An Unmarried Woman Page #2

Synopsis: Erica is unmarried only temporarily in that her successful, wealthy husband of seventeen years has just left her for a girl he met while buying a shirt in Bloomingdale's. The film shows Erica coming to terms with the break-up while revising her opinions of herself, redefining that self in its own right rather than as an extension of somebody else's personality, and finally going out with another man. Erica refuses to drop everything for Saul, an abstract expressionist painter, simply out of love for him because he expects her to. It is not so much loneliness that is her problem, and the problems that men, flitting around this newly "available" woman like moths round a flame, bring to her sense of independence.
Genre: Comedy, Drama, Romance
Director(s): Paul Mazursky
Production: 20th Century Fox Film Corporation
  Nominated for 3 Oscars. Another 6 wins & 14 nominations.
 
IMDB:
7.2
Rotten Tomatoes:
89%
R
Year:
1978
124 min
871 Views


- No, it's not a fight.

- Daddy doesn't look too happy.

- Mmm!

- Good night.

- Good night.

Jesus.

You're acting like a five-year-old kid.

- I know. I know.

- It's wonderful when you're

in the mood and I'm in mood.

But, God!

It's not much fun when you

make me feel like it's an obligation.

I know. You're right. I'm sorry.

Besides, we had sex this morning.

What do you want?

Guess I'm not much fun

to live with, am I?

Are you okay?

- I don't know.

- What is it?

I don't know. I just...

find myself

I just I'm anxious all the time, you know.

About what?

I just I'm fantasizing and

- About what?

- Uhh.

About changing my life.

Quit Wall Street, go be

a disc jockey somewhere. I don't know.

- Tired of your job?

- I'll tell you something.

I've been the takeover type all my life.

I mean, in school, in the navy...

probably with you,

certainly with Patti.

- There's nothing wrong

with being a strong man.

- That's the point.

- I'm not a strong man.

I don't feel like a strong man.

- You are!

Well, I feel tired.

I don't know what to say.

You should see a psychiatrist.

Really.

I- I don't think so.

Is it me? Are you tired of me?

I love you.

Aww.

I'd hate to join the crowd.

Why? What do you mean?

Oh, Elaine's boozing a lot.

Jeannette's crazy.

Sue's okay. She's a strong woman.

- God.

- Well, so are you.

I'm beginning to wonder about me.

Oh, it's so nice

to have a man to come home to.

- Is that just luck?

- Yeah.

It's luck and a fabulous body.

Jesus. Here, three kids in the sixth grade

beat their teacher up.

Where?

The Bronx.

- You never have any trouble

in school, do you?

- No.

It's a jungle.

It is! They got guys carrying guns.

Oh, you read too much.

- I what?

- It doesn't really happen that way.

Well, it doesn't happen where

you go to school, because we

got you in a pretty good school.

- It's costing me a lot of money.

- Oh, I'll go to public school.

- Okay. You're on.

- Okay.

- You think that's funny?

- We'll buy you a gun,

send you to public school.

- I'm sorry.

I'm getting tickets to the ballet

a week from Friday. Do you want to go?

- I don't know. Let me ask Phil.

- Phil can come with us.

Only if he pays.

- I don't think Phil likes ballet.

- I don't either. I'm goin'.

Good for your soul.

No. I think I'll pass, Mom.

- Listen, am I a nagging father?

- No.

You're just feeling

the loss of separation.

I'm not your little girl anymore.

Wash your mouth with soap!

- Hey, no physical contact, please!

- Got to go.

- Bye.

- Bye.

Bye.

Do you think Daddy's

worried about getting old?

- Are you taking a psych course this year?

- Mm-hmm.

He's always joking. Never seems

to take anything seriously, you know.

You mean, he doesn't take Phil seriously,

and that bothers you.

No, it doesn't.

I don't take Phil that seriously either.

Oh, I think

you're serious about Phil.

Mom, I'm still a virgin,

if that's what you meant.

It's not what I meant.

But I'm glad you told me.

- I just meant that you like Phil.

- I like Phil.

I'm not gonna marry him.

I'm never getting married.

- You will.

- Don't be so sure.

- Why not?

- Why should I?

Everybody I know who's married

is either miserable or divorced.

- I don't want that.

- Oh, Patti. That's ridiculous!

- There's a lot of happily married couples.

- Name three.

- Uhh.

- Uh.

- I'll have to think about it.

