Another Year Page #8

Synopsis: A married couple who have managed to remain blissfully happy into their autumn years, are surrounded over the course of the four seasons of one average year by friends, colleagues, and family who all seem to suffer some degree of unhappiness.
Genre: Comedy, Drama
Director(s): Mike Leigh
Production: Sony Classics
  Nominated for 1 Oscar. Another 22 wins & 53 nominations.
 
IMDB:
7.3
Metacritic:
80
Rotten Tomatoes:
92%
PG-13
Year:
2010
129 min
$3,200,000
Website
565 Views


You can't drive a car without insurance.

It's illegal.

I know. At least you'll be able

to claim for your window.

I know.

Anyway, I'm... I'm sick of it. I just left it.

It's just a car. What does it matter?

GERRI:

Go on. Sit yourself down, Mary.

- Put the kettle on, Tom.

- Yeah, yeah. Good idea.

It's given me a lot of stress, Tom.

This car's been a catalogue of disaster, hasn't

it?

I know.

Cut your losses, Mary. Get rid of it.

But I've spent so much on it, Tom.

I can't just sell it now.

But if you keep it,

it's only going to get worse.

- Well, you know what I think, Mary.

- Yeah, yeah.

I'm fed up with it, to be honest, Tom.

I've had three punctures.

- Three punctures?

- Yeah.

My exhaust has fallen off. I had to get

a new one. My carburettor went.

You can't take it back

to the guys you got it from?

No. They'd guarantee the labour for three

months, but not the parts. Bastards.

Other way round, isn't it?

Parts for three months, not labour.

No.

Oh, yeah, that's right.

Oh, I don't know. Anyway...

my windscreen wiper got ripped off.

I got three points for speeding, at 60 each.

So, I've got nine points on my driving licence.

- Haven't I, Gerri?

- Yes.

It keeps making funny noises.

I got towed away and I wasn't even

parked on a double-yellow line.

I've got seven parking tickets...

no, nine parking tickets.

And then...

I broke down on the motorway

on the way to Brighton

and I got towed to Crawley,

which is the last place I want to go,

because I grew up there and I hate it.

So, I had to get the train home and then

the train back to Crawley the next day

and the guy kept trying to touch me up.

It cost me nearly 500 and I never even

got my weekend in Brighton.

That was supposed to be my summer holiday.

Yes.

- It's not fair, is it?

- No.

- Well, never mind.

- Come and sit down, Mary. Relax.

- Yeah, thanks, Joe.

- At least you're here now, eh?

- What did you say your name was?

- Katie.

MARY:

Oh.

Well, the good news is, Mary,

I've made a cake in your honour.

Oh, thanks, Gerri.

TOM:
She knew you were coming,

so she baked a cake!

- Don't forget to give me the recipe.

- No, I won't forget, Katie.

- You haven't tasted it yet.

- Oh, it smells nice.

Yeah, I wouldn't mind having the recipe

for that. I've never baked a cake before.

- Of course you can.

- You can have a cake-off!

Oh, I don't think so.

I tried making a fruit cake once.

Everything sank to the bottom.

It was horrible.

You're a good cook.

Thank you.

- What about these two, then, Mary?

- Such a surprise.

This monster hid this young lady

behind the sitting-room door.

- Made me jump.

- I nearly gave poor Tom a heart attack.

She passed the test.

Surprised you passed the test.

I'd have got rid of you on the spot.

A terrible way to treat someone.

KATIE:
Yeah.

- We had absolutely no idea.

- My big secret.

- Oh, thanks very much.

It's obviously serious.

Still, it's been really good to meet you both,

though, and we had a lovely lunch.

You didn't say you were having lunch.

- We have lunch every day.

- I know you have lunch every day, Joe.

Bread and cheese.

- Nothing special.

- I thought it was special.

We had some tomatoes from Tom

and Gerri's allotment. Have you tasted them?

Loads of times. Gerri's always giving me

stuff, aren't you, Gerri?

- I'll give you some to take home, Mary.

