Anna Christie Page #4

Synopsis: In New York, the alcoholic skipper of a coal barge Chris Christofferson receives a letter from his estranged twenty year old daughter Anna "Christie" Christofferson telling that she will leave Minnesota to stay with him. Chris left Anna fifteen years ago to the countryside to be raised by relatives in a farm in St. Paul and he has never visited his daughter. Anna Christie arrives and she is a wounded woman with a hidden dishonorable past since she had worked for two years in a brothel to survive. She moves to the barge to live with her father and one night, Chris rescues the sailor Matt and two other fainted sailors from the sea. Soon Anna and Matt fall in love with each other and Anna has the best days of her life. But when Matt proposes to marry her, she is reluctant and also haunted by her past. Matt insists and Anna opens her heart to Matt and to her father disclosing the darks secrets of her past.
Genre: Drama, Romance
Director(s): Clarence Brown
Production: WARNER BROTHERS PICTURES
  Nominated for 3 Oscars. Another 1 win.
 
IMDB:
6.9
PASSED
Year:
1930
89 min
386 Views


Oh, by Jiminy,|that sure is a pretty picture, Anna.

Maybe. I wanna be with you...

...but somehow|I don't wanna leave the sea.

She's old devil, Anna.|Don't let her get you.

Well, ain't it natural, me loving the sea?|It's in the blood, ain't it?

I think I'm a big fool for bring you|on this voyage, Anna.

Now you're talking nutty yourself.

You act as if you were scared|something was gonna happen.

- Only God know that, Anna.|- Well, then, it'll be God's will...

...like the preachers say,|what does happen.

No. That old devil, she ain't God.

Ahoy!

Ahoy!

Ahoy!

- What's that?|- Oh, that scare me for a minute.

Is just some fisherman|lose his course in fog.

Sound come from this side.

They come in from open sea.

Ahoy!

What's trouble?

Heave a rope when we come alongside.

- Where are you, you scut?|- This way!

Right you are.

Why don't he stay where he belongs.

Johnson, come and give a hand.

Anna, you go in cabin,|get whiskey, please.

Those fellas will need a drink|for fix them up.

Johnson, come here.|Give me a hand here with this fella.

- What is it, sir?|- They come in from the open sea.

- Must be sailor fellas.|- The open sea?

That old devil is doing|something again, Johnson.

Three of them there.

- Did you see them there, Johnson?|- Sure, a couple of them is out.

Make fast rope there, you fella.

Right you are. Heave away.

Come in here.

- Johnson.|- Johnson, you get that other fella there.

Right away.

Anna, get whiskey, quick.

These here sailor fellas...

...their steamer got wrecked in storm.|Been five days in open sea.

Johnson brings another fella.|You take whiskey to him.

Take your whiskey, here.

Are these all?

I'll get whiskey inside. Take that to|the man's who's coming onboard now.

What's this tub?

Well, we're safe anyhow,|with the help of God.

Sure, it's me, Matt Burke himself,|dreaming again.

You drink this|and you'll find it's no dream.

The devil with the drink.

But I'll be taking it anyhow.

Sure, I'm needing that.|It's fine stuff.

But it wasn't the drink I meant|when I said, was I dreaming.

Sure, I thought you was some mermaid|out of the sea, come to torment me.

Aye, real flesh and blood, devil the less.

Cut that.

What's a fine, handsome woman|the like of yourself doing on this scow?

Never you mind.

You're a great one, honest. Starting right|in kidding after what you've been through.

I'm telling you, but for the strength|and guts in me, we'd be scoffed...

...by the fishes this minute.

Gee, you hate yourself, don't you?

But you must come and lie down|and go to sleep.

Lie down and sleep, is it?

But you'll not be thinking|I'm a weak scut.

Sure, I could lick any man on this boat|with one hand tied behind me back.

I could lick all hands on this tub|one by one, tired as I am.

Ain't you the hard guy, though, huh?

But never mind that fight talk.|I'll take your word for what you say.

You're all in, own up to it.

The devil I am.

Well, be stubborn, then, for all I care.

And I must say I don't care|for your language.

The men I know don't pull rough stuff|when ladies are around.

Ladies! Let you not be making|game of me.

Whisht, now, milady,|it's one of your kisses I'm needing...

