all I'm saying.

All right, like,

20 more minutes.

20 minutes?! Why are

you, like, so gung-ho?

Like, we have...

there's a police officer...

Hello? There's

a little girl missing!

I know!

You keep saying that.

I'm trying to do

the right thing here.

I'm driving around,

but there's nothing we can do!

It's gone!

They're gone!

Well, we just have

to keep looking.

She's probably... I'm saying

she's probably already dead!

Don't say that!

If we had tried

to attack him back there,

he probably would've

killed us, okay?

For all we know.

I don't know.

But think about her.

- Think? I am think...

- Think about her.

I don't give a sh*t

about her! How about that?

I don't give a sh*t

about that little girl!

I don't care about her!

Why would you say that?

I don't care!

What is wrong with you?

I don't care about her!

I want... I want us

to be safe.

- I am not a police officer!

- She needs help!

She is alone in the car.

She has nobody!

There's three of us.

We have each other.

She has no one!

No one except that

slimy, disgusting freak!

Just how can you

not care about her?

I do, I care.

What if it was Caleb?

What if it was me?

What if I was in that car?

- Sam...

- What if he had me in there?

I love you more than anything

in the whole world, Sam.

If it were you,

it would be different.

If it were you, it would

be totally different.

What are you doing?

What are we doing?

I'm hungry.

Do you want me to keep filming?

Yeah, yeah. We need

to keep filming.

I mean, that's our one...

last chance, our

one last hope of...

him still being out there.

We could still hear him.

The car's off.

Dang it.

Um... do we have...

that headset around

here somewhere?

All right, put these in.

Keep the camera on.

Let's keep listening.

I'll listen.

Hopefully we'll hear something.

I just wanted to talk

to Officer Murray.

Is there any news at all?

All right, is there

anything that we can do?

He got called away.

They don't even...

I can't even talk

to him for an hour,

but obviously

they haven't found anything.

They don't know anything.

Nobody's looking for her.

- No, no, we need to hear.

- Shut it off.

Just in case we...

in case he drives by

or he lives around here,

we'll be able to hear him.

We're gonna keep filming.

What are you doing?

Sandhill. Maybe

it's his address.

I'm gonna do a search.

What are you

talking about, Sandhill?

He said "Sandhill" on the phone.

We didn't know why,

but I'm just gonna check

and see if there's

a street around here.

Sandhill.

Sam, I-I...

I don't know how to deal

with this situation,

and I've handled it

badly, and I screwed up,

and I just feel like

I need to say I'm sorry,

that I feel like our

friendship is more important.

There's a Sandhill Road.

There's a Sandhill Road.

Two and a half minutes

to get there.

We have to go.

We have to at least

check it out.

We have to see, I mean...

if it's where he lives.

He... that's where

he would take her.

- Right here.

- ...like a thing that just goes on and on.

- Right here.

- Okay, right here. I got it.

I'm not trying to be...

like, I'll stay up

with you all night,

you know, if I have to,

but at the same time...

- Take a left.

- ...there has to be a point

where you have to call it quits.

You know what I mean?

For all we know,

a lot of time has gone by.

We could take the footage

to the cops.

We'll tell them Sandhill Road.

We'll give them

that information,

and that...

and that'll be it, right?

Yeah, I...

That'll be it, right, Sam?

Yeah, yeah, yeah.

That'll be it.

Okay, so take a right here.

This should be it.

Right here.

Mm-hmm. Sandhill.

That's it.

Sandhill Road. Yep.

- All right.

- All right.

We're here.

Just go super slow.

We just gotta listen.

I don't hear anything.

Maybe stay closer

to the right-hand...

- Okay. All right.

- ...of the way, here.

All right, and then all right.

Oh, look, I think

this is it, Sam.

This is the whole street.

Okay, well, turn around,

and we'll stay

on the other side

on the way back.

Not much to it,

and, uh, I didn't hear anything.

Now, is there

another Sandhill Road?

Is there somewhere else?

I mean, there has...

is this it?

No. This is it.

All right. I mean...

Okay, just sitting...

This is it.

Okay, keep going slow.

I'm going as slow as I can.

I mean, there's only...

one, two, three...

like, ten houses.

We could knock on each door

and find out exactly

who lives in them...

Sam, no.

We're not doing that.

...and what

is going on.

We're not doing that.

What if you knocked on his door?

What if you knocked

on the guy's door?

Then at least we'd find him

and we'd at least

know where he is.

That'd be the last door you

knocked on in your life, okay?

Okay, turn around.

Do a U-turn.

I mean, even if we knocked

on his neighbor's doors,

there... I mean...

Maybe they would

recognize his car.

If we went and said, you know,

"Have you seen

this car in the area?"

Well, look for his car!

I don't even see it.

I don't see his car.

Well, there's garages.

I don't... I mean,

yeah, I guess

he parked it

in the garage, I don't know.

Is this turned up?

Yeah, it's turned up.

I mean, they could

be quiet right now...

I don't know.

You think that

the microphone would give off

some kind of signal

or interference or something.

Maybe you'd hear something.

I don't hear anything.

All right.

All right.

I think that...

I think that might be it, Sam.

I don't...

if the microphone were here,

we'd be able

to pick it up, you know?

- So...

- I know.

I haven't heard anything,

so I think that...

we should just...

call it quits, okay?

I mean, there's

nothing else we can do.

Yeah.

We gotta get

Caleb back home, too.

I mean, like, this isn't

fair to your bro.

I was just hoping

that we'd be able

to find something, you know?

I know. I know.

I did, too.

I know.

I understand.

I just don't know

what else to do.

Sam, there's nothing more

you could've done.

Sam, you've done everything.

You've gone above and beyond

what any normal person

would've done.

You've done more than what

any one else would've done.

But it's sad that it's

obviously not enough.

Like, we don't know

what's going on

right now with her,

where she is...

- I know.

- It's just so hard.

It's be a horrible day,

so I'm just gonna

take you home...

and we'll give

the footage to the police,

um, in the morning,

or what, you know...

We could drop...

we could stop by

the police station and give them

all the information

that we have.

Okay, we'll do that. We'll stop

by the police station and then...

...wait

a whole night.

Okay, we'll give it

to them tonight,

and then tomorrow, you know...

Did you hear...

- Did you hear that?

- Yes. Yes. Yes. Yes.

Rate this script:5.0 / 1 vote

Kerry Bellessa

All Kerry Bellessa scripts | Kerry Bellessa Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Amber Alert" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/amber_alert_2647>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Amber Alert

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "treatment" in screenwriting?
    A The character biographies
    B The final cut of the film
    C A detailed summary of the screenplay
    D The first draft of the screenplay