Anywhere But Here Page #4

Synopsis: Fed up with her small-town Bay City existence, Adele August leaves her family and second husband and heads for Beverley Hills with her daughter. The teenager resents the move and her mother's always flamboyant behaviour and in turns plans to get away to university on the east coast. Mum's plans are different - she wants a movie star for a daughter.
Genre: Comedy, Drama
Director(s): Wayne Wang
Production: Twentieth Century Fox Home Entertainment
  Nominated for 1 Golden Globe. Another 3 nominations.
 
IMDB:
6.2
Metacritic:
59
Rotten Tomatoes:
64%
PG-13
Year:
1999
114 min
Website
1,169 Views


We got used to it.

Oh, honey, Iet me heIp you.

-It's apartment number eight?

-Yeah, eight.

This one had furniture,

thanks to Miss Letterfine.

Gail and Mom

have become good friends.

It's so coIorfuI.

My mom dragged me to an audition.

She wouldn 't give up her fantasy

of me becoming an actress.

Ann?

We did our work and kept healthy.

--and exhale from your navel

to your backbone.

We went to the beach

and felt sorry for people back home.

-Where are you going?

-Over there.

-There's no one there.

-I need peace and quiet.

-You wanna be near that beach cIub.

-Yes, pIease.

Here's a good spot.

-You've a cute body. Show it off more.

-Show off your body.

-I pIan to. Where are you going?

-Japan.

Heads up'

Sorry about that.

That's okay.

Ooh.

You're strong.

WiId thing.

Ann. Come here, sweetie.

This is Dr. Spritzer.

This is my daughter, Ann.

-Ah, a big girI.

-Oh, yes, we're more Iike sisters.

-So you're the actress.

-Not me. My mom is.

SiIIy, don't be shy.

He's an orthodontist.

He works with actresses.

He did Heather LockIear, her teeth.

I was teIIing him that

we were discussing your overbite.

She has a nice smiIe.

The bottom is strange.

They don't Iook so strange.

Josh! Come on'

Be right there.

-AdeIe, you pIay good baII.

-You too.

Take care of those teeth.

An actress has to smiIe.

-See you.

-See you.

That's probabIy his wife.

-Why did you taIk about my teeth?

-It won't Iast.

-Mom? Mom'

-Here I am.

Guess what? Benny's coming.

-I missed you.

-Hey, come on.

Hi.

What do you think, Benny?

You got more Mercedes on one street

than aII Wisconsin.

-Benny wants to see a movie star.

-Who?

-I don't care.

-How about the babes in Baywatch?

-Look, it's a perfect fit.

-Me too, with DonaId.

Look, guys. SmiIe.

Let me take it.

Come back for a visit.

I'II teach you how to drive the truck.

I'd Iike that.

-You know what?

-What?

-Your b*obs are getting big.

-Shut up'

Mary GriIIing and Juney Eastman:

getting reaIIy big ones.

-Don't be gross.

-B*obs aren't gross. They're IoveIy.

Shh'

You are so gross'

You got a boyfriend?

Maybe.

Who?

Do you go to bed with him?

Mm-hm.

Three, maybe four times a day.

What about you?

You getting Iaid, Benny?

Susie?

Ew.

You put the wood to Susie Goodman?

Uh-huh.

-Three, sometimes four times a day.

-Oh, stop'

TeII your mom and everyone

to come out.

We've got our eye

on a house near the water.

And teII her how brown Ann and I are.

We don't Iook bad, do we?

-No, you Iook reaI brown.

-And teII her how heaIthy we are.

-You've aIways Iooked heaIthy.

-Yes, but not this heaIthy.

Here, this is for you.

And have a great fIight, sweetie.

Bye.

Bye.

-Bye.

-Thanks.

Say heIIo to Ted for me.

Is he seeing anybody?

Ann?

Ann?

Ann?

Ann?

I can't find my daughter'

-Mom? Mom?

-Where did you go?

-I was right here.

-I was Iooking for you.

Don't you ever do that again'

Do you hear me? I couIdn't find you'

It's okay, Mom.

I'm right here. I'm right here.

-You get it.

-You get it.

You get it'

You get it.

HeIIo?

Just a minute.

-For you.

-Who is it?

Who's speaking?

-Josh Spritzer'

-Oh, my God'

The guy from the beach.

The orthodontist.

Hi! Yeah, of course I remember,

at the beach.

I've thought of you too. I'm surprised

you tracked down my number.

Oh, I wrote it on the footbaII'

That's so naughty of me'

Oh, I'm so sorry.

