Anna Karenina Page #28

Synopsis: Anna Karenina (Keira Knightley), the wife of a Russian imperial minister (Jude Law), creates a high-society scandal by an affair with Count Vronsky (Aaron Taylor-Johnson), a dashing cavalry officer in 19th-century St. Petersburg. Anna's husband, Alexei, offers her a difficult choice: Go into exile with Vronsky but never see her young son again, or remain with her family and abide by the rules of discretion. Meanwhile, a farmer named Levin pines for Princess Kitty, who only has eyes for Vronsky.
Genre: Drama, Romance
Production: Focus Features
  Won 1 Oscar. Another 31 wins & 51 nominations.
 
IMDB:
6.6
Metacritic:
63
Rotten Tomatoes:
64%
R
Year:
2012
129 min
$12,802,907
Website
2,765 Views


and Gypsies--whose conditions I infinitely

prefer to my own. I will not return to this

house until divorce has put you into the

street. Meanwhile my son will be sent to

live with my eldest sister.

ANNA:

(WAILS)

Alexei . . . please . . . leave me Serozha . . . !

Karenin looks at her with contempt.

KARENIN:

Do you think I would let you have my son?

You are depraved, a woman without honour. I

thank God the curse of love is lifted from me.

He walks out with the box of letters.

EXT. STREET, MOSCOW--DAY

WINTER AGAIN:

Oblonsky arrives outside his office building in a cab. He enters.

INT. GOVERNMENT BUILDING, MOSCOW--DAY

Saluted by the Hall Porter, Oblonsky mounts a semi-grand staircase and

arrives at the entrance to his department. He goes in.

124

INT. OUTER ROOM, OBLONSKY'S OFFICE, SAME

TIME--DAY

Levin stands up in his almost new, hardly used coat, top hat and boots.

OBLONSKY:

Levin! What . . . ?

Levin smiles, hopefully, sheepish.

LEVIN:

I need your advice . . .

It's a reprise. Oblonsky understands. He seizes Levin and kisses him.

INT. RECEPTION ROOM, OBLONSKY HOUSE--NIGHT

A small group. Dolly is playing the piano. Kitty turns the pages for Dolly.

The old Prince Shcherbatsky and the Princess are with Countess Nordston

and Oblonsky.

COUNTESS NORDSTON

Well, is he coming?

Kitty, keeping half an eye on the door, sees Levin enter and misses the page-

turn. Oblonsky goes to greet Levin.

LEVIN:

Am I late? Who is here?

OBLONSKY:

Of course you're late! Come and meet . . .

Countess Nordston.

125

COUNTESS NORDSTON

(drily, amused)

We nearly met at the Shcherbatsky's last winter.

Levin, puzzled, bows to her and to the Prince and Princess, who are respec-

tively pleased and making the best of it, and then to Dolly who approaches.

PRINCE SHCHERBATSKY

Come into the fold . . .

DOLLY:

Kitty is here.

Levin is shaken. Dolly leads him to Kitty, who is frightened, shy and

shamefaced. Dolly leaves them.

KITTY:

Konsantin . . . what a long time since we

saw each other.

LEVIN:

Since you saw me, but I saw you not so long

ago.

KITTY:

When?

LEVIN:

You were driving to Ergoshovo . . . I was at

Kashin for the haymaking.

KITTY:

Oh, but why didn't you . . . ?

They are both embarrassed by the wrong step.

126

LEVIN:

I'm so glad to see you. You're just the same.

KITTY:

I hope not--I was young and silly in those

days.

LEVIN:

Months and months ago!

KITTY:

And you haven't changed.

LEVIN:

No. I haven't.

Kitty looks up at him, decoding. They gauge each other shyly.

OBLONSKY:

Permit me to announce--soup Marie Lou-

ise, carp with asparagus, and roast beef! I

went to the market in person!

But Matvey at that moment presents Oblonsky with a visiting card on a

salver. Oblonsky reads it.

OBLONSKY (CONT'D)

(TO MATVEY)

An extra place.

INT. ENTRANCE HALL, OBLONSKY HOUSE, SAME

TIME--NIGHT

The new arrival is Karenin. Oblonsky is pleased.

127

OBLONSKY:

Karenin!--I'm glad you came.

KARENIN:

I've been on tour in the regions, a govern-

ment commission . . . I'm sorry--I have

come to tell you our connection must be

severed. I'm going to divorce your sister.

OBLONSKY:

Divorce? Dear me, what are you talking

about? Don't be in a hurry. Stay to dinner

and later talk it over with Dolly--

KARENIN:

Prince Oblonsky, everything is over between

our families.

OBLONSKY:

(REPROACHFULLY)

Alexei . . . divorce is one thing but dinner

is quite another.

INT. DINING ROOM, OBLONSKY HOUSE--NIGHT

Dinner for eight-- clockwise, Oblonsky, Countess Nordston, Prince Shcher-

batsky, Kitty, Karenin, Dolly, Levin and Princess Shcherbatsky.

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Tom Stoppard

Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. more…

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