- Yeah.

See you later.

383 West Broadway, please.

Now, if all this stuff

wasn't done by a woman...

I don't think you could sit

in the same room with it.

It isn't "stuff," Charlie.

It happens to be art.

You're a classic

male chauvinist pig.

I know, but I'm cute.

- You're out of style, Charlie.

- Want a bite?

Uh-uh.

You're a beautiful woman, Erica.

- But you're leading such a sheltered life.

- How can you tell?

It's in your eyes. You can tell

everything in a woman's eyes.

Oh. Can you tell

everything in a man's eyes?

Men cover it up.

Women lay it all on the line.

Right there in the old eyes.

What do you see

in my eyes, Charlie?

- Want me to be honest?

- Yeah.

You're not gettin' enough.

I think you ought to have

your eyes examined.

Oh, no.

No, you're not really satisfied.

I mean, your old man's

okay and all that, but, uh...

underneath it all

you're frustrated.

Go paint a still life, Charlie.

- You ever had an affair?

- It's none of your business.

Oh, man.

What a shame. What a waste!

A woman as beautiful as you should

be tasting a little variety in life.

Imagine if all you ever ate was apples?

Imagine never tasting

a peach or a pear? Apapaya?

Huh? No way, babe.

Same thing with sex.

I'm allergic to papayas, Charlie.

How about a nice, fresh guava? Huh?

- Huh?

- Leave me alone.

- Don't you ever think about

anything else, Charlie?

- Yeah, like what?

Ohh, there's

literature and ballet...

- and theater and dance...

- Hey, hey, hey, Erica.

- And architecture

- Erica. Hey, listen.

There's work, there's food,

and there's sex.

That's the whole ball game.

Rowan Gallery.

Yeah. Sure.

Yeah. I'll meet you.

Um, 15 minutes.

Okay, honey. Bye.

Might I inquire

as to who "honey" is?

My husband.

I'm meeting him for lunch.

Well...

- think I'll hit the streets for awhile.

- Bye, Charlie.

- Hi.

- Is this together?

Uh, yeah, he's paying for me.

That'll be $3.95.

- Thank you.

- Thanks.

Excuse me.

Mmm, I wanted to talk to you

about something.

I think that if we're gonna go

to the island this summer...

that we really ought

to get on it right away.

How would you feel about sharing a place

with Sue and Harold?

- How's the market?

- Huh?

Just wanted to see if you

were paying any attention to me.

- You want to share a place

with Sue and Harold.

- Think you could handle it?

- Yeah.

- Okay.

Well, I'll talk to Sue, and maybe the four

of us could drive out in a couple of weeks.

We really should get on it right away.

Jesus, it's gonna be even

more expensive this year.

You know, if we do take a place...

we're gonna have to have

my club up there.

I could just see us,

all lying in the sun, blabbing away.

I mean, we would

We talk. We really do.

I love our meetings.

They're so I don't know.

I just love them.

It's sort of like

a continuing story, you know.

It's part Mary Hartman

and part Ingmar Bergman.

L I love the women.

Marty. Marty. Come on.

What is it, honey?

What's the matter?

What is it?

- ThWhat? Tell me!

- I'm in love with somebody else.

I've been seeing another woman...

for over a year.

And at first, you know,

I thought it was just aa fling.

But it isn't. I love her.

I want to live with her.

Oh, God. I don't want to hurt you.

I don't want to hurt Patti.

But l

I can't

You don't know her or anything.

Her name is Marcia Brenner.

She's a She's a teacher.

She's, uh, 26.

I met her I met her

at Bloomingdale's, for Christ's sake.

I was standing there

buying a shirt, you know.

And she, uh

She was standing next to me.

She asked me, uh...

Rate this script:3.0 / 2 votes

Paul Mazursky

Irwin Lawrence "Paul" Mazursky (April 25, 1930 – June 30, 2014) was an American film director, screenwriter, and actor. Known for his dramatic comedies that often dealt with modern social issues, he was nominated for five Academy Awards: three times for Best Original Screenplay, once for Best Adapted Screenplay, and once for Best Picture for An Unmarried Woman (1978). Other films written and directed by Mazursky include Bob & Carol & Ted & Alice (1969), Blume in Love (1973), Harry and Tonto (1974), Moscow on the Hudson (1984), and Down and Out in Beverly Hills (1986). more…

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Submitted on August 05, 2018

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