Anna Christie Page #6

Synopsis: In New York, the alcoholic skipper of a coal barge Chris Christofferson receives a letter from his estranged twenty year old daughter Anna "Christie" Christofferson telling that she will leave Minnesota to stay with him. Chris left Anna fifteen years ago to the countryside to be raised by relatives in a farm in St. Paul and he has never visited his daughter. Anna Christie arrives and she is a wounded woman with a hidden dishonorable past since she had worked for two years in a brothel to survive. She moves to the barge to live with her father and one night, Chris rescues the sailor Matt and two other fainted sailors from the sea. Soon Anna and Matt fall in love with each other and Anna has the best days of her life. But when Matt proposes to marry her, she is reluctant and also haunted by her past. Matt insists and Anna opens her heart to Matt and to her father disclosing the darks secrets of her past.
Genre: Drama, Romance
Director(s): Clarence Brown
Production: WARNER BROTHERS PICTURES
  Nominated for 3 Oscars. Another 1 win.
 
IMDB:
6.9
PASSED
Year:
1930
89 min
386 Views


You're her father. Wouldn't it be a shame|for us to be at each others' throats...

...like a pair of dogs,|and I married to Anna.

So out with the truth, man alive.|What is it you're holding against me at all?

I don't want my Anna for got married.

Listen, you fella. I'm old man.

I don't see my Anna for 15 year.|She's all I got in the world.

You think now when she come on first trip,|I want her for leave me alone again?

Sure, let you not be thinking I've no heart|at all for the way you'd be feeling.

Then you do right thing, eh?

You ship away again|and leave my Anna alone.

Say, big fella like you on sea,|he don't need a wife.

He got new girl in every port,|you know that.

Oh, shut up.

Sure, there's a time come to every man,|on sea or land...

...when he's sick of the lot of them cows,|and wearing his heart out to meet up...

...with some fine, decent girl...

...and building a home to call his own,|rearing up children in it.

Sure, Anna's the one woman|in the world for me...

...and I can't live without her now,|I'm thinking.

You think I'm going let her life|be made sorry by you...

...just like her mother's was made by me?

No, she don't marry you.|Not if I have to kill you first.

Glory be to God, what talk|from a stumpy runt of a man.

It is queer fool's blather you have, about|the sea done this and the sea done that.

You ought to be ashamed to be saying|the like, you an old sailor.

I'm hearing a lot from you,|and a lot more that Anna tells me...

...you do be saying to her. I'm thinking|it is a poor weak thing you are.

Not a man at all.

You see if I'm man|maybe quicker than you think.

You know the truth in your heart. The sea|hit you a clout once and knocked you down.

You're not man enough to get up for|another, but you lie there howling murder.

I'd like to see you|in the best of your youth.

- Do what I done in the storm and after.|- Why, you young fool, you.

In old days,|when I was on windjammer...

...I went through hundred storms|worse than that.

Ships were ships then,|and men what sailing them real men.

What you got on steamers now?

You got fellas on deck don't know|a ship from a mud scow...

...and below deck, you got fellas|just know how to shovel coal.

You might as well|work on coal wagon ashore, you.

Is it throwing insults at the men|in the stokehold you are, you old ape?

One of them is worth any 10 squareheads|ever shipped on a windbag.

- You Irish swine.|- So you don't like the Irish, you old baboon?

Sure, it's that you're needing|in your family. An Irishman.

A man of the stokehold|to put guts in it...

...so you'll not be rearing up grandchildren|to be jackasses like yourself.

Sure, old men getting childish|shouldn't play with knives.

Faith, I've half a mind to hit you a clout|will put sense in your square head.

Keep away from me, now.

Hello, Matt. Are you here already?

Say, what's up? How did that chair|get knocked over?

Oh, Matt, you haven't been fighting|with him, after you promised?

I've not laid a hand on him, Anna.

I told him to his teeth I love you.|That's God's truth, and well you know it.

He tell same thing|to girl in every port he goes.

I know it's true, Matt.|Don't you mind what he says.

God bless you.

And then I said I thought maybe|you'd have a bit of love for me too.

So you told him that?

