Anna Christie Page #5

Synopsis: In New York, the alcoholic skipper of a coal barge Chris Christofferson receives a letter from his estranged twenty year old daughter Anna "Christie" Christofferson telling that she will leave Minnesota to stay with him. Chris left Anna fifteen years ago to the countryside to be raised by relatives in a farm in St. Paul and he has never visited his daughter. Anna Christie arrives and she is a wounded woman with a hidden dishonorable past since she had worked for two years in a brothel to survive. She moves to the barge to live with her father and one night, Chris rescues the sailor Matt and two other fainted sailors from the sea. Soon Anna and Matt fall in love with each other and Anna has the best days of her life. But when Matt proposes to marry her, she is reluctant and also haunted by her past. Matt insists and Anna opens her heart to Matt and to her father disclosing the darks secrets of her past.
Genre: Drama, Romance
Director(s): Clarence Brown
Production: WARNER BROTHERS PICTURES
  Nominated for 3 Oscars. Another 1 win.
 
IMDB:
6.9
PASSED
Year:
1930
89 min
386 Views


Well, try it.

Faith, that's a woman's game.|Not for a husky like me. You try it, Anna.

No, Matt. You do it. I haven't got|the wind in me that you have.

Hand it over.

Watch me. Sure, I've air enough|in me chest to blow up a balloon.

Well, I don't doubt it.

What do you mean, you don't doubt it?

I was just kidding.

I bet he goes to 40.

Oh, boy.

Step up and roll the sweet mamas|out of their beds.

Make your own sweet mama jealous.

Only 25 cents to see the most|enchanting scene on Coney Island.

Now there's Lily and Clytie|without any nighties.

Hey, you, step right up.

Give us a good free look at the mamas|in their pretty lace hootenannies.

Wanna keep us|in bed all night, tightwad?

Loosen up, lads. Give us a little tumble.

I'll bet you couldn't hit that target if you|stayed until you grew a long, white beard.

- The devil I couldn't.|- Come on, Matt.

Go on and try it.|Bet you can't even hit the net.

- Yeah, how about a home run, Babe Ruth?|- Sure, I dare you to.

With one throw, I could knock them|dames off of their bunks.

Go to it, big boy.

Don't overlook me, carrot top. I have the|shape that makes the old men young...

...and the young men old.|- Attaboy.

- Mama wants Papa.|- Papa wants Mama.

Some mamas too. Now somebody else.

Somebody that packs a mean right.

What we want this time|is a regular he-man.

You shut up or I'll wrap you|around the target.

Don't get sore, big boy.

It's a hot night.|Roll me out of the blanket.

And that be the end to the story|of the whale and the grasshopper.

Oh, Matt, honest,|I ain't ever laughed like this.

- You're funny.|- Sure, I'd think it was blarney...

...if it wasn't meself|was making you laugh.

Oh, sure, Anna, you're crazy about me,|and I'm not after blaming you.

You just hate yourself, don't you, Matt?

Oyster loaf for the lady, sir.

- I ordered milk for the lady.|- Well, I've got it here.

Well, let's drink to our good health.

Here's to you.

And skoal, Matt, to you and me.

- Hot mustard, Matt?|- I don't need it.

- Pepper?|- Full of it.

- Well, here's something you do need.|- Oh, is that so, now?

Well, all right. But if I'm needing sugar,|I know where to look for that.

Oh, we're goofy, Matt.|Just like a couple of kids.

Sure, Anna, when you're in love,|you ain't got the brains of a tick.

What do you mean, love?

You know what I mean, Anna.

It's in me eye and|on the tip of me tongue.

A man like me ain't given to loving|a woman. He knows too much about them.

Every color of them,|from here to the China Sea.

The whole lying, cheating smear of them.|Sailors' bait.

When he comes across|a girl like you, Anna...

...that's as clean as a shell.

You're a lucky girl to be hearing|such talk from the lips of Matt Burke...

...him that the women are so crazy over.

Anna, what's come over you?

Oh, nothing.

Sure, don't lie to me, Anna.|You're as stiff as a corpse.

Hello, dearie.

- Well, I'll be...|- Well, she's a friend of mine.

Aren't you, dearie?

I'm afraid I don't remember you.

- She don't remember me.|- Of course she don't, you old scab.

