Apocalypse Now Redux Page #14

Synopsis: Secret ops assassin Captain Willard (Martin Sheen) is sent on a mission up a river during the Vietnam War to "terminate with extreme prejudice" the errant Colonel Kurtz (Marlon Brando). In addition to being re-edited with the new footage, the film has been completely restored, converted to digital, and reprinted by dye-transfer, improving color reproduction.
Genre: Drama, War
Year:
2001
1,080 Views


EXT. RIVER - FULL SHOT - THE BOAT - DUSK

It is parked, hidden under some trees along the riverbank.

CHEF (O.S.)

I'm not here...I'm walking through

the jungle gathering mangos, and I

meet Raquel Welch. I can male

nice mango cream pudding. You

know, kind of spread it around on

us...

Chef is lying on his back, his eyes closed. Lance is

standing on the riverbank next to the PBR. He is taking a

leak. He finishes, then turns and squats next to a blue

bucket and starts washing his Air-Cav trunks.

CHEF:

...See, she's into mangoes, too.

She's like one limb above me.

We're both in the jungle here,

nude.

We HEAR a helicopter coming toward the vicinity of the

boat. The wind begins to hit the trees and boat.

CLEAN:

(to Chief)

Hey, Chief? Here comes that colonel

guy again.

The SOUND of the helicopter gets closer...and an

indistinguishable language on a loudspeaker. Lance gathers

his bucket and soap and jumps up on the PBR.

KILGORE (OVER P.A.)

"I will not harm or hurt you.

Just give me back the board, Lance.

It was a good board and I like it.

You know how hard it is to find a

board that you like."

The helicopter drones on into the distance-the same speech

starts again farther off-finally the noise ceases.

CHEF:

Determined motherf***er, ain't he?

Cock-sucker!

Willard snaps off a salute at the passing copter. It

disappears into the distance.

CLEAN:

Jesus Christ. That guy's too

f***ing much, man.

LANCE:

Do you think he would've shot us?

WILLARD:

He would've shot us on the beach,

or if he saw me taking his board.

CLEAN:

(singing)

Let's go surfing now, Everybody's

learning how..

LANCE:

Let's get this board out of my

turret.

CLEAN:

Sucker.

LANCE:

Come on, how am I gonna shoot him

the next time he comes around?

WILLARD:

Hey, Chef, make some room back

there for the board.

They stow the board in the back of the boat, hiding it.

CHIEF:

I wonder if that's the same chopper.

WILLARD:

Hell, he's probably got them all

over the river with that recording.

We'll have to hold up here till

dark, Chief.

(to Lance)

Don't worry Lance, he won't follow

us too far.

LANCE:

What makes you say that?

WILLARD:

You think that Cav colonel wants

everyone up river to know we stole

his board?

LANCE:

I didn't steak it!

Willard laughs, lights up a cigarette.

CHIEF:

Captain? Just how far up this

river are we going?

WILLARD:

That's classified, Chief. I can't

tell you. We're going up pretty

far.

CLEAN:

Is it gonna be hairy?

WILLARD:

I don't know, kid. Yeah, probably.

CHIEF:

You like it like that, Captain?

When it's hot, hairy?

WILLARD:

F***.

(a beat)

Maybe you'll get a chance to know

what the f*** you are in some

factory in Ohio.

Chef steps forward with a plastic bucket.

CHEF:

Hey, Chief, I'm gonna go get those

mangoes now, okay?

CHIEF:

Take somebody with you.

WILLARD:

I'll go with him.

He turns and follows Chef off the PBR. They climb up the

bank, away from the boat, into the jungle.

EXT. JUNGLE - MEDIUM VIEW - DUSK

Chef and Willard cautiously walk through the dark

underbrush. We SEE fragments of them, LOSE then

occasionally, and just MOVE through the jungle. WE HEAR

this conversation throughout:

WILLARD:

Chef?

CHEF:

Yes, sir.

WILLARD:

How come they call you that?

CHEF:

Call me what, sir?

WILLARD:

Chef. 'Cause you like mangoes and

stuff?

Rate this script:0.0 / 0 votes

John Milius

John Frederick Milius is an American screenwriter, director, and producer of motion pictures. He was one of the writers for the first two Dirty Harry films, received an Academy Award nomination as ... more…

All John Milius scripts | John Milius Scripts

0 fans

Submitted by aviv on November 03, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Apocalypse Now Redux" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/apocalypse_now_redux_463>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Apocalypse Now Redux

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does the term "plant and payoff" refer to in screenwriting?
    A The payment to writers for their scripts
    B The introduction of main characters
    C Setting up the final scene
    D Introducing a plot element early that becomes important later