Maybe I have. I've been wondering|if I do love you.

I didn't want to, I must own up to that.

But l... I guess I can't help it,|so I guess I do.

Oh, sure, I do, Matt. What's the use|of kidding myself different?

- Sure, I love you.|- God be praised.

And I haven't ever loved a man|in my life before, never.

Faith, we'll be having a grand, beautiful|life together to the end of our days.

Matt.

- Goodbye, Matt.|- Goodbye, is it?

I'll be coming at you in a second|for more of the same.

Own up like a man|when you're beat fair and square.

Here's me hand to you.|We'll be friends from this out.

No, I don't shake hands with you, fella.|Not while I live.

The back of me hand to you,|then, if that suits you.

It's a rotten bad loser you are,|devil mend you.

No, I don't lose.|Anna said she like you little bit.

But you don't hear her say|she marry you, I bet.

No, and I don't hear her say|the sun is shining, either.

- No, I didn't say it, Matt.|- There, you hear?

You're waiting to be asked, you mean?

Well, I'm asking you now.

We'll be wedded this day,|with the help of God.

- You heard what I said after I kissed you.|- I don't remember.

I said goodbye.|That kiss was for goodbye, Matt.

What do you mean?

I can't marry you.|We've said goodbye, that's all.

- I knew that was so.|- Is it making game of me you'd be?

It's a queer time to joke with me.|Don't be doing it, for the love of God.

You don't think I'd kid you now.

I'm not joking, Matt. I mean what I say.

You don't. You can't.|It is mad you are, I'm telling you.

- No, I'm not.|- What's come over you so sudden?

You were saying you love me.

I'll say that as often as you want me to.|It's true.

But why? What? What is it?

Because...

...it's the best way I can figure out, Matt.

I've been thinking it over and thinking|it over, day and night, all week.

Oh, don't think it isn't hard|on me too, Matt.

Well, will you tell me what's preventing|this wedding...

...when the two of us has love?

I'm thinking it's listening|to that old fool you are...

...him hating me, filling your ears|full of lies against me.

Yes, Anna believe me, not you.|She know her old father don't lie like you.

You sit down, do you hear?

Why do you come butting in|and making things worse?

You're like a devil, you are.

Here I was, beginning to like you,|beginning to forget all the things...

...l've held up against you.|- You ain't got nothing for hold against me.

Haven't I, though? Well, let me tell you.

Matt, I'm surprised at you.

- You didn't think anything he'd said...|- Sure, what else would it be?

Tell me, and don't keep me waiting.

I can't tell you, and I won't.

I've got a good reason,|that's all you need to know.

I can't marry you,|and that's all there is to it.

So for heaven's sake,|let's talk of something else.

No, I'll not.

- Is it married to someone else you are?|- I should say not.

You're like them women|can't make up their minds...

...till they're drove to it.|Well, I'll make up your mind for you.

We've had enough talk.|Let's go to the other room...

...and dress in your best.|We're going ashore.

- She don't do that.|- Where do you get that stuff?

Never mind,|get on with your dressing.

- We'll see who'll win in the end, me or you.|- Stay, Anna.

She will not. She'll do what I say.|You've had your hold on her long enough.

- It's my turn now.|- Your turn? What am I anyway?

Never mind what you are.|It's what you're gonna be:

Wedded to me.|Come on with your dressing.

- Don't do one thing he say!|- She will!

- I'm her father.|- She will in spite of you.

She's taking my orders|from now on, not yours.

Orders is good.

Never mind now.|We've no time to be wasting.

Rate this script:1.3 / 3 votes

Frances Marion

Frances Marion (born Marion Benson Owens, November 18, 1888 – May 12, 1973) was an American journalist, author, film director and screenwriter often cited as the most renowned female screenwriter of the 20th century alongside June Mathis and Anita Loos. She was the first writer to win two Academy Awards. more…

All Frances Marion scripts | Frances Marion Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Anna Christie" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/anna_christie_2911>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Anna Christie

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "character arc"?
    A The backstory of a character
    B The dialogue of a character
    C The transformation or inner journey of a character
    D The physical description of a character