- Beat it, or I'll have you thrown in the brig.|- No, Matt, maybe I do know her.

That old sea cow?|Go on, clear out of here.

You know a nice young girl|never met the likes of you.

A nice young...?

A nice young...|Pure and white as a lily.

Shut up, or I'll choke the wind|out of your gullet.

Oh, Matt, let her alone.

She don't mean nothing by it.

Anna. Anna, darling.

You see what you've done?|You frightened her.

- Go on, clear out of here.|- I'm going, I'm going.

Let her alone.

Don't go.

I was lying, Matt.

I know her and she knows me.

I recognized her the minute|she stepped across the room.

Shut up, kid. You don't have to|spill over for nobody.

You ain't responsible|for what your old man does.

I'll tell you why|she didn't want to talk to me.

Because I'm a tramp, that's why.

And her old man kicked me off the barge|when she come there to live on it.

Yeah, he didn't want any old wharf rat|around a nice young girl.

Well, it ain't so, though, Matt.|She's lying.

Lying, I'm ly...?

Well, I like your nerve,|all right, all right.

Gee, I'm sorry I came here|to speak to you.

Insulting me. Well, can you beat it?

I'll be toddling along.

I'm glad you found yourself|such a nice, friendly gent.

I hope you're happy, kid.

I'm sorry I bothered you, honest, l...|Oh, forget it, Ann.

You only got one life to live.

And it's a... of a life at that.

Say, skipper, you wouldn't stake me|to a quarter, would you?

You know, I haven't had|a drink in a month.

Take it and beat it.

With pleasure, captain.

Well, so long.

Be a good girl, Ann,|no matter how lonesome.

Happy days. Happy days.

The poor old devil.

Sometimes I feel sorry for them.

Come on, Anna. Don't let it get you down.|Sure, the world's full of them.

I know it's a sad sight for a decent|young girl the like of yourself, darling.

What would you say, Matt,|if I told you that?

Say what, me darling? Tell me what.

Oh, nothing.

Sure, I know what you'll be wanting|to tell me soon, if not this minute...

...that you love me.

Don't be so sure of yourself, Matt.|I'm loving nobody.

And you'll be wanting to marry me,|and maybe I'll be accepting you.

Why, Matt.

You want to marry me?

- Honest?|- Sure, I'll marry you.

Only, don't be putting me to too many|tests, or I might change me mind.

I'm tired, Matt.

I wanna go back to the barge.

You... You think you love|that sailor fella, Anna?

Well, what if I do?

You think maybe you marry him?

No.

I'm glad you don't marry sailor, Anna.|Is bad for woman.

They don't never see their men|only once in long while.

You sit and wait all alone...

...and when their boys|grow up and go on sea...

...they sit and wait some more.

Any girl marry sailor is crazy fool,|I tell you.

Your mother, she tell you same thing|if she was alive.

Well, that ain't why I won't marry him.

I'm not thinking about myself...

...but about him.

He's such a simple guy, a big kid.

And I haven't got the heart to fool him.

You fool him? Oh, you go crazy, I think.

I've been thinking I was myself|the last few days.

I'll be outside.

I love to watch the ships passing.

When Matt comes along,|tell him where I am, will you?

All right, I tell him.

Well, God bless who's here.

How's the world treating you|this afternoon, Anna's father?

Oh, pretty good, if it ain't for some fellas.

Meaning me, do you?

Well, if you ain't|the funny old crank of a man.

Where's herself?

- Where's Anna, I'm after asking you.|- She gone out to look on boat.

Well, I'll be going out to her.

But before I go, I'll take|this chance while we're alone...

...to have a word with you.|And that word is soon done.

I'm marrying your Anna|before this day is out.

You may as well make up|your mind to it, like it or no.

That's easy for saying.

You mean I won't? Is it yourself|is after stopping me, do you think?

- I stop it if it come to worst.|- Sure, it isn't trouble I'm looking for.

Rate this script:1.3 / 3 votes

Frances Marion

Frances Marion (born Marion Benson Owens, November 18, 1888 – May 12, 1973) was an American journalist, author, film director and screenwriter often cited as the most renowned female screenwriter of the 20th century alongside June Mathis and Anita Loos. She was the first writer to win two Academy Awards. more…

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Submitted on August 05, 2018

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