American Ninja 2: The Confrontation Page #4

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the worId has ever known.

And the best part,

he wiII foIIow my every order to the Ietter.

Right, Professor?

I think the professor needs his vitamins.

Take him away.

And now, gentIemen, for another treat.

I'm going to show you something

that you never dreamed possibIe.

Dad.

AIicia. I thought I'd Iost you for ever.

- It's aII right.

- There is no time to Iose.

The Lion is shipping five biIIion doIIars'

worth of heroin to the US tomorrow.

If that gets through, nothing wiII stop him.

- Where are the marines?

- In the basement. CeII bIock A.

AIicia, take your father to the boat.

If I'm not back in an hour, Ieave. Go.

These symbols will focus

the ultimate power of purpose.

Zai.

You were just a baby

when I first found you.

l conditioned your body and your senses.

l only teach you what you need to know,

so when the time comes, you can

take your place on the field of honour

and meet your destiny.

Zen.

Kobudera.

Kobudera.

Ninja magic.

lntonjutsu.

The abiIity to seem invisibIe,

cause fear and paraIysis in your enemies.

You are ready, my son.

l will be with you in deed and in my heart.

Follow the bushido.

(Armstrong) I wiII honour the code, Father.

OK, Iadies. The main objective

is to get everybody out aIive.

No shooting unIess we're shot at.

You know what to do. Let's move out.

(Wild Bill) Come on, move it out.

(man) Stevens.

What?

Hi, guys. I'm Joe Armstrong.

WiId BiII sent me to take you home.

- Let's go.

- WiId BiII?

- AII right!

- Come on.

(Armstrong) Where does this door Iead to?

(man) The arena.

(they whisper indistinctly)

(man) I can't see.

(Burke) American ninja, I presume.

How very nice to meet you.

- Your days are over, Burke.

- On the contrary.

I'm expecting

an even more prosperous future,

and parts of you

wiII be a part of that future.

Take 'im to the Iab.

OK, men. Let's move out.

- The man isn't human, Leo.

- What do you think they are?

I never wouId have beIieved it.

- I toId you so.

- FarIie, make 'em dance.

- Yes, sir.

- (Wild Bill) Let's do it!

- What was that?

- How the heII do I know?

Hit it!

Finish off that son of a b*tch

once and for aII.

The rest of you, come with me.

(machine-gun fire in distance)

- There's something I must do.

- I'II come with you.

No, no, I must do this aIone.

I Iove you.

(man) HoId back!

(man) HoId it!

Merry Christmas.

AII right, it's a party. Let's go!

Sh*t.

- What do we do now, Leo?

- Kiss my ass.

Thank God. The Lion was going to kiII me.

Yeah, right. Take him.

I'II see if I can find Mr Burke for you.

Catch that IittIe weaseI.

Let's move out.

What's going on?

What the heII are you doing?

I was hoping we couId create

a better worId, Leo,

where crippIes couId waIk

and the bIind couId see,

and criminaI vermin

couId be made into usefuI citizens.

- But you corrupted me.

- You understood.

You understood

what we were trying to create.

Create? You destroyed

everything that I dreamed of.

Now I'm going to destroy your dreams.

Damn you!

Stay down!

(man) Man, am I gIad to see you!

CouId I have everyone's attention?

Jackson, Armstrong.

I must admit, for army you're not haIf bad.

But if you wanna join the marines,

I can puII some strings.

I don't know about Jackson, sir,

but I think I've got other pIans.

So do I, CoIoneI.

If you're round this way again, Iook us up.

- Sir.

- Good Iuck, Armstrong.

Right on.

- I'II write to you.

- No, you won't.

- I'II caII you.

- No, you won't.

Right. Just remember me.

- Look after yourseIf.

- Thank you.

You guys'd better hurry

if you wanna catch that pIane.

- Let's go.

- OK.

- Thank you, sir.

- Good Iuck, Armstrong.

(men) See you, guys. So Iong.

Good Iuck.

(man) Take it easy.

Joe, come on.

Joe, I don't reaIIy do credit.

You owe me five bucks.

At the beach? ''I'II pay you Iater.''

You owe me five bucks.

Oh, yeah.

I aImost forgot. Here. Open it.

- Is it for me?

- Yeah, it's for you.

- AII right.

- You Iike it?

- Yeah.

- OK. Let's go.

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