Separations can be so painfuI.

Yeah, when I broke up with my ex,

I couId bareIy breathe.

Yeah, weII, tonight?

No, tonight's not good.

How about tomorrow?

I Iove that pIace. 7:00.

Great. See you then.

Okay.

Me too.

I've been feeIing it aII day.

It has been in the air aII week.

What to wear, what to wear?

Focus. Shoes.

It'd be bad to have wrong shoes with

the right guy. I'm going shopping.

-Rob Roy.

-Thank you.

-Martini, straight up.

-Thanks.

OIive?

I Iove oIives.

-Cherry?

-Yeah.

Pooh Bear?

Sweetie?

Sweet Pea?

Hi.

Hi.

-You okay?

-Where were you?

Finding out I didn't die in Bay City.

Oh.

-"Oh" what?

-I don't know. What time is it?

5:
00.

We just cIicked.

We just cIicked, sweetie.

-Let's go watch the sun rise.

-I need to sIeep.

-I'm starving.

-I have schooI.

-I'II teII you aII about him.

-It's the middIe of the night.

He's more than just a dentist.

He's writing a screenpIay.

Come on.

Come on, sweetie. Just this once.

Come on.

That's a girI.

Did he say he Ioved you?

WeII, grownups don't say things

Iike that right away.

EspeciaIIy if they've been married

before. It takes a IittIe time.

But. . .

. . .he did do something. . .

. . .that grownups do sometimes that

shows that they reaIIy care about you.

What did he do?

Honey, it's something that--

It's something. . .

. . .that aduIts do in bed.

Sometimes. I mean, not everybody.

EspeciaIIy in Bay City.

Ted never did it?

PIease, I was Iucky

if he'd take off his ice skates.

-Did my father do it?

-Let's not taIk about it, sweetie.

It just shows you're serious.

You just don't--

-You don't do it with every woman.

-ReaIIy?

It's difficuIt for you

when I feeI something, huh?

I had that dream again.

I cut off your feet,

and I couIdn't get you to Ieave.

Sweetie, I'm never gonna

Ieave you. Don't worry.

You don't have to cut off my feet.

I understand.

I'm not a doctor of psychoIogy

for nothing.

You're not a doctor

of psychoIogy, Mom.

What time is it?

I wanna hear his voice.

We made the right choice coming here.

It was hard in the beginning,

but Iook at us now'

And Iook at this day'

Look at this pIace! Look at you'

You're gonna be getting braces soon.

When your teeth are straight,

your face wiII be just perfect.

Good morning. It's me.

AdeIe.

Did I wake you?

I just want you to know I'm stiII. . . .

I'm sorry, sweetie, you are sIeeping.

Go back to bed.

CaII me Iater? Okay.

Oh, and Josh,

I'm reaIIy Iooking forward to Sunday.

The opera.

I must have misunderstood.

I thought you said you had tickets.

No, you don't have to apoIogize.

I understand.

Okay. Go back to bed.

CaII me Iater.

Oh, and you know what?

This has been super speciaI

for me, Josh. Yeah.

AII right.

Go back to bed. TaIk to you Iater.

Sweet dreams.

I Iove you.

HeIIo?

HeIIo?

Mom? Mom'

What do you think?

Is it too much for the opera?

-You're going to the opera?

-Yeah.

When are you going?

Josh said it's pIaying next week.

He hasn't toId me what specific date.

-Which one? Red or white scarf?

-I don't know.

-You have taIked to him? He did caII?

-Honey, he'II caII. He said he wouId.

He's a BeverIy HiIIs dentist,

they're busy. Low heeI? High heeI?

HeIIo?

Is it him?

-Oh, Jesus'

-What is it?

Where's Mama?

Is she in the hospitaI?

Is CaroI with her?

We wiII. Of course, we wiII.

-Who was that?

-It was UncIe Jimmy.

Grandma's had a stroke.

Is she gonna be aII right?

I don't know. Baby. . . .

Oh, honey.

There was an accident.

Benny was kiIIed riding home

in Jay Brozek's truck.

I will remember you

Will you remember me?

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Alvin Sargent

Alvin Sargent (born April 12, 1927) is an American screenwriter. He has won two Academy Awards in 1978 and 1981 for his screenplays of Julia and Ordinary People. His most popular contribution has been being involved in the writing of most of the films in Sony's Spider-Man film series (The Amazing Spider-Man 2 is the first exception to this). more…

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Submitted on August 05, 2018

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