America America Page #7

Synopsis: Elia Kazan, ethnic Greek but Turkish by birth, tells the story of the struggles of his uncle - in this account named Stavros Topouzoglou - in emigrating to America. In the 1890's, the young, kind-hearted but naive Stavros lived in Anatolia, where the Greek and Armenian minorities were repressed by the majority Turks, this repression which often led to violence. Even Stavros being friends with an Armenian was frowned upon. As such, Stavros dreamed of a better life - specifically in America - where, as a result, he could make his parents proud by his grand accomplishments. Instead, his parents, with most of their money, sent Stavros to Constantinople to help fund the carpet shop owned by his first cousin once removed. What Stavros encountered on his journey, made on foot with a small donkey, made him question life in Anatolia even further. Once in Constantinople, his resolve to earn the 110 Turkish pound third class fare to the United States became stronger than ever. But try after try,
Genre: Drama
Director(s): Elia Kazan
Production: Warner Home Video
  Won 1 Oscar. Another 6 wins & 11 nominations.
 
IMDB:
7.8
Rotten Tomatoes:
71%
NOT RATED
Year:
1963
174 min
65 Views


For your happiness,

don't trust me.

You're all I have.

I can't do different.

Don't trust me.

Stavros.

Stavros...

it will pass, Baba said so.

Once we have children,

you won't feel the same way.

You can't, how could you?

What?

Stavros, it will pass.

I'll count on it.

Don't count on it.

Where are you going?

Wait!

Wait one year, and then if...

Of course, it's up to you

to decide.

I won't say anything to my father,

Stavros.

I'll wait.

I saved these pretty pieces,

nine by twelve, for you.

Faster, boys!

In the back of the store,

like eggs under a hen.

Go on, show it!

Come on!

This was woven, ideal

for the home...

of the biggest American millionaire.

Feel. You know rugs

better than I...

but you've never

seen anything like it.

Yes, yes, yes.

I know.

Mrs. Kebabian,

Mrs. Kebabian...

I beg you, put your

hands on this, feel.

She doesn't know about the business

except how to live off it.

Well, if only for her pleasure.

Feel it.

Can I see you later,

for a minute?

Stavros! Wake up, for God's sake,

and bring this rug over here.

-What's the matter?

-Don't inconvenience yourself.

I don't like rugs.

Mrs. Kebabian, may I present

the future king.

One day, all this will be his.

Stavros Topouzoglo,

my future son-in-law.

Stavros, kiss Mrs. Kebabian's hand.

You don't have

to kiss my hand, boy.

Of course, in America,

you don't do that.

Would you please show him

how they do in America?

Believe me when I tell you

that this boy's whole dream...

Mr. Sinnikoglou, don't tell me,

tell my husband.

He's going to buy,

he's just torturing you first.

May I offer you some sherry?

It's very sweet, very light sherry.

-No, thank you.

-It's really very light.

No, thank you.

Show him how they do in America,

Mrs. Kebabian.

-Go on.

-Well...

Here...

No, not like that,

take hold of it.

Good, now, shake it like this.

You do this too, in America?

I mean, men to women?

-Of course.

-His whole dream...

is to go to America,

imagine!

-People have done it.

-But not a boy, like this.

Men! Aratoon,

where are you going?

Aratoon, don't go.

The rug.

I'm beat. My stomach

is my clock.

-All right, I'll take 25.

-Take them all.

You're American?

Yes. I was born here...

Mr. Kebabian brought me to America

What?

Sofia, I'm going.

I'm not.

But you must. They're waiting

for us at Abdullah's.

-My package!

-I spoke to the shop.

Later, please.

...when I told him that

Mr and Mrs Aratoon Kebabian...

You know that everything

you ever ate here was remarked on.

She must come,

she's getting thinner.

She doesn't eat.

I married a woman, now look.

I don't enjoy eating

when I'm not hungry.

See how she talks back?

They ruined her.

The day she became

an American citizen, ruined.

The declaration of independence

was politics only...

not for women!

There's no hope for her.

-Sofia, I'm leaving the carriage.

-Aratoon!

Stavros, help her with the package.

Aratoon, Aratoon.

Thank you.

Thank you.

-Hello, Madam.

-Bertha, get lunch for Mr...

Topouzoglou.

No, don't trouble yourself.

Put the packages on the sofa.

See what Mr. Topouzoglou will have.

No, too much trouble,

too much trouble.

No. No, it's not any trouble.

I don't enjoy eating

when I'm not hungry.

Well...

all Greeks are taught

to refuse twice.

It's the third refusal

that's to be believed.

Can I get you something?

You've been so kind.

That's a bureau?

A whole bureau?

And it travels with you?

Can I...?

Please, come in. Here.

And down there, look,

that's for shoes.

America, America!

Do you have any magazines

from there?

Pictures?

Would you like to see them?

Can I?

I'll show you the "Saturday Evening

Post" and "Ladies' Home Journal".

No, no more, Mrs. Kebabian.

-Is he still here?

-Yes, Mrs. Kebabian.

Good.

You still here?

He's still here.

Good evening, Mr. Kebabian.

-He'll have dinner with us.

-Don't put your things on my bed.

He'll show us some dancing.

Do you know where

we can see dancing?

You do, don't you?

Yes.

Enough! Enough!

I pay, I pay!

I pay!

I pay!

I was eighteen when my father

said to marry him.

I'd never been permitted to see...

that wonder of man,

alone, till him.

The day after the wedding...

he took me to America...

and before I knew how,

I had two sons.

After that...

What?

He'd had what he wanted of me.