...to take the tiredness from me bones.|One kiss, now.

Let go of me, you...!

Oh, gee, I was scared for a moment|I'd killed you.

Killed you, you say?

Faith, it would take more than a bit|of a blow to crack my thick skull.

Glory be, you got a power|of strength in them fine arms of yours.

Forget it. I'm sorry it happened.

Only, you've no right|to be getting fresh with me.

Listen, now, don't go getting|any more wrong notions.

I'm on this barge because|I'm making a trip with my father.

The captain is my father.|Now you know.

I'm sorry.

I'm thinking I'm not good enough|to kiss the shoe soles...

...of a fine, decent girl|the like of yourself.

Will you forgive me now|and let's be friends from this out?

I'm thinking I'd rather be friends|with you than anything else in the world.

- Sure.|- God bless you.

It is a clumsy ape I am.

Sure, it is great power I have in me hand|and arm, and I do be forgetting it at times.

You're sure strong, all right.

Sure, it is the will of God in it...

...that brought me safe|through the storm to the one spot...

...in the world where you was.|Think of that, now, and isn't it queer?

Anna, you get in cabin, you hear?

Who do you think|you're talking to, a slave?

You need to rest, Anna.

What are you doing here,|you sailor fella?

You ain't sick like others.

You get in forecastle, they give you bunk.|You hurry, I tell you.

But he's sick. He can hardly stand up.|Look at him.

Is it giving me orders you are, me bucko?

Let you look out, then.

Weak as I am,|I can break you in pieces...

...and throw you over the side,|and your crew after you.

I was forgetting, you're her old man.|Sure, I'd not lift a fist to you for the world.

Come inside. You can have my bed|if there is no other place.

That's your dirty trick, old devil...

...but you don't do that,|no, not that while I live.

Mulligan! Sure, it is myself that's hungry.

And a pie, Matt.

Glory be, what do I care|for a stew or a pie?

It's not for food I'm hungry...

...but for the sight of your face.|- Oh, go on with your blarney, you gasbag.

Now, Matt, look what you've done.|Pick that up. Shame on you.

Sure, her with the face of an angel|and the sting of a wasp.

Oh, so it's darning you're doing.

Shut up.|You've got a voice like a foghorn.

What's this?

Well, what do you think it is?

Well, holding it up this way, it might be|new underdrawers for old Chris.

- Ain't for him, though.|- Oh, ain't it, now?

- For some sweetheart?|- Maybe.

Don't make me jealous,|or I'll burn it up and him in it.

- No. Give it to me.|- You got a guilty look in your eye.

Now, you give it to me, now. You bully.

Now...

Don't!

- Look what you've done, galoot.|- When I get ahold of him that wears it...

...l'll pull out an arm and wave you|goodbye with it.

Supper's almost ready.

Well, I've been hungry.

Well, as I was saying to you before...

Stand up, just to measure this sweater.

Sure, I will. On me head or me feet?

Your feet, silly.

It is only prayer|or paralysis can save you now, Anna.

Well, I'm praying, Matt.

It is a miracle|if your prayers are answered.

Thanks, Matt. It's for my father. And him|hating to stand up for measurements.

- Will you wear it for my sake?|- Oh, yeah.

It is a lie in your throat|and you know it.

No, it isn't.

You made it for me|with your own blessed hands.

And I'll wear it when we dock in New|York and take you out for a day's fun.

Oh, no, you won't.|It won't be finished by then.

I won't go with you.|Make up your mind to that.

- Yes, you'll go with me.|- Oh, no, I won't.

- Just the two of us.|- Oh, no.

Oh, yes. Oh, yes, you will.

Well, you won the capital prize, fella.|Help yourself.

Anybody else around?|Here we go, boys.

Why don't you test your lungs too, Matt.

I should test them,|with the fine bellows that I got?

Rate this script:1.3 / 3 votes

Frances Marion

Frances Marion (born Marion Benson Owens, November 18, 1888 – May 12, 1973) was an American journalist, author, film director and screenwriter often cited as the most renowned female screenwriter of the 20th century alongside June Mathis and Anita Loos. She was the first writer to win two Academy Awards. more…

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Submitted on August 05, 2018

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    "Anna Christie" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/anna_christie_2911>.

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