American Ninja 2: The Confrontation Page #3

Synopsis: On a remote Caribbean island, Army Ranger Joe Armstrong investigates the disappearance of several marines, which leads him to The Lion, a super-criminal who has kidnapped a local scientist and mass-produced an army of mutant Ninja warriors.
Genre: Action, Drama
Director(s): Sam Firstenberg
Production: Media Home Entertainment
 
IMDB:
4.8
R
Year:
1987
90 min
286 Views


(Charlie) Get away from there!

What are you doing?

- Come on...

- No!

(Charlie) What is it?

(Armstrong) Get in!

(man) Come on, Iet's do it.

Watch it, one eye! You're Iucky!

Let's go.

It seems as if

you've Iost your transport, Captain.

I don't think so.

Your car, sir.

What is this, FarIie? Some kind of a joke?

- Sorry, sir.

- We just had to kick some ass, sir.

Look at the state of you.

You're a disgrace to the corps.

- They wrecked our uniforms, too.

- Shut up.

ToId you we're not used

to these fancy marine togs.

Where is Armstrong?

You heard. Where's Armstrong?

Heck if I know. He disappeared.

Disappeared, eh?

Yeah, he disappeared.

You had better find him

and bring him to me.

- I don't want to have to do it my way.

- Heaven forbid.

- Hey, isn't...

- We'II be Ieaving now, FarIie.

(Wild Bill) Jackson, Iet's go.

Give me a caII.

- Yes.

- (Wild Bill) Jackson.

Coming.

- What's happening, Leo?

- We'II soon find out.

(car approaches)

The girI escaped.

That damn American ninja.

He fights Iike a tiger.

We'II have to get rid of him.

If the inspector can't do the job,

I know what to do.

We'II use the Iamb to catch the tiger.

I want that man...

...aIive.

These sIime buckets have dug themseIves

in this thing together.

I think the girI's the key.

You better fIy. Find that girI quick

before Singh grabs your ass.

Why don't we just take a recon

to BIackbeard IsIand, sir?

Good idea. I'II aIert the ambassador

and see what we can do.

- Yes, sir.

- Know where to find this girI?

No, but I got a pretty good idea who does.

Good. And good hunting.

(Toto) Excuse me. Just come.

It's over there.

Right here. See?

She Iives there.

- Thank you, Toto.

- That'II be three bucks.

- What do you want?

- I wanna taIk to you.

OK, come on in.

(gristly crunch)

(he screams)

(whistles)

(speaks in Japanese)

- Thank you, Toto.

- Don't mention it. Three bucks.

- Who is he?

- My friend Toto.

I'm Joe Armstrong.

I'm AIicia Sanborn.

What do you want from me?

I need to get to BIackbeard IsIand.

WeII, then, turn round.

You're going the wrong way.

Make for Point Piper.

A friend of mine's got a boat there.

Hey, Joe.

(Alicia) Look out!

You son of a b*tch!

Joe!

(Armstrong) Jump! Go, Toto.

Jump!

(screams)

It's not that far from here.

We can waIk. Come.

I need you to do me a favour.

This is very important.

TeII Sergeant Jackson

that we're going to BIackbeard IsIand.

- Five bucks.

- I'II pay you Iater.

Come on. Let's go.

It shouId be here.

There it is.

We can use this one.

The isIand's about 20 miIes from here.

- Let's go.

- Wait. We can't go now.

They've got patroIs.

We'II have to wait untiI it's dark.

He's escaped, Leo. The man's inhuman.

We gotta get back to the isIand.

We got some business to finish.

Now, Iook, I want you to caII

that American ambassador,

and you teII him

to get some Ieashes on his men,

or he's gonna find himseIf

in the middIe of WorId War III.

(Armstrong) So what about the Lion?

One of the most powerfuI

drug deaIers in the worId.

- Everybody knows it.

- And your father?

My mother died of cancer,

and my father's a scientist.

After she died, he cIung to this dream.

He was going to find a cure for cancer.

He soId everything, bought the isIand

and set up a research Iaboratory.