There I was...

an almost old woman...

two sons, a husband

with a good business...

who played cards every night.

I have never known...

a young man.

I've never lived my 20th year

or my 21st...

my 22nd year...

is still inside me,

waiting like a baby to be born.

Do you understand?

How could you understand?

Let's take him home.

Third class reservation,

First, give me the ticket.

Yes, sir.

I'm Mr. Agnastis.

Do you have my tickets ready?

-Yes.

-I'm here with my boys.

Yes, let me find your ticket.

You! You're going, eh?

Didn't I tell you not to give up?

You're good.

Tell me what happened.

That man is taking us all.

Eight boys, yes, in one cabin.

That was the understanding.

I've done this every year,

eight boys in one cabin...

you've always allowed it.

-Only now, suddenly, objections.

-Just a moment.

You're all going?

Yes.

There's a place to shine shoes

in New York City.

He's paying our passages.

What do you do?

We shine shoes.

We work for him...

two years, without pay.

Would he take another?

No.

Many boys want it,

but he'll only take eight.

I came to the store once

to tell you, but...

you got into a carriage

with a rich man.

You looked very busy,

very big...

plenty to eat,

so I thought...

Right or wrong is for the rich.

You can afford it, I can't.

You come from a good family.

Yes, who are now waiting for

one piece of good news.

One piece!

But your father...

I don't want to be my father,

or your father...

I don't want that good family life,

good family life...

all those good people stay here

and live in this shame.

The churchgoers who give

to the poor live in shame.

The respectable, polite ones

with good manners.

But, I am going.

No matter how. No matter,

no matter. I am going!

I told you to come here...

because I wanted to tell you

the truth.

The truth of what I am, so you

don't go on thinking about me.

You took off your...

That was for your father.

What's that?

Oh, are you taking that with you?

Of course. You can't count

on anybody or anything.

With this,

I can always eat.

Oh, Stavros.

I know that I'll never again

find anyone like you.

Oh, God!

What will happen to you?

I believe...

I believe that, in America...

I believe that I will be

washed clean.

Mr. Topouzoglou.

Would you like some tea?

Madam prefers it when you smile.

I've been waiting.

Bertha...

how do flies get on a ship?

Mr. Agnastis, what's that

over there? Is that land?

America!

America, America!

-What's the disturbance?

-Long Island.

Oh, well...

-How long did I sleep?

-A couple of hours.

I'll tell Mrs. Kebabian

you're awake.

Rate this script:0.0 / 0 votes

Elia Kazan

Elia Kazan (; born Elias Kazantzoglou; September 7, 1909 – September 28, 2003) was a Greek-American director, producer, writer and actor, described by The New York Times as "one of the most honored and influential directors in Broadway and Hollywood history".He was born in Constantinople (now Istanbul, Turkey), to Cappadocian Greek parents. After attending Williams College and then the Yale School of Drama, he acted professionally for eight years, later joining the Group Theatre in 1932, and co-founded the Actors Studio in 1947. With Robert Lewis and Cheryl Crawford, his actors' studio introduced "Method Acting" under the direction of Lee Strasberg. Kazan acted in a few films, including City for Conquest (1940).Noted for drawing out the best dramatic performances from his actors, he directed 21 actors to Oscar nominations, resulting in nine wins. He directed a string of successful films, including A Streetcar Named Desire (1951), On the Waterfront (1954), and East of Eden (1955). During his career, he won two Oscars as Best Director, three Tony Awards, and four Golden Globes. He also received an Honorary Oscar. His films were concerned with personal or social issues of special concern to him. Kazan writes, "I don't move unless I have some empathy with the basic theme." His first such "issue" film was Gentleman's Agreement (1947), with Gregory Peck, which dealt with anti-Semitism in America. It received 8 Oscar nominations and 3 wins, including Kazan's first for Best Director. It was followed by Pinky, one of the first films in mainstream Hollywood to address racial prejudice against black people. In 1954, he directed On the Waterfront, a film about union corruption on the New York harbor waterfront. A Streetcar Named Desire (1951), an adaptation of the stage play which he had also directed, received 12 Oscar nominations, winning 4, and was Marlon Brando's breakthrough role. In 1955, he directed John Steinbeck's East of Eden, which introduced James Dean to movie audiences. A turning point in Kazan's career came with his testimony as a witness before the House Committee on Un-American Activities in 1952 at the time of the Hollywood blacklist, which brought him strong negative reactions from many liberal friends and colleagues. His testimony helped end the careers of former acting colleagues Morris Carnovsky and Art Smith, along with ending the work of playwright Clifford Odets. Kazan later justified his act by saying he took "only the more tolerable of two alternatives that were either way painful and wrong." Nearly a half-century later, his anti-Communist testimony continued to cause controversy. When Kazan was awarded an honorary Oscar in 1999, dozens of actors chose not to applaud as 250 demonstrators picketed the event.Kazan influenced the films of the 1950s and '60s with his provocative, issue-driven subjects. Director Stanley Kubrick called him, "without question, the best director we have in America, [and] capable of performing miracles with the actors he uses." Film author Ian Freer concludes that even "if his achievements are tainted by political controversy, the debt Hollywood—and actors everywhere—owes him is enormous." In 2010, Martin Scorsese co-directed the documentary film A Letter to Elia as a personal tribute to Kazan. more…

All Elia Kazan scripts | Elia Kazan Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "America America" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/america_america_2659>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    America America

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "The Lord of the Rings: The Fellowship of the Ring"?
    A James Cameron
    B George Lucas
    C Peter Jackson
    D Steven Spielberg