Anna Karenina Page #29

Synopsis: Anna Karenina (Keira Knightley), the wife of a Russian imperial minister (Jude Law), creates a high-society scandal by an affair with Count Vronsky (Aaron Taylor-Johnson), a dashing cavalry officer in 19th-century St. Petersburg. Anna's husband, Alexei, offers her a difficult choice: Go into exile with Vronsky but never see her young son again, or remain with her family and abide by the rules of discretion. Meanwhile, a farmer named Levin pines for Princess Kitty, who only has eyes for Vronsky.
Genre: Drama, Romance
Production: Focus Features
  Won 1 Oscar. Another 31 wins & 51 nominations.
 
IMDB:
6.6
Metacritic:
63
Rotten Tomatoes:
64%
R
Year:
2012
129 min
$12,802,907
Website
2,765 Views


Two Servants and Matvey serve at the table, clearing away the "carp with

asparagus." The Princess is challenging Karenin.

PRINCESS SHCHERBATSKY

You Petersburgers think yourselves so de

bon ton compared with dull, old-fashioned

128

Moscow, but we know how to do things--

only the other day, I hear, Vasya Pryachnikov

fought a duel with Kvitsky and killed him.

Oblonskky attempts to divert the conversation.

OBLONSKY:

Well, what's this government commission,

Karenin . . . ?

But Karenin ignores him. Oblonsky looks on helplessly.

KARENIN:

What was the challenge about?

PRINCESS SHCHERBATSKY

Pryachnikov's wife, naturally.

PRINCE SHCHERBATSKY

It was a matter of honour, defending a

woman's honour . . .

Karenin remains cool.

KARENIN:

It sounds like barbarism to me . . . And

what if the lover had killed the husband?--

would that have preserved the wife's honour

too?

COUNTESS NORDSTON

Still, not many of us can say that our lover

died for love!

129

KARENIN:

Love? Thou shall not covet thy neighbour's wife.

COUNTESS NORDSTON

Would you die for love, Konstantin Dmitrich?

LEVIN:

I would. But not for my neighbour's wife.

Levin is nettled to find that he seems to have made a joke, for the Countess

especially. Kitty remains serious, watching Levin, loving him.

LEVIN (CONT'D)

An impure love is not love, to me. To admire

another man's wife is a pleasant thing, but

sensual desire indulged for its own sake is

greed, a kind of gluttony, and a misuse of

something sacred which is given to us so

that we may choose the one person with

whom to fulfill our humanness. Otherwise

we might as well be cattle.

COUNTESS NORDSTON

Ah, an idealist!

Reconciliatory laughter eases the atmosphere. Levin feels abashed at coming

out of his shell. He steals a glance at Kitty and finds her looking at him.

She smiles at him and drops her eyes.

INT. RECEPTION ROOM, OBLONSKY HOUSE--NIGHT

The dinner party settles in.

Dolly and Karenin sit knee-to-knee in a corner.

130

DOLLY:

. . . but she will be nobody's wife, she'll be

ruined.

KARENIN:

I tried to save her. She chose ruin.

DOLLY:

Alexei Aleksandrevich--look at me. You

will have no peace of mind until you forgive

her. It was Anna who taught me that.

KARENIN:

I do not wish to forgive. I am not a cruel

man. I have never hated anyone. But I hate

her with all my soul for all the wrong she

has done me.

Levin and Kitty are at the card table, with a spillage of the alphabet pieces.

OBLONSKY:

It's your turn to play us something,

Countess.

KITTY AND LEVIN:

LEVIN:

Since we last met, there is something I have

often wanted to ask you.

KITTY:

What is that?

Levin sorts through the alphabet pieces as though he is putting off the

moment, but he quickly puts four letters spaced out in a row: D N M N.

131

LEVIN:

This.

Kitty tries.

KITTY:

Do Not . . .

Levin adds an I next to the D.

KITTY (CONT'D)

Did. Did Not.

Levin shakes his head. He adds an E next to the second N. Kitty concentrates.

KITTY (CONT'D)

The last word is Never.

Levin nods. Kitty puts letters in place. They read DID NO MEAN

NEVER.

Levin looks into her eyes.

Kitty finds letters and presents Levin with T I D N K. Levin adds NOW

to the K. Kitty nods. Levin adds OT to the N. Kitty nods.

Levin adds an O to the D. Kitty shakes her head. She puts an H after the T.

LEVIN:

I know what it says.

Dolly, looking across the room, sees Kitty and Levin serious and smiling,

rapt.

Levin places extra letters: THEN I DID NOT KNOW. Kitty nods.

132

LEVIN (CONT'D)

Then. But now?

Kitty finds C Y F A F.

LEVIN (CONT'D)

Can You.

Kitty nods.

LEVIN (CONT'D)

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Tom Stoppard

Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. more…

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