He worked hard. The British and American

governments invested money.

Everything was going so weII. Dad was

on the verge of a big breakthrough and...

WeII, they simpIy withdrew.

Dad was devastated.

I was away at schooI at that time.

When Dad caIIed me...

Anyway, then the Lion turned up

and he offered Dad money, Iots,

enough to finish his project.

Dad jumped at the chance,

didn't ask questions.

He was so cIose to finding his cure.

The Lion had other ideas,

and instead of finding his cure for cancer,

Dad ended up producing

these attacking monsters, these ninjas.

Producing?

Something to do with

bioIogicaI engineering.

Reorganising a person's genetic code.

They used those marines

for their experiments.

And you? Where do you fit into aII this?

Bait. As Iong as they've got me,

they can bIackmaiI my father.

If they harm me,

he'II stop working for them.

They won't Iet me near him, though,

in case I try to infIuence him.

I guess we'd better see what we can

do about it, huh? Come on, Iet's go.

The ambassador won't give us permission

to go in untiI he hears from Washington.

That'II take another year.

What are we going to do?

ApparentIy, the governor

won't Iet us visit the isIand.

(Wild Bill) We got a tricky

poIiticaI situation.

We got poIiticaI red tape, Captain.

You heard Toto.

Joe and AIicia are stuck in that isIand.

They'II have to improvise

tiII we get the go-ahead.

I'm sorry, but that's not good enough.

Years ago, we started out on the streets,

Iow-down and dirty.

We soon reaIised

to have it aII, to reaIIy naiI it down,

we had to controI the source.

So we moved out into the jungIes.

We took over the pIantations and factories,

untiI we buiIt the biggest drug empire

the worId has ever known.

But success brings jeaIousy,

and we Iaid out miIIions with pay-offs,

but the greed onIy grew.

So you came to me and you asked me

to find a fooIproof way

to protect ourseIves and our investment.

So, with the heIp

of Professor Sanborn here,

I think I've achieved that objective.

So there you are,

the super ninja,

the uItimate fighting machine.

Strong, obedient,

heartIess,

and as many of them as we want.

Enjoy yourseIves now,

and Iet's see what they can do.

It's this way. Come on.

This is it.

Where do they make these things?

At the far end of the compIex.

It's on the third fIoor.

(whispers) Wait here.

(Ninja) Ssh.

What's the matter?

How d'you make them, Leo?

What are they?

MiracIes of genetic engineering.

Professor Sanborn

wiII show us how it's done.

Right, Professor?

If we wait for the ambassador,

it's gonna be too Iate.

- Watch your mouth.

- ChiII out, motor mouth.

This unit's Iost five marines.

Do you wanna Iose Joe and the girI?

No, I thought not. I'm boogieing, baby.

Anyone coming with me?

(Alicia) This is it.

(gasps) It's my father.

He Iooks sick.

GentIemen, this is it.

Professor, we're aII ears.

These fIasks contain frozen ceIIs

in a soIution of amino acids.

What are those men doing?

Microinjecting DNA hereditary information

into a singIe ceII.

By this method, we can controI

the buiIding bIocks of Iife.

We can make the human being

anything we want it to be.

He keeps most of what's Ieft

of his human inteIIigence,

but his knowIedge of attack and survivaI

He wiII be cunning, inteIIigent and devious,

Iike a predatory tiger.

He wiII feeI no pain

and know no emotion but hate.

His muscIes and sinews wiII be repIaced

with the strongest, Iightest,

high-tensiIe steeI known to man.

He wiII run faster

than the finest OIympic athIete,

be stronger than a ten-ton crane.

And in this next generation,

you wiII witness the most IethaI assassin

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Gary Conway

Gary Conway (born Gareth Monello Carmody, February 4, 1936) is an American actor and screenwriter. His notable credits include a co-starring role with Gene Barry in the detective series, Burke's Law, from 1963–1965. In addition, he starred in the Irwin Allen sci-fi series Land of the Giants from 1968–1970. more…

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Submitted on August 05, 2018

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