- Oh, great.

Oh, yeah, I can take them on the tube.

So, what is it you do, then, Jackie?

KATIE:

Katie.

- Katie.

- Don't worry. An occupational therapist.

Oh.

GERRI:
She looks after stroke victims

and the elderly.

And... I grew up just down the road

from you, in Croydon.

- I only went to college in Croydon.

- Oh, right. Which college?

Croydon College.

The aptly named.

So which course did you do? Secretarial?

What makes you think I'm a secretary?

Well, you are, aren't you?

- Gerri said...

- Yes.

Well...

I got my diploma. I look after the doctors.

Oh, brilliant.

So have you two worked together

for a long time?

Ooh, about 20 years, haven't we, Mary?

Yeah.

- Mary's known Joe since he was ten.

- No way!

I bet you've got some embarrassing stories.

I've got some really nice stories, actually.

Joe and I have shared some really

special moments, haven't we?

- Yes, Mary.

- It'll just have to be our secret, won't it?

She's almost like an auntie to him.

I wouldn't say that.

Well, we think of you as his auntie.

Auntie Mary.

I think that's really sweet.

- Right. Who wants some cake?

- Yes, please.

Auntie Mary.

Thanks, Joe.

Thanks, Mum.

It must be really boring looking after old people.

No, I love it.

You get to know them really well

and, well...

...we're all going to be old, one day,

aren't we?

Touch wood.

TOM:
Some of us already are.

- (Katie giggles)

We look after old people, don't we, Gerri?

No, not in the same way.

Amazing cake.

Thank you, Katie.

TOM:

Right.

We'll see you when we see you.

- Soon. Hopefully.

- And you'll never know when.

- Probably find you hiding in the shed.

- Or lurking in the bathroom.

- Or down the toilet.

- Oh, nice!

- You must come to supper.

- Yes, please.

I hear you're both excellent cooks. No pressure.

- Tom makes a mean curry.

- Oh, I love curry.

- Well, there's been no litigation to date.

- I'll take my chances, then.

- I'll speak to you later.

- Bye.

- See you, boy.

- Bye-bye. Take care.

- Thank you so much.

- Thank you for the flowers.

- A pleasure. Lovely to meet you.

- You, too.

Bye, Mary. Really nice to meet you.

Hope you get your car sorted out.

- Bye, Katie.

- Bye.

TOM:
Bye.

KATIE:
See you soon.

TOM:
Yeah. Safe journey. Bye.

- Bye.

(front door closes)

How about that, then?

- That's a turn-up for the books.

- You're not kidding.

- Excuse me, I've got a bit of work to do.

- All right.

I was going to bring you some flowers, Gerri.

I just couldn't find anywhere open.

Don't be silly.

Gerri?

What?

- What do you think of her?

- She's lovely, isn't she?

Well, I don't know.

Joe likes her.

Yeah, but, you know.

They seem to connect.

Well, he's only young, isn't he?

He's 30 years old, Mary.

No, but what I mean is,

he doesn't want to rush into anything.

He's only known her for five minutes.

I think Joe knows what he's doing, actually.

Well, I hope so.

Don't forget your tomatoes, Mary.

No, I won't.

I should have brought a bottle of wine.

- I might head off in a minute.

- All right, then, Mary.

- Thank you for coming, Mary.

- Thanks, Gerri.

- I'll see you on Tuesday.

- Yes.

Yeah.

- Bye, then.

- OK, bye.

Very sad.

Really upsetting.

Yeah.

- Are you surprised?

- Of course I am.

No, I'm not, actually.

No.

It's disappointing.

So, when are you inviting her round next?

Did you see this?

It's extraordinary.

- I like whatshername.

- Katie?

- Yeah, she's a laugh, isn't she?

- She's lovely.

He is a dark horse, our son.

I think you'll find that we men are.

Can you take that for me?

(clink of bottles)

Rate this script:3.0 / 1 vote

Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

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Submitted on August 05, 2018

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    "Another Year" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/another_year_2966>.

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